Song of the Open Road


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Walt Whitman's poem was first published in the 1856 collection Leaves of Grass.




Song of Myself


Book Description

One of the Greatest Poems in American Literature Walt Whitman (1819-1892) was considered by many to be one of the most important American poets of all time. He had a profound influence on all those who came after him. “Song of Myself”, a portion of Whitman’s monumental poetry collection “Leaves of Grass”, is one of his most beloved poems. It was through this moving piece that Whitman first made himself known to the world. One of the most acclaimed of all American poems, it is written in Whitman’s signature free verse style, without a regular form, meter, or rhythm. His lines have a mesmerizing chant-like quality, as he sought to make poetry more appealing. Few poems are as fun to read aloud as this one. Considered to be the core of his poetic vision, this poem is an optimistic and inspirational look at the world in 1855. It is exhilarating, epic, and fresh in its brilliant and fascinating diction and wordplay as it tries to capture the unique meaning of words of the day, while also embracing the rapidly evolving vocabularies of the sciences and the streets. Far ahead of its time, it was considered by many social conservatives to be scandalous and obscene for its depiction of sexuality and desire, while at the same time, critics hailed the poem as a modern masterpiece. This first version of “Song of Myself” is far superior to the later versions and will delight readers with the playfulness of its diction as it glorifies the self, body, and soul. “I am large, I contain multitudes,”




The Open Road


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Poems by Walt Whitman


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Walt Whitman is widely regarded as one of the masters of American poetry. Here are collected his finest poems, a perfect companion for any fan of Whitman's work.




LEAVES OF GRASS


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Leaves of Grass


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Leaves of Grass


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The Substance of Things Hoped For


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For a brief time in mid-nineteenth century Oneida, New York, two of the most eccentric and fascinating figures in American history crossed paths when troubled soul and soon-to-be presidential assassin Charles Guiteau threw in his lot with John Humphrey Noyes's utopian community of "free love" believers. In The Substance of Things Hoped For, Tom Noyes--a distant relative of John Humphrey Noyes--renders this historical intersection by deftly imagining the dynamics and consequences of an ominous and unusual relationship. As Guiteau stumbles further into madness and eventually achieves infamy for his murder of President Garfield, John Humphrey Noyes is left to face the consequences of his own missteps and misunderstandings as he's forced to make a hasty exit from Oneida. Joining Noyes and Guiteau in their parallel narratives is a chorus of other characters--family members, lovers, rivals, notable historical figures--whose haunting voices complement, undermine, complicate, and enhance Noyes's and Guiteau's versions of events, while also homing in on the novel's most pressing questions, including those related to revelation, delusion, loyalty, and love.




Words and Values


Book Description

This book is a collection of biographical sketches of some of the leading figures of our time, though the figures aren't people but configurations of words. Proposing that such words constitute an active force that can lead us into certain attitudes and behavior with realizing it, Rosenthal shows how our leading language acquired such power and suggests ways to escape its control.




Long after Lauds


Book Description

Ever since the Middle Ages, the first hour of daily prayer in monastic life--Matins--has roused the community from sleep. Wisely, the second hour was reserved for Lauds, which means praise. Praise with that freshly awakened consciousness. In this way, such an attitude toward the world, seen and unseen, could be absorbed before breakfast. The poems in this book continue that tradition--though outside a monastic community--of waking up, reflecting, and discerning what there is to praise--and how, and whom. The book constructs an introspective retrospective of a woman charged with curiosity and accommodating doubt. Over decades, she acknowledges with gratitude her own daily shaping by students, grandchildren, rhinos--a public and private history full of saints and ain'ts. Beyond the author's erstwhile community chanting Lauds, she explores its resonance with wit and wistfulness and arrives at this truth: praise over time alters the one who gives it.