Sonata No. 3 in C Major


Book Description

Sonata no. 3 in C major is one of the first three Beethoven's sonatas (opus 2) written in 1795 and dedicated to Joseph Haydn. This UTEXT edition is based on early original editions, which Beethoven personally supervised. The fingerings are provided by the editor.




Sonata, op. 2, no. 3


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Conversations with Arrau


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Beethoven's Piano Sonatas


Book Description

Beethoven’s piano sonatas form one of the most important collections of works in the whole history of music. Spanning several decades of his life as a composer, the sonatas soon came to be seen as the first body of substantial serious works for piano suited to performance in large concert halls seating hundreds of people. In this comprehensive and authoritative guide, Charles Rosen places the works in context and provides an understanding of the formal principles involved in interpreting and performing this unique repertoire, covering such aspects as sonata form, phrasing, and tempo, as well as the use of pedal and trills. In the second part of his book, he looks at the sonatas individually, from the earliest works of the 1790s through the sonatas of Beethoven’s youthful popularity of the early 1800s, the subsequent years of mastery, the years of stress (1812†“1817), and the last three sonatas of the 1820s. Composed as much for private music-making as public recital, Beethoven’s sonatas have long formed a bridge between the worlds of the salon and the concert hall. For today’s audience, Rosen has written a guide that brings out the gravity, passion, and humor of these works and will enrich the appreciation of a wide range of readers, whether listeners, amateur musicians, or professional pianists. The book includes a CD of Rosen performing extracts from several of the sonatas, illustrating points made in the text.




The Beethoven Sonatas and the Creative Experience


Book Description

The definitive study of Beethoven’s piano sonatas is “remarkable as an insider’s account of the works in an individual perspective.” (European Music Teacher) In “one of the most interesting, useful and even exciting books on the process of musical creation” (American Music Teacher), Kenneth O. Drake groups the Beethoven piano sonatas according to their musical qualities, rather than their chronology. He explores the interpretive implications of rhythm, dynamics, slurs, harmonic effects, and melodic development and identifies specific measures where Beethoven skillfully employs these compositional devices. An interpreter searching for meaning, Drake begins with Beethoven’s expressive treatment of the keyboard—the variations of touch, articulation, line, color, use of silence, and the pacing of musical ideas. He then analyzes individual sonatas, exploring motivic development, philosophic overtones, and technical demands. Hundreds of musical examples illustrate this exploration of emotional and interpretive implications of “the 32.” Here musicians are encouraged to exercise intuition and independence of thought, complementing their performance skills with logical conclusions about ideas and relationships within the score.




Sonata No. 14 in C-Sharp Minor, Opus 27, No. 2 ("Moonlight")


Book Description

Beethoven's Sonata, Opus 27, No. 2, was not known as the "Moonlight Sonata" during his lifetime. The name has its origins in 1832, in remarks by the German music critic Ludwig Rellstab, as he likened the effect of the first movement to that of moonlight shining upon Lake Lucerne. The name caught on quickly, and later in the nineteenth century, it could be said that the sonata was "universally known" by that name.




Moonlight Sonata, Op. 27, No. 2 (Complete)


Book Description

Edited by Willard A. Palmer, this is Beethoven's complete Sonata, Opus 27, No. 2. There are historical notes about the work and the composer, as well as illustrations, performance suggestions regarding staccato, notes by Carl Czerny, and additional footnotes within the score. Mr. Palmer notes that "the present edition has been carefully prepared from the original autograph manuscript and the first edition…"




Beethoven Sonata No. 5 in C Minor


Book Description

Sonata no. 5 in c minor, opus 10 no. 1, URTEXT with Fingerings. For advanced students and professional pianists




Partita No. 1 in B Flat Major BWV 825


Book Description

Bach composed and published his Six Partitas (each one separately) during 1726 - 1730. In 1731 all partitas, grouped in one volume, were published under the title Clavier-�bung Part One. This edition of Partita no. 1 follows the above mentioned first Leipzig edition, which was based on the manuscript copy of Bach's autograph.The fingering is added by the editor.