Author : Michael Talbot
Publisher : Ricordi
Page : 0 pages
File Size : 21,82 MB
Release : 2000-05
Category : Music
ISBN : 9780634018978
With this exciting new series, Ricordi aims at maximum fidelity to the composer's intentions as ascertained from various sources in the light of contemporary notational and performance practice.
Author : Nicola Francesco Haym
Publisher : A-R Editions, Inc.
Page : 122 pages
File Size : 43,66 MB
Release : 2002-01-01
Category : Music
ISBN : 0895795035
Author : Joel Lester
Publisher : Oxford University Press
Page : 197 pages
File Size : 31,49 MB
Release : 2003-11-27
Category : Music
ISBN : 0195171446
J.S. Bach's sonatas and partitas for solo violin have been central to the violin repertoire since the mid-18th century. This engaging introduction to these works is the first comprehensive exploration of their place within Bach's music, focusing on their structural and stylistic features as they have been perceived since their creation. Combining an analytical study, a historical guide, and an insightful introduction to Bach's style, this book will help violinists, scholars, and other listeners develop a deeper personal involvement with many aspects of these wonderful pieces.
Author : Paul Jeffery
Publisher : The Crowood Press
Page : 291 pages
File Size : 25,83 MB
Release : 2017-09-14
Category : Music
ISBN : 0719825075
Chamber music includes some of the world's greatest music. It is widely played in homes, without an audience, by players who are mostly amateurs, and much of the repertoire is playable even by those of quite moderate ability. A Player's Guide to Chamber Music gives advice on what music is available and helps the player to identify what is suitable. It covers chamber music from the seventeenth to the later twentieth century and all instrumental combinations including strings, piano, wind instruments, duet sonatas and baroque ensembles. All the significant composers and musical aspects of playing are covered along with works suitable for inexperienced players. Illustrated with 63 black & white illustrations.
Author : Mark A. Radice
Publisher : University of Michigan Press
Page : 384 pages
File Size : 33,19 MB
Release : 2012-01-19
Category : Music
ISBN : 0472051652
A thorough overview and history of chamber music
Author : H. Owen Reed
Publisher : Alfred Music Publishing
Page : 212 pages
File Size : 40,74 MB
Release : 2003
Category : Music
ISBN : 9780757916663
A revision of the classic 1964 edition exploring counterpoint techniques beyond the stylistic base of the baroque tradition. This practical 194-page book contains a glossary of terms, a bibliography for further study, and a subject index. There is also an index of musical examples, and the included CDs contain recordings of musical examples from the text. Includes perforated exercise pages for students.
Author : Library of Congress. Copyright Office
Publisher :
Page : 866 pages
File Size : 50,11 MB
Release : 1952
Category : Copyright
ISBN :
Author : Library of Congress
Publisher :
Page : 720 pages
File Size : 13,65 MB
Release : 1972
Category : Catalogs, Union
ISBN :
Author :
Publisher :
Page : 742 pages
File Size : 35,66 MB
Release : 1911
Category : Music
ISBN :
Author : Gregory Butler
Publisher : University of Illinois Press
Page : 178 pages
File Size : 49,14 MB
Release : 2007-01-02
Category : Music
ISBN : 0252099508
The sixth volume in the Bach Perspectives series opens with Joshua Rifkin's seminal study of the early source history of the B-minor orchestral suite. Rifkin elaborates on his discovery that the work in its present form for solo flute goes back to an earlier version in A minor, ostensibly for solo violin. He also takes the discovery as the point of departure for a wide-ranging discussion of the origins and extent of Bach's output in the area of concerted ensemble music. In other essays, Jeanne Swack presents an enlightening comparison of Georg Phillip Telemann's and Bach's approach to the French overture as concerted movements in their church cantatas. Steven Zohn views the B-minor orchestral suite from the standpoint of the "concert en ouverture." In addition, Zohn responds to Rifkin by suggesting Bach may have scored the early version of the B-minor orchestral suite for flute.
