Book Description
Five sonatas and Theme and Variations in G Major (K.501) for piano four hands. Also, Sonata in D Major (K.448/375a) and Fugue in C Minor (K.426) for 2 pianos. Authoritative Breitkopf & Hartel edition."
Author : Wolfgang Amadeus Mozart
Publisher : Courier Corporation
Page : 162 pages
File Size : 25,51 MB
Release : 1990-01-01
Category : Music
ISBN : 0486265013
Five sonatas and Theme and Variations in G Major (K.501) for piano four hands. Also, Sonata in D Major (K.448/375a) and Fugue in C Minor (K.426) for 2 pianos. Authoritative Breitkopf & Hartel edition."
Author : New York Public Library. Music Division
Publisher :
Page : 584 pages
File Size : 37,85 MB
Release : 1990
Category : Music
ISBN :
Author : Maurice Hinson
Publisher :
Page : 248 pages
File Size : 41,98 MB
Release : 1995
Category : Music
ISBN :
A group of resourceful kids start "solution-seekers.com," a website where "cybervisitors" can get answers to questions that trouble them. But when one questioner asks the true meaning of Christmas, the kids seek to unravel the mystery by journeying back through the prophecies of the Old Testament. What they find is a series of "S" words that reveal a "spectacular story!" With creative characters, humorous dialogue and great music, The "S" Files is a children's Christmas musical your kids will love performing.
Author : Mario Raymond Mercado
Publisher :
Page : 184 pages
File Size : 33,71 MB
Release : 1992
Category : Biography & Autobiography
ISBN :
Mario R. Mercado explains Mozart s pivotal involvement in the profound transformation of keyboard practice in the late eighteenth century as the piano supplanted the harpsichord and the keyboard instrument exchanged its former continuo role for a new solo role. After an intriguing look at Mozart s extraordinary childhood filled with the singular experiences and opportunities that helped form his early career, Mercado examines Mozart s early piano works and the new pianistic idioms that shaped their style. Paying particular attention to the Concerto in E-flat Major K. 271, written in 1777, which in its new level of keyboard virtuosity represents a decisive advance in pianistic style, Mercado then scrutinizes the piano genres the composer cultivated during his early maturity the solo sonata and ensemble sonata as well as smaller solo works and the concerto. With his last two piano concertos and a group of small solo works from the final decade of his life, Mozart took the forms of his era to their limit, creating a musical transition to the nineteenth century."
Author : W. Dean Sutcliffe
Publisher : Cambridge University Press
Page : 613 pages
File Size : 49,70 MB
Release : 2020
Category : Music
ISBN : 110701381X
Interprets an eighteenth-century musical repertoire in sociable terms, both technically (specific musical patterns) and affectively (predominant emotional registers of the music).
Author : Mary Kathleen Hunter
Publisher : Cambridge University Press
Page : 363 pages
File Size : 16,65 MB
Release : 2012-07-12
Category : Literary Criticism
ISBN : 1107015146
Haydn is enjoying renewed appreciation: this book explores fresh approaches to his music and the cultural forces affecting it.
Author : Neville H. Fletcher
Publisher : Springer Science & Business Media
Page : 763 pages
File Size : 39,50 MB
Release : 2013-11-09
Category : Science
ISBN : 0387216030
While the history of musical instruments is nearly as old as civilisation itself, the science of acoustics is quite recent. By understanding the physical basis of how instruments are used to make music, one hopes ultimately to be able to give physical criteria to distinguish a fine instrument from a mediocre one. At that point science may be able to come to the aid of art in improving the design and performance of musical instruments. As yet, many of the subtleties in musical sounds of which instrument makers and musicians are aware remain beyond the reach of modern acoustic measurements. This book describes the results of such acoustical investigations - fascinating intellectual and practical exercises. Addressed to readers with a reasonable grasp of physics who are not put off by a little mathematics, this book discusses most of the traditional instruments currently in use in Western music. A guide for all who have an interest in music and how it is produced, as well as serving as a comprehensive reference for those undertaking research in the field.
Author : Stewart Pollens
Publisher : Cambridge University Press
Page : 401 pages
File Size : 46,50 MB
Release : 2017-08-03
Category : Art
ISBN : 110709657X
The first comprehensive study of Bartolomeo Cristofori's working life, featuring detailed technical documentation about his instruments.
Author : Otto Jahn
Publisher : Library of Alexandria
Page : 2127 pages
File Size : 14,55 MB
Release : 2020-09-28
Category : Biography & Autobiography
ISBN : 1465582304
WOLFGANG AMADE MOZART came of a family belonging originally to the artisan class. We find his ancestors settled in Augsburg early in the seventeenth century, and following their calling there without any great success. His grandfather, Johann Georg Mozart, a bookbinder, married, October 7, 1708, Anna Maria Peterin, the widow of another bookbinder, Augustin Banneger. From this union sprang two daughters and three sons, viz.: Fr. Joseph Ignaz, Franz Alois (who carried on his father's trade in his native town), and Johann Georg Leopold Mozart, bom on November 14, 1719, the father of the Mozart of our biography. Gifted with a keen intellect and firm will he early formed the resolution of raising himself to a higher position in the world than that hitherto occupied by his family; and in his later years he could point with just elation to his own arduous efforts, and the success which had crowned them, when he was urging his son to the same steady perseverance. When Wolfgang visited Augsburg in 1777, he gathered many particulars of his father's youth which refreshed the recollections of Leopold himself. We find him writing to his son (October 10, 1777) how, as a boy, he had sung a cantata at the monastery of St. Ulrich, for the wedding of the Hofrath Oefele, and how he had often climbed the broken steps to the organ loft, to sing treble at the Feast of the Holy Cross (November 29, 1777). He afterwards became an excellent organist: a certain Herr von Freisinger, of Munich, told Wolfgang (October 10, 1777) that he knew his father well, he had studied with him, and "had the liveliest recollections of Wessobrunn where my father (this was news to me) played the organ remarkably well. He said: 'It was wonderful, to see his hands and feet going together, but exceedingly fine—yes, he was an extraordinary man. My father thought very highly of him. And how he used to jeer at the priests, when they wanted him to turn monk.'" This last must have been of peculiar interest to Wolfgang, who knew his father only as a devout and strict observer of the Catholic religion. But Leopold remembered the days of his youth, and wrote to his wife (December 15, 1777): "Let me ask, if Wolfgang has not of late neglected to go to confession? God should ever be first in our thoughts! to Him alone must we look for earthly happiness, and we should ever keep eternity in view; young people, I know, are averse to hearing of these things; I was young myself once; but God be thanked, I always came to myself after my youthful follies, fled from all dangers to my soul, and kept steadily in view God, and my honour, and the dangerous consequences of indulgence in sin." Long-continued exertions and self-denial laid the foundation of Leopold Mozart's character in a conscientious earnestness and devotion to duty in great things as in small; they had the effect also of rendering his judgment of others somewhat hard and uncompromising. This is observable in his relations as an official, and as a teacher, and in his dealings on matters of religion. He was a strict Catholic, and feared nothing so much for his children as the influence which a prolonged stay in Protestant countries might exert on their faith; he remarked with surprise that his travelling companions, Baron Hopfgarten and Baron Bose, had often edified him with their discourse, although they were Lutherans (Paris, April 1, 1764).
Author : Paul Metzner
Publisher : Univ of California Press
Page : 403 pages
File Size : 37,58 MB
Release : 2024-07-26
Category : History
ISBN : 0520377400
During the Age of Revolution, Paris came alive with wildly popular virtuoso performances. Whether the performers were musicians or chefs, chess players or detectives, these virtuosos transformed their technical skills into dramatic spectacles, presenting the marvelous and the outré for spellbound audiences. Who these characters were, how they attained their fame, and why Paris became the focal point of their activities is the subject of Paul Metzner's absorbing study. Covering the years 1775 to 1850, Metzner describes the careers of a handful of virtuosos: chess masters who played several games at once; a chef who sculpted hundreds of four-foot-tall architectural fantasies in sugar; the first police detective, whose memoirs inspired the invention of the detective story; a violinist who played whole pieces on a single string. He examines these virtuosos as a group in the context of the society that was then the capital of Western civilization. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1999.