Southern Cultures: 2011 Music Issue


Book Description

The Music Issue eBook includes a FREE CD and: The tell-all letter from a teenage girl who kissed—and kissed—Elvis Presley How corruption and greed made the Jacksonville music scene Gretchen Wilson, country music's "Redneck Woman" The invaluable social spaces of African American record stores Bobby Rush, "bluesman-plus" Where Opryland resides in hearts, minds, and souls Backstage with the Avett Brothers, Doc Watson, Tift Merritt, Southern Culture on the Skids, the Carolina Chocolate Drops, Johnny Cash, and more great artists. We'll send you the Music Issue's special CD, at no extra cost. Loving, Leaving, Liquor, and the Lord is packed with tracks from the Avett Brothers, Doc and Merle Watson, Archers of Loaf, and many more amazing Southern musicians--old and new. Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.




Southern Cultures


Book Description




Backstage Stories: Wonders, Relics, and a Beer Fridge


Book Description

The headlining band were nasty rogues, hitting on freakishly skinny underage chicks while I heard it all half asleep." Captured on film: Johnny Cash, Tift Merrit, the Avett Brothers, and many other artists. And some of them reveal their tales about the most celebrated and notorious space on any tour (aside from the stage itself). This article appears in the 2011 Music issue of Southern Cultures. Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.




The KISS Letter: An Encounter with Elvis


Book Description

The last time I kissed him he only had on half a shirt. He has a wonderful chest. I am really crazy about him now+have the funniest feeling in me, all over." After she saw the King in concert and met him backstage, she wrote this letter to her friends at camp. Here's the original spicy note from the teenage girl who kissed—and kissed—Elvis Presley. This article appears in the 2011 Music issue of Southern Cultures. Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.




SOUTHERN CULTURES


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Southern Cultures: The Irish Issue


Book Description

In the Spring 2011 issue of Southern Cultures -- The Irish Issue -- Front Porch by Harry L. Watson "The authors in this special issue on Ireland and the South argue that the Irish left an outsized imprint on the cultures of the American South and forged a persistent affinity between Ireland and the South." "A lengthening chain in the shape of memories" The Irish and Southern Culture by William R. Ferris "Irish rockers U2 are committed fans of B.B. King and wrote the song 'When Love Comes to Town' at his request. The song introduced King to important new rock audiences." Tara, the O'Haras, and the Irish Gone With the Wind by Geraldine Higgins "Into the debate about place, race, and the second-best-selling book of all time, we can also bring Irishness." Another "Lost Cause" The Irish in the South Remember the Confederacy by David Gleeson "As there had been only two prominent Irish generals, and only one, Cleburne, had had a very distinguished record, the story of the common soldier was the story of the Irish Confederate." Blacks and Irish on the Riverine Frontiers The Roots of American Popular Music by Christopher J. Smith "One of the realities of American life is that certain features of African American performance style will remain strange and alluring to those outside the culture. Not least among such features is the making of hard social commentary on recurring problems of life, often through cutting and breaking techniques-contentious interactions continually calling for a change of direction." Smoke 'n' Guns A Preface to a Poem about Marginal Souths, and then the Poem by Conor O'Callaghan "Addressing a jubilant crowd in Belfast shortly after the declaration of the original ceasefire in 1993, Gerry Adams reminded his audience that 'they haven't gone away, you know.' He meant that even as 'the cause' was dwindling, its upholders-'the boys'-were still among us. He might just as easily have been talking about the Klan."




Southern Cultures: 2013 Global Southern Music Issue, Enhanced Ebook


Book Description

The Global Southern Music Issue enhanced eBook includes all the tracks on Traveling Shoes, our special free CD and: The South meets Senegal as hip-hop goes Trans-Atlantic. Hawaiian steel guitar sways the Southern musical landscape. Poet Allen Ginsberg and bluesman James "Son" Thomas trade verses. Aussie Elvis impersonators keep the king alive. A U.K. scholar offers a new perspective on the study of the blues. Music pirates keep alive another tradition of bootlegging in the South. And much more. Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.




Global Popular Music


Book Description

Global Popular Music: A Research and Information Guide offers an essential annotated bibliography of scholarship on popular music around the world in a two-volume set. Featuring a broad range of subjects, people, cultures, and geographic areas, and spanning musical genres such as traditional, folk, jazz, rock, reggae, samba, rai, punk, hip-hop, and many more, this guide highlights different approaches and discussions within global popular music research. This research guide is comprehensive in scope, providing a vital resource for scholars and students approaching the vast amount of publications on popular music studies and popular music traditions around the world. Thorough cross-referencing and robust indexes of genres, places, names, and subjects make the guide easy to use. Volume 2, Transnational Discourses of Global Popular Music Studies, covers the geographical areas of North America: United States and Canada; Central America, Caribbean, and South America/Latin America; Europe; Africa and Middle East; Asia; and areas of Oceania: Aotearoa/New Zealand, Australia, and Pacific Islands. It provides over twenty-four hundred annotated bibliographic entries covering discourses of extensive research that extend beyond the borders of the United States and includes annotated entries to books, book series, book chapters, edited volumes, special documentaries and programming, scholarly journal essays, and other resources that focus on the creative and artistic flows of global popular music.




Southern Cultures: Special Roots Music Issue


Book Description

The Special Roots Music Issue features: B.B. King on Bukka White's legacy; The Top Ten Folk Singers of All Time; Bob Dylan backstage in '63 and other rare photographic gems; Swamp bluesman Jimmy Anderson's first published interview in the U.S.; Lynyrd Skynyrd vs. the Allman Brothers; Pete, Peggy, & Mike--and all the rest that Charles Seeger gave to the world of music; Willie Lowery--musician, songwriting sensation, and humanitarian; Saxie Dowell, the great saxophonist and war hero; a sneak peek at NASHVILLE CHROME, the sizzling new novel from Rick Bass; and much more. The Roots Music Issue comes with a classic FREE CD full of great roots musicians, including BUKKA WHITE, ETTA BAKER, THE BYRDS' ROGER MCGUINN, WILLIE LOWERY, IDYLL SWORDS, ALABAMA SLIM & LITTLE FREDDIE KING, JIMMY ANDERSON & THE MOJO BLUES BAND, MICHAEL HURLEY, FILTHYBIRD, MEGAFAUN, PRESTON FULP, JOE BROWN, AND MORE OF THE SOUTH'S BEST ROOTS MUSICIANS—old and new. We'll mail the CD separately to our Roots Music e-book customers at no extra charge. Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.




"Country Music is Wherever the Soul of a Country Music Fan Is": Opryland U.S.A. and the Importance of Home in Country Music


Book Description

Nixon's visit (only five months before his resignation) was seen by national journalists and politicos to be a trip to one of the few places where he would still receive a warm reception, and it was quite warm indeed. Nixon took the stage, played two songs on the piano, and bantered with Roy Acuff." When the Opry changed sites it wasn't without a good deal of growing pains, angst, and rhetoric—but by taking old values to the new venue, not to mention a circle of the original old floor, country music survived the switch. This article appears in the 2011 Music issue of Southern Cultures. Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.