The Concept of Vakrokti in Sanskrit Poetics


Book Description

In the whole range of Sanskrit poetics, the term vakrokti took altogether a new significance and the highest position as the all pervading poetic concept in Kuntaka's Vakroktijivita. He revived the concept from more verbal poetic figure to the lessons of poetry. He not only explains but also explores the multi-dimensional aspects of Vakrokti. But unfortunately, no comprehensive study of Vakrokti has been done in a systematic way. This book is an effort in this direction. Presenting the major schools of Sanskrit poetics, the book gives general definition of vakrokti and its multi-dimensional implications. Further taking a close look at the views of different theorists on vakrokti, it exposes in detail kuntaka's theory of vakrokti and makes its critical analysis in relation to various literary concepts- alankara, svabhavokti, rasavadalankara, marga and rasa. Finally, it deals with the striking similarities between dhvani and vakrokti, and brings out the fundamental aspects of practical criticism as shown by kuntaka.




Studies in Literary Criticism


Book Description

The Twenty-Five Critical Studies In The Book Which Cover A Wide Spectrum Of Subjects, Authors, Titles And Concepts Across Time And Space, May Be Broadly Classified Into Four Categories : Essays On (I) Critical Theory, (Ii) On Individual Authors, (Iii) In Comparative Literature And (Iv) On Language In Addition To A Culture Study Focussed On The Present Day American Scenario.The Essays Which Encompass The Vast Areas Of Knowledge From Plato To Derrida, From Bharata And Anandavardhana To Bankim, Tagore And Contemporary Indian Literary Criticism As Well As British, French, German, American And Indian Authors Are Yet Remarkable For Profundity Of Thought, Originality Of Approach And Lucidity Of Expression.These Highly Perceptive Explorations Into The Western And The Indian Intellectual Traditions Offer A Rich Aesthetic Experience, And While Scholars Will Immensely Benefit From The Book, The General Readers Will Also Find It Highly Interesting And Enjoyable.




A Companion to Sanskrit Literature


Book Description

In course of his studies in Sanskrit literature and research relating to various aspects of it, the author of the present work often felt the need of a vade mecum containing brief accounts of authors and works, information about the principal characters of Sanskrit plays, poems and prose works, the meaning of certain technical terms in common use, the common geographical names and the notable myths and legends. A Companion to Sanskrit Literature, the first work of its kind, covers a period of nearly 3500 years from the Vedic age down to the modern times. It seeks to acquaint the reader, within a brief compass, with the contents of outstanding works and authors in Sanskrit literature, followed by up-to-date bibliographies. Brief accounts of the important character in well-known poems, dramas and prose works have also been given. Important geographical names, with their modern identification as far as practicable, have also been laid down. Common technical terms, used in the different branches of Sanskrit literature, have been briefly explained, Prominent figures in myths and legends have been dealt with. In a number of appendices, various kinds of useful information about Sanskrit literature including sciences, sports and pastimes, etc. in ancient and medieval India have been set forth. It is an indispensable vade mecum for the general readers, the specialists and researchers. It is like a capsule taking the reader through the vast firmament of Sanskrit literature up to remote ages. -- Amazon.com.




History of Sanskrit Poetics


Book Description

This book has inspired many scholars to study the numerous works on Alankara, to produce papers dealing with several aspects of Alankarasastra and to publish several important texts. The author has made substantial additions and changes in this edition and has included valuable new material.The book is divided into two parts. The first part contains an account of the important works on Alankarasastra, a brief analysis of their contents and the chronology of writers on Alankarasastra and other kindred matters. The second part comprises a review of subjects that fall under the purview of Alankarasastra. The author has attempted to show how from very small beginnings various theories of Poetics and Literary Criticism were evolved, to dilate upon the different aspects of an elaborate theory of Poetics and trace the history of literary theories in India.




The Language of Literature and its Meaning


Book Description

There is a marked awareness about the language of literature and its meaning both in Indian and Western aesthetic thinking. The aestheticians of both schools hold that the language of literature embodies a significant aspect of human experience, and represents a creative pattern of verbal structure to impart meaning effectively. Modern Western aesthetic thinking, which includes theories like formalism, new criticism, stylistics, structuralism, post-structuralism, deconstruction, discourse analysis, semiotics and dialogic criticism, in one way or another emphasizes the study of the language of literature in order to understand its meaning. Similarly, there is a distinct focus on the language of literature and its meaning in Indian literary theories which include the theory of rasa (aesthetic experience), alaṁkāra (the poetic figure), rīti (diction), dhvani (suggestion), vakrokti (oblique expression) and aucitya (propriety). This book explores how the language of literature and its meaning have been dealt with in both Indian and Western aesthetic thinking. In doing so, the study concentrates on Kuntaka’s theory of vakrokti and Ānandavardhana’s theory of dhvani in Indian aesthetic thinking and Russian formalism and deconstruction in Western thinking. The book categorically focuses on the intersection between the theory of vakrokti and Russian formalism and the meeting-point between the theory of dhvani and deconstruction.





Book Description




Janakiharana of Kumaradasa


Book Description

Janakiharana of Kumaradasa is the first Sanskrit Mahakavya, so far as the extant literature goes, to deal solely with the whole of the Ramayana-story. Its further interest is that it was produced in Ceylon, showing thereby the wider world over which Sanskrit had its sway. After manuscripts of the full text of the poem in twenty cantos had to come to light in South India, what is now presented was the first systematic and critical study to be undertaken to the author and the text and its position vis-a-vis other Mahakavyas. In addition to the above study and the critical edition of the cantos which were at that time unpublished, the book offers an examination of the large number of extra-verses found in some MSS of the text and showing them as interpolations.




The Sense of Adharma


Book Description

Addressing one of the most difficult conceptual topics in the study of classical Hinduism, Ariel Glucklich presents a rigorous phenomenology of dharma, or order. The work moves away from the usual emphasis on symbols and theoretical formulations of dharma as a religious and moral norm. Instead, it focuses on images that emerge from the basic experiential interaction of the body in its spatial and temporal contexts, such as the sensation of water on the skin during the morning purification, or the physical manipulation of the bride during the marriage ritual. Images of dharma are examined in myths, rituals, art, and even the physical landscape of the Hindu world. The varied and contingent experiences of dharma infuse it with a meaning that transcends a false analytical distinction from adharma, or chaos. Glucklich shows that when dharma is experienced by means of living images, it becomes inescapably temporal, and therefore inseparable from adharma




Hardy and the Rasa Theory


Book Description

Thomas Hardy, 1840-1928, English novelist and poet.