Sor Juana's Second Dream


Book Description

This historically accurate and beautifully written novel explores the secret inclinations, subjective desires, and political struggles of the 17th-century Mexican nun and poet.




A Sor Juana Anthology


Book Description

Juana Inés de la Cruz was acclaimed in her time as the "Phoenix of Mexico", America's tenth muse; a generation later she was forgotten. Rediscovered 300 years later, her works were reissued and she is now considered one of the finest Hispanic poets of the seventeenth century. Her works speak directly to our concern for the freedom of women to realize themselves artistically and intellectually. This anthology contains a selection of her poems.




Poems, Protest, and a Dream


Book Description




Sor Juana's Love Poems


Book Description

These exquisite love poems, some of them clearly addressed to women, were written by the visionary and passionate genius of Mexican letters, the seventeenth-century nun Sor Juana Inés de la Cruz. In this volume they are translated into the idiom of our own time by poets Joan Larkin and Jaime Manrique. Some of them are rooted in Renaissance courtly conventions; others are startlingly ahead of their time, seemingly modern in the naked power of the complex sexual feelings they address.




A Dream Called Home


Book Description

“Here is a life story so unbelievable, it could only be true.” —Sandra Cisneros, bestselling author of The House on Mango Street From bestselling author of the remarkable memoir The Distance Between Us comes an inspiring account of one woman’s quest to find her place in America as a first-generation Latina university student and aspiring writer determined to build a new life for her family one fearless word at a time. As an immigrant in an unfamiliar country, with an indifferent mother and abusive father, Reyna had few resources at her disposal. Taking refuge in words, Reyna’s love of reading and writing propels her to rise above until she achieves the impossible and is accepted to the University of California, Santa Cruz. Although her acceptance is a triumph, the actual experience of American college life is intimidating and unfamiliar for someone like Reyna, who is now estranged from her family and support system. Again, she finds solace in words, holding fast to her vision of becoming a writer, only to discover she knows nothing about what it takes to make a career out of a dream. Through it all, Reyna is determined to make the impossible possible, going from undocumented immigrant of little means to “a fierce, smart, shimmering light of a writer” (Cheryl Strayed, author of Wild); a National Book Critics Circle Award Finalist whose “power is growing with every book” (Luis Alberto Urrea, Pultizer Prize finalist); and a proud mother of two beautiful children who will never have to know the pain of poverty and neglect. Told in Reyna’s exquisite, heartfelt prose, A Dream Called Home demonstrates how, by daring to pursue her dreams, Reyna was able to build the one thing she had always longed for: a home that would endure.




Femmenism and the Mexican Woman Intellectual from Sor Juana to Poniatowska


Book Description

Hind draws on poetry, short stories, plays, novels, photographs, personal correspondence, advertising, and interviews to make visible the anti-feminine tendencies in femmenism and to imagine a femmenism that will appeal to the next generation of women.




The Politics and Poetics of Sor Juana Inés de la Cruz


Book Description

The Politics and Poetics of Sor Juana Inés de la Cruz examines the role of occasional verse in the works of the celebrated colonial Mexican nun. The poems that Sor Juana wrote for special occasions (birthdays, funerals, religious feasts, coronations, and the like) have been considered inconsequential by literary historians; but from a socio-historical perspective, George Antony Thomas argues they hold a particular interest for scholars of colonial Latin American literature. For Thomas, these compositions establish a particular set of rhetorical strategies, which he labels the author's 'political aesthetics.' He demonstrates how this body of the famous nun's writings, previously overlooked by scholars, sheds new light on Sor Juana's interactions with individuals in colonial society and throughout the Spanish Empire.




Sor Juana Inés de la Cruz


Book Description

CONTENT: Villancios and devotional poems -- Loa to Divine Narcissus -- Divine Narcissus -- Devotional exercises for the nine days before the feast of the most pure incarnation of the Son of God, Jesus Christ, our Lord -- Offerings for the rosary of the fifteen mysteries to be prayed on the feast of the sorrows of our Lady, the Virgin Mary -- Critique of a sermon of one of the greatest preachers, which Mother Juana called Response because of the elegant explanations with which she responded to the eloquence of his arguments -- Letter of "Sor Philotea" -- Response to the very illustrious "Sor Philotea".




Latina Lesbian Writers and Artists


Book Description

Explore a little-known side of the lesbian artistic world! With this book, you’ll explore the work of the most significant contemporary Latina lesbian writers, artists, and performers in the United States, Latin America, and Spain. This book presents and analyzes literature, art, and poetry by women who, despite markedly different backgrounds and experiences, are all strongly influenced by the concept of lesbian identity. Latina Lesbian Writers and Artists begins with an essential A-to-Z overview of modern Latina lesbian authors and performers. From Cuban writer Magaly Alabau to literary critic Yvonne Yarbro-Bejarano, you’ll learn who these women are, where they’re from, and what they’ve chosen as the focus of their work. The rest of the book is structured to give you a look at the work Latina lesbians in the United States and then moves geographically outward, first to Latin America, then to Spain. “Tortilleras on the Prairie: Latina Lesbians Writing the Midwest” provides a unique look at a much-neglected component of Latina lesbian writing—that of the Latinas living far from the East and West Coast hubs of both Latino and queer cultures, exploring Latina lesbian literary production in places like Kansas and Nebraska. “The Role of Carmelita Tropicana in the Performance Art of Alina Troyano,” appraises the imaginative, hilarious, and insightful work of Cuban-American performance artist Alina Troyano (better known by her stage name, Carmelita Tropicana), examining the strategies she used (code switching, the breaking of heterosexist norms, the development of alter-egos, and more) to create a hybrid identity as an artist and performer. “Moving La Frontera Toward a Genuine Radical Democracy in Gloria Anzaldúa’s Work” shows us how Anzaldúa’s pivotal work Borderlands has revolutionized academic perceptions of the border and of identity in Latin American/U.S. Latino literature. You’ll also find passionate poetry created by Latina lesbians. “Como Sabes, Depresión” is a fragment of a passionate bilingual poem written by an English-speaking poet enamored of the Spanish language, and “To Sor Juana” is a poem dedicated to the seventeenth century poet and nun who has become an icon among Latina lesbians. “Lesbianism and Caricature in Griselda Gambaro’s Lo impenetrable” shows how lesbian characters and themes in the works of this Argentine novelist are used to satirize and undermine the perverse social values of patriarchal dictatorship. “The (In)visible Lesbian: The Contradictory Representations of Female Homoeroticism in Contemporary Spain” introduces us to some of Spain’s lesbian authors and communicates the difficulties lesbian writers in that country and around the world have had in finding a receptive audience.




Sor Juana Inés de la Cruz


Book Description

In Sor Juana Ines de la Cruz: Feminist Reconstruction of Biography and Text, Yugar invites you to accompany Sor Juana Ines de la Cruz, a seventeenth-century protofeminist and ecofeminist, on her lifelong journey within three communities of women in the Americas. Sor Juana's goal was to reconcile inequalities between men and women in central Mexico and between the Spaniards and the indigenous Nahua population of New Spain. Yugar reconstructs a her-story narrative through analysis of two primary texts Sor Juana wrote en sus propias palabras (in her own words), El Sueno (The Dream) and La Respuesta (The Answer). Yugar creates a historically-based narrative in which Sor Juana's sueno of a more just world becomes a living nightmare haunted by misogyny in the form of the church, the Spanish Tribunal, Jesuits, and more--all seeking her destruction. In the process, Sor Juana "hoists [them] with their own petard." In seventeenth-century colonial Mexico, just as her Latina sisters in the Americas are doing today, Sor Juana used her pluma (pen) to create counternarratives in which the wisdom of women and the Nahua inform her sueno of a more just world for all.