Son of Siena


Book Description

The eye-openers begin on page 1 of Son of Siena, where Roberto muses, "I could not help but think what the world would be like if I did not help Italy and Germany win World War II." Thus begins the ride of a lifetime-and what a life That life begins and ends in Siena, Italy, and winds through America and Europe at crucial moments of history during both World Wars and their pre- and post- periods, with an influence that spreads throughout the world like tentacles. Yes, those tentacles are ominous but the creature that possesses them is also blessed with great lights that pervade the entire book. Roberto is very much a man of this world, but surrounding him throughout his life are people who are devout, who would have him also take thought of the world to come. Will Roberto do that? What in this world seems more worthy of his attention, and how will he use it to achieve his grand desires? Will he be pleased with the results? In finding the answers to those questions, you will be joining Roberto and a fascinating assortment of supporting characters; and be blissfully exposed to an astonishing array of historical facts that both broaden and deepen a spiritual and intellectual odyssey undertaken by a Son of Siena. Beginning in 1896 Italy, the first half of the story flows through the history and relationships that shape Roberto's life. During these unaltered historic events, the main character eventually accumulates great wealth. After a seminal event changes Roberto fundamentally, he decides Italy needs to be the greatest of the great powers rather than the least. As Roberto begins the building of the Second Roman Empire, he attempts to remain anonymous for the safety of his family. This he believes can be accomplished by becoming Benito Mussolini's muse. Will Roberto be able to handle Mussolini? Will some parts of history not allow themselves to be altered? What will the world look like, and will it appear much different? I am a registered nurse and work in a hospital in Massachusetts. I have bachelors of science degrees in nursing and biology from the University of Massachusetts at Lowell. I am married with two children. I was born in Lowell, Massachusetts and was raised in the greater Lowell area. My job is nursing but my passion has always been history. My love of history began in my early teens and has grown since. One thing about history is that it repeats itself because fundamentally most people's motives have not changed. Whether you were a farmer in Mesopotamia or a steel worker in 1930's Germany, the need to eat, clothe yourself, and provide shelter remained paramount. The fascinating thing about people is to what extent they will go to meet those needs; and how their decisions concerning the economic and social structures, military and religious matters are affected. I have studied history for over thirty years. One day in early 2006, I was doing a dressing change on a patient. We were talking about our jobs and mutual interest in books when I mentioned my idea about writing a historic novel. After listening to me, the patient encouraged me to put the story on paper because he believed people would enjoy the book. I thought he was a kind older man, but wondered whether he knew what he was talking about. When I went home that night I googled his name to see what would come up. I was greatly surprised when all sorts of literary prizes and awards were associated with his name. The next night I began writing Son of Siena. I cannot say who the person was because he was a patient of mine, and there are privacy laws involved, though I wish I could.




A Month in Siena


Book Description

From the Pulitzer Prize–winning author of The Return comes a profoundly moving contemplation of the relationship between art and life. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND EVENING STANDARD After finishing his powerful memoir The Return, Hisham Matar, seeking solace and pleasure, traveled to Siena, Italy. Always finding comfort and clarity in great art, Matar immersed himself in eight significant works from the Sienese School of painting, which flourished from the thirteenth to the fifteenth centuries. Artists he had admired throughout his life, including Duccio and Ambrogio Lorenzetti, evoke earlier engagements he’d had with works by Caravaggio and Poussin, and the personal experiences that surrounded those moments. Including beautiful full-color reproductions of the artworks, A Month in Siena is about what occurred between Matar, those paintings, and the city. That month would be an extraordinary period in the writer’s life: an exploration of how art can console and disturb in equal measure, as well as an intimate encounter with a city and its inhabitants. This is a gorgeous meditation on how centuries-old art can illuminate our own inner landscape—current relationships, long-lasting love, grief, intimacy, and solitude—and shed further light on the present world around us. Praise for A Month in Siena “As exquisitely structured as The Return, driven by desire, yearning, loss, illuminated by the kindness of strangers. A Month in Siena is a triumph.”—Peter Carey




Letters of Catherine Benincasa


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Dialogue


Book Description

Catherine of Siena (1347-1380), mystic and Doctor of the Church, wrote The Dialogue, her crowning spiritual work, for "the instruction and encouragement of all those whose spiritual welfare was her concern."




Art as Politics in Late Medieval and Renaissance Siena


Book Description

In Art as Politics in Late Medieval and Renaissance Siena, contributors explore the evolving relationship between image and politics in Siena from the time of the city-state's defeat of Florence at the Battle of Montaperti in 1260 to the end of the Sienese Republic in 1550. Engaging issues of the politicization of art in Sienese painting, sculpture, architecture, and urban design, the volume challenges the still-prevalent myth of Siena's cultural and artistic conservatism after the mid fourteenth century. Clearly establishing uniquely Sienese artistic agendas and vocabulary, these essays broaden our understanding of the intersection of art, politics, and religion in Siena by revisiting its medieval origins and exploring its continuing role in the Renaissance.




Siena


Book Description

"Siena: City of Secrets" is a charming, intimate portrait of this most secretive of cities, often overlooked by travelers to Italy. Part cultural history and intellectual memoir, part travelogue and guide book, Tylus writes with a novelist s flair, taking the reader on a quest of discovery through the well- and not-so-well-travelled roads and alleys of the ancient city. Today, Siena can appear on the surface standoffish, a bit static, and very old-fashioned, especially when compared to its larger, flashier cousins Roma and Firenze. But first impressions wear away as we learn from Tylus that Siena was, over the long view, an innovator among the cities of Italy: the first to pave its streets and main plaza (1298), the first to publicly fund its university (1321), the first to employ the promissory note (1720), the first to ban automobile traffic from its city center (1965), and much else. We also hear about Siena s great artistic and architectural past, hidden behind centuries of over painting and rebuilding, and about its resident apocryphal and not-so-apocryphal Saints. And about the distinctive characters of its different neighborhoods ( contrade ), exemplified in the highly competitive horserace that takes place annually in the city and that serves as both a dividing and a uniting force for the Sienese. Throughout we are guided by the assuring voice of a seasoned scholar with a gift for spinning a good story and with an eye for the telling detail, whether we are traveling Siena s modern highways or digging through ancient Etruscan tombs; or shadowing the path walked by medieval pilgrims; or tracking the city s financial history from its beginnings as the once-great center for commerce in the sixteenth century to its near collapse in January 2013; or celebrating literary giants Dante and Calvino or giants of the arena, Siena s Series A soccer team. A useful and entertaining guide for students of Italian culture (Tylus has written discursive, reader-friendly endnotes and included a full bibliography in the back matter), the book will also appeal to the traveler and tourist (virtual or otherwise) interested in learning more about this ancient, mysterious, reclusive citydespite itself."




Reclaiming Catherine of Siena


Book Description

Catherine of Siena (1347–1380) wrote almost four hundred epistles in her lifetime, effectively insinuating herself into the literary, political, and theological debates of her day. At the same time, as the daughter of a Sienese dyer, Catherine had no formal education, and her accomplishments were considered miracles rather than the work of her own hand. As a result, she has been largely excluded from accounts of the development of European humanism and the language and literature of Italy. Reclaiming Catherine ofSiena makes the case for considering Catherine alongside literary giants such as Dante and Petrarch, as it underscores Catherine's commitment to using the vernacular to manifest Christ's message—and her own. Jane Tylus charts here the contested struggles of scholars over the centuries to situate Catherine in the history of Italian culture in early modernity. But she mainly focuses on Catherine’s works, calling attention to the interplay between orality and textuality in the letters and demonstrating why it was so important for Catherine to envision herself as a writer. Tylus argues for a reevalution of Catherine as not just a medieval saint, but one of the major figures at the birth of the Italian literary canon.




Son of the Alhambra


Book Description

Last of the Spanish Renaissance men, Diego Hurtado de Mendoza (1504–1575) was a master of the humanist disciplines as well as an active diplomat whose correspondence provides insight into the workings of power politics in the first post-Machiavellian decades. This account of Mendoza's diplomatic career is a living commentary on the mid-sixteenth century, the time of the Spanish Inquisition and the Reformation, with its upheavals in the European balance of power. Mendoza served as ambassador of Charles V to Venice and Rome and as governor of Siena. His political life complements the reign of the Emperor whose ambition was to become a universal monarch. An interesting contradiction in Mendoza's thought—his humanist theories versus personal ambition—prevented him from successful implemention of tyrannical imperial policies. His role in the government of the Holy Roman Empire shows how the exertion of imperialist power, humanist ethics notwithstanding, inevitably entails corruption, hypocrisy, greed, and imbalance in the one who tries to wield this power. Gifted to the point of universal genius, Mendoza was perhaps the foremost representative of the splendid but little-known epoch of Spanish humanism, the era between the death of Queen Isabel (1504) and the abdication of her grandson Charles V (1556). Spain's short-lived Renaissance came to an abrupt end with the accession of Philip II and the almost simultaneous onset of the Counter Reformation. To this changed Spain, under monolithic thought control now exacted and enforced by monarch and Inquisition, Mendoza returned to live the last third of his life, mostly in obscurity, and in the last few years in royal disgrace. Based on primary sources, this first biography of Mendoza in English also examines the relevance of some of Don Diego's disputed literary works to the legend that grew up around him as a spokesman for latent unorthodox opinion.




Life of Saint Catharine of Sienna


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







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