Canadiana


Book Description




Le "moment 68" et la réinvention de l'Acadie


Book Description

The 1960s were a victorious decade for francophones in New Brunswick, who witnessed the election of the first Acadian premier and the opening of a French-language university. But in 1968, students took to the streets of Moncton, demanding further concessions. What provoked these students to spark a cultural revolution on par with those overtaking English Canada and Quebec? Were they simply heirs to a long line of nationalists seeking more rights for francophones, as older histories suggest, or were they leftists whose demands echoed the ideas of student movements in Quebec, English Canada, the United States, and France? Belliveau argues that the student movement emerged in the late 1950s as an expression of the province’s changing youth culture but then evolved as students drew inspiration from the ideas of the New Left, shifting allegiance from liberalism to radical communitarianism and ultimately fuelling the fires of a new brand of Acadian nationalism in the 1970s.




Perspectives on Early Keyboard Music and Revival in the Twentieth Century


Book Description

The twentieth-century revival of early music unfolded in two successive movements rooted respectively in nineteenth-century antiquarianism and in rediscovery of the value of original instruments. The present volume is a collection of insights reflecting the principal concerns of the second of those revivals, focusing on early keyboards, and beginning in the 1950s. The volume and its authors acknowledge Canadian harpsichordist Kenneth Gilbert (b. 1931) as one of this revival’s leaders. The content reflects international research on early keyboard music, sources, instruments, theory, editing, and discography. Considerations that echo throughout the book are the problematics of source attributions, progressive institutionalization of early music, historical instruments as agents of artistic change and education, antecedents and networks of the revival seen as a social phenomenon, the impact of historical performance and the quest for understanding style and genre. The chapters cover historical performance practice, source studies, edition, theory and form, and instrument curating and building. Among their authors are prominent figures in performance, music history, editing, instrument building and restoration, and theory, some of whom engaged with the early keyboard revival as it was happening.







Film Cartoons


Book Description

This work covers ninety years of animation from James Stuart Blackton's 1906 short Humorous Phases of Funny Faces, in which astonished viewers saw a hand draw faces that moved and changed, to Anastasia, Don Bluth's 1997 feature-length challenge to the Walt Disney animation empire. Readers will come across such characters as the Animaniacs, Woody Woodpecker, Will Vinton's inventive Claymation figures (including Mark Twain as well as the California Raisins), and the Beatles trying to save the happy kingdom of Pepperland from the Blue Meanies in Yellow Submarine (1968). Part One covers 180 animated feature films. Part Two identifies feature films that have animation sequences and provides details thereof. Part Three covers over 1,500 animated shorts. All entries offer basic data, credits, brief synopsis, production information, and notes where available. An appendix covers the major animation studios.







Creative Canada


Book Description

Did he ever play Hamlet? Has she worked in television? What was the title of his first novel? Under whom did she study? How many children has he? Answers to such questions about contemporary Canadian artists have often been difficult, even impossible, to find. This series has been created to provide the answers; it covers creative and performing artists who have contributed as individuals to the culture of Canada in the twentieth century. Each volume in the series presents a cross-section of many different kinds of artists: authors of imaginative works, artists and sculptors, musicians (performers, composers, conductors, and directors), and performing artists in ballet, modern dance, radio, theatre, television, and motion pictures; directors, designers, and producers in theatre, cinema, radio, television, and the dance; choreographers and, for cinema, cartoonists and animators. Within each category of art is included a selection of those who have achieved national and international recognition; those who have been recognized locally, and some, now deceased, who markedly influenced their contemporaries locally, nationally, or internationally. This is not a critical compilation; rather it is an objective and factual reference work for those interested in contemporary Canadian culture. Information was collected by painstaking research in a wide variety of sources, and wherever possible it has been verified by the artist to make each entry as accurate and comprehensive as possible.




The End of the CBC?


Book Description

The End of the CBC? is about three overlapping crises: the crisis that has enveloped the CBC, the crisis of news, and the crisis of democracy. The emergence of platforms such as Google, Facebook, Twitter, and Netflix, the hyper-targeting of individual users through data analytics, the development of narrow online identity communities, and the rise of an attention economy have changed the media landscape in dramatic ways. Describing the failure of successive governments to address problems faced by the public broadcaster, this book explains how the CBC lost its place in sports, drama, and entertainment. Taras and Waddell propose a way forward for the CBC – one in which the corporation concentrates its resources on news and current affairs and re-establishes a reputation for depth and quality.




Who's who in Canada


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An illustrated biographical record of leading Canadians from business, the professions, government, and academia.




Extraordinary Canadians Pierre Elliott Trudeau


Book Description

Love him or hate him, Pierre Trudeau has marked us all. The man whose motto was "reason over passion" managed to arouse in Canadians the fiercest of passions of every hue, ones that even today cloud our view of him and of his place in history. Acclaimed novelist Nino Ricci takes as his starting point the crucial role Trudeau played in the formation of his own sense of identity to look at how Trudeau expanded us as a people, not in spite of his contradictions but because of them.