Songlines in Michaeltree


Book Description

Songlines in Michaeltree is the long-awaited collected poems--with the sparkling addition of some new ones--of one of America's most revered poets. Hailed by critics as a distinctive and powerful presence in contemporary American poetry, Michael S. Harper is an artist and a truth teller who tempers his astonishing technical virtuosity with a compassionate and healing vision. A keen observer and a potent commentator, Harper calls a complacent society vigorously to account while cradling the wounded and remembering the lost. Calling Harper "one of the finest poets of our time . . . [and] one of the most human and humane," George Cuomo of the San Francisco Examiner and Chronicle observed, "Harper's poetry has drawn its vitality from the incredible energy of his language and the honesty of his perceptions." Songlines in Michaeltree is a magnificent celebration of Harper's continuing, unstinting gifts.




Richard Wright


Book Description

African-American writer Richard Wright (1908-1960) was celebrated during the early 1940s for his searing autobiography (Black Boy) and fiction (Native Son). By 1947 he felt so unwelcome in his homeland that he exiled himself and his family in Paris. But his writings changed American culture forever, and today they are mainstays of literature and composition classes. He and his works are also the subjects of numerous critical essays and commentaries by contemporary writers. This volume presents a comprehensive annotated bibliography of those essays, books, and articles from 1983 through 2003. Arranged alphabetically by author within years are some 8,320 entries ranging from unpublished dissertations to book-length studies of African American literature and literary criticism. Also included as an appendix are addenda to the author's earlier bibliography covering the years from 1934 through 1982. This is the exhaustive reference for serious students of Richard Wright and his critics.




Encyclopedia of American Poetry: The Twentieth Century


Book Description

The Encyclopedia of American Poetry: The Twentieth Century contains over 400 entries that treat a broad range of individual poets and poems, along with many articles devoted to topics, schools, or periods of American verse in the century. Entries fall into three main categories: poet entries, which provide biographical and cultural contexts for the author's career; entries on individual works, which offer closer explication of the most resonant poems in the 20th-century canon; and topical entries, which offer analyses of a given period of literary production, school, thematically constructed category, or other verse tradition that historically has been in dialogue with the poetry of the United States.




Demands of the Dead


Book Description

This collection by death-row prisoners, playwrights, poets, activists, and literary scholars provides literary perspectives on the subject of the death penalty.




The House of Song


Book Description

As a recipient of Poetry's Levinson Prize and the Ruth Lilly Prize and a nominee for the American Book Award and National Book Award, David Wagoner is one of this country's most celebrated poets. In The House of Song, he offers a hundred new poems in six parts. At turns elegiac, comic, and nostalgic, these poems venture to the seemingly infinitesimal points where people, legends, and culture collide with nature, memory, and action. With characteristic wit and brevity, Wagoner chronicles the material invasions of the natural world, reconsidering Thoreau amid ruminations on voyeurs and destroyers, slug watchers and moth collectors. The House of Song asserts Wagoner's place among the finest of American poets, past and present.




Congo Love Song


Book Description

In his 1903 hit "Congo Love Song," James Weldon Johnson recounts a sweet if seemingly generic romance between two young Africans. While the song's title may appear consistent with that narrative, it also invokes the site of King Leopold II of Belgium's brutal colonial regime at a time when African Americans were playing a central role in a growing Congo reform movement. In an era when popular vaudeville music frequently trafficked in racist language and imagery, "Congo Love Song" emerges as one example of the many ways that African American activists, intellectuals, and artists called attention to colonialism in Africa. In this book, Ira Dworkin examines black Americans' long cultural and political engagement with the Congo and its people. Through studies of George Washington Williams, Booker T. Washington, Pauline Hopkins, Langston Hughes, Malcolm X, and other figures, he brings to light a long-standing relationship that challenges familiar presumptions about African American commitments to Africa. Dworkin offers compelling new ways to understand how African American involvement in the Congo has helped shape anticolonialism, black aesthetics, and modern black nationalism.




Understanding Michael S. Harper


Book Description

A fresh examination of Harper's body of work as an archive of Black life, thought, and culture The first book devoted to the groundbreaking poet's work, Understanding Michael S. Harper locates Harper's poetic project within Black expressive tradition. The study examines poems drawn from the eleven volumes of verse that Harper (1938–2016) produced between 1970 and 2010, bringing attention to his poetry's sustained engagement with music, literature, and the visual arts. Author Michael Antonucci offers readers an account of the poet's career while assessing his verse and providing a sense of its perspective on Black America and the American experience. Throughout his examination of Harper's verse, Antonucci builds on the critical attention the poet received at the outset of his career—he was twice nominated for the National Book Award. Exploring the poet's celebrated examinations of history, kinship, and Black music, Understanding Michael S. Harper develops and expands critical dialogues about the poet and his body of work, which, Antonucci argues, presents a counternarrative about the composition and origins of the United States, reshaping prevailing discourse about race, nation, and identity.




Swinging the Vernacular


Book Description

This book looks at the influence of jazz on the development of African American modernist literature over the 20th century, with a particular attention to the social and aesthetic significance of stylistic changes in the music.




Translating Jazz Into Poetry


Book Description

The study develops a new theoretical approach to the relationship between two media (jazz music and writing) and demonstrates its explanatory power with the help of a rich sampling of jazz poems. Currently, the mimetic approach to intermediality (e.g., the notion that jazz poetry imitates jazz music) still dominates the field of criticism. This book challenges that interpretive approach. It demonstrates that a mimetic view of jazz poetry hinders readers from perceiving the metaphoric ways poets rendered music in writing. Drawing on and extending recent cognitive metaphor theories (Lakoff, Johnson, Turner, Fauconnier), it promotes a conceptual metaphor model that allows readers to discover the innovative ways poets translate “melody,” “dynamics,” “tempo,” “mood,” and other musical elements into literal and figurative expressions that invite readers to imagine the music in their mind’s eye (i.e., their mind’s ear).




Use Trouble


Book Description

For decades, Michael S. Harper has written poetry that speaks with many voices. His work teems with poetry configured as awe, poetry as courtship, and poetry as elegy and homage. Infused with tales and riddles, sass and satire and surprise, Harper’s poetry takes the form of psalms, jazz experiments, soft serenades, and radical provocations. In Use Trouble, his first major collection since Songlines in Michaeltree, Harper renews poetry as the art of taking nothing for granted. In three groups--"The Fret Cycle," "Use Trouble," and "I Do Believe in People"--he draws on his seemingly inexhaustible resources to paint, sing, sympathize, and sorrow. Here are his tributes to his father and family, his irrepressible playfulness, and his lifelong romance between poetry and music.