European Furniture in The Metropolitan Museum of Art


Book Description

This beautifully produced volume is the first to survey the Metropolitan Museum's world-renowned collection of European furniture. One hundred and three superb examples from the Museum's vast holdings are featured. They originated in workshops in England, France, Germany, Italy, the Netherlands, Austria, Russia, or Spain and date from the Renaissance to the late nineteenth century. A number of them belonged to such important historical figures as Pope Urban VIII, Louis XIV, Madame de Pompadour, and Napoleon. The selection includes chairs, tables, beds, cabinets, commodes, settees and sofas, bookcases and standing shelves, desks, fire screens, athéniennes, coffers, chests, mirrors and frames, showcases, and lighting equipment. There is also one purely decorative piece, a superb vase made for a Russian noble family who, according to one awestruck viewer, "owned all the malachite mines in the world." The makers of some of the objects are unknown, but most of the pieces can be identified by label, documentation, or style as the work of an outstanding European designer-craftsman, such as André-Charles Boulle, Thomas Chippendale, David Roentgen, or Karl Friedrich Schinkel.




The Colonial Architecture of Salem


Book Description

Profusely illustrated study offers chronological view of Salem architecture from 1626 to 1818. Detailed descriptions and more than 250 rare illustrations of over 100 buildings — House of the Seven Gables, the Witch House, more.




Calder Jewelry


Book Description

Alexander Calder's jewellery has the same linear yet three-dimensional quality as his famous mobiles, and the parts that comprise each piece are hammered, shaped, and composed in a fashion that echoes the artist's creation of his sculpture. This work features photographs of his jewellery worn by notable patrons, art collectors, and artists.




British Furniture 1820 to 1920


Book Description

- British Furniture 1820 to 1920 - The Luxury Market is the major work in its field, a stunning achievement and a landmark publication - The first book to properly assess the work of British Furniture makers through the 19th century, among them great names such as Gillows, Maples, Hollands and Morris & Co - In over 600 pages, all lavishly illustrated, the author creates the new and definitive work on this subject - Christopher Payne, a former director of Sotheby's, is an independent furniture historian and well-known author who has appeared on the BBC Antiques Roadshow - for over 30 years British Furniture 1820 to 1920 is the first book on the subject for several decades and the only book ever published to span the century from 1820 through to 1920. It creates a continuum to underline the importance of the late Recency style favoured by George IV, moving through to the first two decades of the 20th century, with a host of ever-changing styles and fashions. Payne illustrates the importance of the revival styles and copies: a fundamental part of the furniture trade that has often previously been ignored. Many of the makers' names are familiar to furniture collectors, such as Gillows, Hollands, Collinson & Lock, Morris & Co. and Maples. However, the importance of others, such as Baldock, Blake, Trollope, Hindley & Wilkinson, Hamptons or Lenygon & Morant - as well as a host of provincial makers - is explained. British Furniture 1820 to 1920 - The Luxury Market is a landmark publication and arguably the first book to properly assess British furniture design through the whole of the Victorian era. It goes further than any book has attempted before by filling in important research particular for the latter half of the century. It shows that what is often termed simply, and once pejoratively, as 'Victorian' is often of an earlier date, commencing in the revered Regency period of the 1820s. Christopher Payne considers each decade, adding important new research and building a huge archive of text and images. The book contains in excess of 1000 color photographs and also an important compendium of makers names and details.




French Rococo Ébénisterie in the J. Paul Getty Museum


Book Description

The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.




Paris Furniture


Book Description

Despite the upheavals of the first decades of the nineteenth century, Paris soon recovered its position as a leading centre for furniture and design in Europe, a position that was to grow and strengthen as the century progressed. Encouraged by royal and imperial regimes, exhibited at the great international fairs, and collected by international aristocrats, bankers and newly wealthy industrialists, Paris furniture by the second half of the century had once again become synonymous with luxury and exquisite craftsmanship. Furniture makers drew their inspiration from a vast array of historical periods and cultural sources to create new and exciting designs that both appealed to the eclectic tastes of the nineteenth-century amateur and yet suited the demands for comfort and convenience of the luxury consumer. Building on the generations of skills and techniques that had characterised French furniture during the years of the Ancien Regime, contemporary makers exploited technological advances and new materials to produce some of the most creative and inventive pieces ever made, often surpassing the quality achieved by previous generations. AUTHOR: Christopher Payne's 45-year career in the Decorative Arts spans both the commercial and the academic worlds coupled with a deep knowledge and understanding of the practical side of furniture making and conservation. After reading law, Christopher started his career at Sotheby's where he stayed for 25 years, becoming a Senior Auctioneer and a Director of the Furniture Department with responsibilities for furniture, works of art, clocks and sculpture. At Sotheby's Christopher was working at the very centre of the art world, advising international collectors on both buying and selling, building up collections, giving restoration advice and insurance valuations as well as teaching post-graduate students at the Sotheby's Institute. Private clients have enjoyed his lectures at the Buccleuch Studies and tours of many of Great Britain's country houses. He personally helped the late Earl of Carnarvon furnish part of Highclere Castle, the location for the highly acclaimed ITV television series Downton Abbey and has been a member of the BBC's Antiques Roadshow team for over thirty years. He continues his work as an independent consultant advising top-level private clients and lecturing both in the United Kingdom and internationally, including China. 1250 colour, 250 b/w images




Alain Elkann Interviews


Book Description

Alain Elkann has mastered the art of the interview. With a background in novels and journalism, and having published over twenty books translated across ten languages, he infuses his interviews with innovation, allowing them to flow freely and organically. Alain Elkann Interviews will provide an unprecedented window into the minds of some of the most well-known and -respected figures of the last twenty-five years.




The Personality of a House


Book Description




The Compleat Collector


Book Description

A complete collection of articles written between 1988 and 1993 by Ross Skoggard for the column "The Collector" in the Sunday edition of the Toronto Star.




Art & Auction


Book Description