Son of the Alhambra


Book Description

Last of the Spanish Renaissance men, Diego Hurtado de Mendoza (1504–1575) was a master of the humanist disciplines as well as an active diplomat whose correspondence provides insight into the workings of power politics in the first post-Machiavellian decades. This account of Mendoza's diplomatic career is a living commentary on the mid-sixteenth century, the time of the Spanish Inquisition and the Reformation, with its upheavals in the European balance of power. Mendoza served as ambassador of Charles V to Venice and Rome and as governor of Siena. His political life complements the reign of the Emperor whose ambition was to become a universal monarch. An interesting contradiction in Mendoza's thought—his humanist theories versus personal ambition—prevented him from successful implemention of tyrannical imperial policies. His role in the government of the Holy Roman Empire shows how the exertion of imperialist power, humanist ethics notwithstanding, inevitably entails corruption, hypocrisy, greed, and imbalance in the one who tries to wield this power. Gifted to the point of universal genius, Mendoza was perhaps the foremost representative of the splendid but little-known epoch of Spanish humanism, the era between the death of Queen Isabel (1504) and the abdication of her grandson Charles V (1556). Spain's short-lived Renaissance came to an abrupt end with the accession of Philip II and the almost simultaneous onset of the Counter Reformation. To this changed Spain, under monolithic thought control now exacted and enforced by monarch and Inquisition, Mendoza returned to live the last third of his life, mostly in obscurity, and in the last few years in royal disgrace. Based on primary sources, this first biography of Mendoza in English also examines the relevance of some of Don Diego's disputed literary works to the legend that grew up around him as a spokesman for latent unorthodox opinion.




Tales of the Alhambra


Book Description

Rough draughts of some of the following tales and essays were actually written during a residence in the Alhambra; others were subsequently added, founded on notes and observations made there. Care was taken to maintain local coloring and verisimilitude; so that the whole might present a faithful and living picture of that microcosm, that singular little world into which I had been fortuitously thrown; and about which the external world had a very imperfect idea. It was my endeavor scrupulously to depict its half Spanish, half Oriental character; its mixture of the heroic, the poetic, and the grotesque; to revive the traces of grace and beauty fast fading from its walls; to record the regal and chivalrous traditions concerning those who once trod its courts; and the whimsical and superstitious legends of the motley race now burrowing among its ruins.




Works


Book Description




A Magic Carpet Ride


Book Description

A Magic Carpet Ride is more than just a travel memoir. It is a story within a story about personal journeys as well as travel journeys. Of the many themes, the strongest is the author's rediscovery of her mother's spirit while traveling "Mother Earth." A cosmic theme unfolds, as well as a theme of preparing for the empty nest. The first generation Greek American author describes what it is like to take her own children back to her ancestral homeland to discover the essence of their roots, much like the author did in her childhood trips to Greece. Over 20 countries are described in A Magic Carpet Ride, as well as an educational unit that the author and her three sons designed to build their own trip itineraries and research components. This book is about travel, history, love, pain, goals, fears, risk, adventure, humor, understanding, letting go and faith. Come take a magic carpet ride!




A Companion to Islamic Granada


Book Description

A Companion to Islamic Granada gathers, for the first time in English, a number of essays exploring aspects of the Islamic history of this city from the 8th through the 15th centuries from an interdisciplinary perspective. This collective volume examines the political development of Medieval Gharnāṭa under the rule of different dynasties, drawing on both historiographical and archaeological sources. It also analyses the complexity of its religious and multicultural society, as well as its economic, scientific, and intellectual life. The volume also transcends the year 1492, analysing the development of both the mudejar and the morisco populations and their contribution to Grenadian culture and architecture up to the 17th century. Contributors are: Bárbara Boloix-Gallardo, María Jesús Viguera-Molíns, Alberto García-Porras, Antonio Malpica–Cuello, Bilal Sarr-Marroco, Allen Fromherz, Bernard Vincent, Maribel Fierro–Bello, Ma Luisa Ávila–Navarro, Juan Pedro Monferrer–Sala, José Martínez–Delgado, Luis Bernabé–Pons, Adela Fábregas–García, Josef Ženka, Amalia Zomeño–Rodríguez, Delfina Serrano–Ruano, Julio Samsó–Moya, Celia del Moral-Molina, José Miguel Puerta–Vílchez, Antonio Orihuela–Uzal, Ieva Rėklaitytė, and Rafael López–Guzmán.




Court of Lions


Book Description

Kate Fordham, escaping terrible personal trauma, has fled to the beautiful sunlit city of Granada, the ancient capital of the Moors in Spain. There she is scraping by with an unfulfilling job in a busy bar. One day, in the glorious gardens of the Alhambra—once home to Sultan Abu Abdullah Mohammed—Kate finds a scrap of paper hidden in one of the ancient walls. Upon it, in strange symbols, has been inscribed a message from another era. The message has lain undiscovered since before the Fall of Granada in 1492, when the city was surrendered to Queen Isabella and King Ferdinand. Born of love, in a time of danger and desperation, the fragment will be the catalyst that changes Kate's life forever. An epic saga of romance and redemption, Court of Lions brings one of the great turning-points in human history to life, telling the dual stories of a modern woman and the last Moorish sultan of Granada, as they both move towards their cataclysmic destinies.




Leaving the Atocha Station


Book Description

Adam Gordon is a brilliant, if highly unreliable, young American poet on a prestigious fellowship in Madrid, struggling to establish his sense of self and his relationship to art. What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam's "research" becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by? In prose that veers between the comic and tragic, the self-contemptuous and the inspired, Leaving the Atocha Station is a portrait of the artist as a young man in an age of Google searches, pharmaceuticals, and spectacle. Born in Topeka, Kansas, in 1979, Ben Lerner is the author of three books of poetry The Lichtenberg Figures, Angle of Yaw, and Mean Free Path. He has been a finalist for the National Book Award and the Northern California Book Award, a Fulbright Scholar in Spain, and the recipient of a 2010-2011 Howard Foundation Fellowship. In 2011 he became the first American to win the Preis der Stadt Münster für Internationale Poesie. Leaving the Atocha Station is his first novel.




The Alhambra


Book Description

Based on many years of painstaking research and covering eleven centuries of medieval, modern and contemporary history, The Alhambra represents a major contribution to world scholarship. During his research for the book, the author has made some very exciting discoveries. He has, for example, resolved one of the great enigmas of Nasrid art by discovering the geometric proportional system on which the entire Alhambra architecture and decoration are based. The designs are at times so intricate that they baffle even professional mathematicians: Professor Fernaacute;ndez-Puertas has cracked the geometric code and discovered that the marvels of the Alhambra are built on a proportional system that is essentially incommensurable and not based on fixed units like metres or inches. This has involved making hundreds of analytical figures, many of which will be included in the book. Professor Fernaacute;ndez-Puertas is also the first to discover the chronological order in which the Alhambra palaces were built. He has collated much fragmentary information in order to reconstruct a picture of court life within the Alhambra and the personalities of its sultans and poet-viziers. The book thus contains the heart of three centuries of Nasrid art, as well as providing a history of the palatine city from the ninth century to the present day: the pre-Nasrid Alhambra, the Nasrid Alhambra and the Christian Alhambra. Based on many years of painstaking research and covering eleven centuries of medieval, modern and contemporary history, The Alhambra will be the most comprehensive scientific work yet issued on the subject--a work of this order is unlikely to be published again within our lifetime.




The Papacy and the Levant, 1204-1571


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