Southern Highland Craft Guild


Book Description

The Southern Highland Craft Guild is the oldest craft guild in the United States and the only guild to be defined by a geographical area. First conceived by Olive Dame Campbell in the 1920s, the craft guild was launched in 1930 with an exhibition of regional arts. Frances Louisa Goodrich contributed her Allanstand Shop so that families living in an already depressed region would have a sales venue for their work throughout the Great Depression and the years of World War II. From that early start, the Southern Highland Craft Guild has grown to nearly a thousand members and has established a worldwide reputation for fine workmanship. The guild is governed by the artist membership, which is made up of a wide range of craftspeople from institute-trained artists to local makers trained by parents and friends.




An Innovative Spirit


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Exhibition Catalogs and Other Publications of the Southern Highland Craft Guild


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Originally begun as the Southern Highland Handicraft Guild in the 1940s to promote the traditional handcrafts of the Southern Highlands, the Southern Highland Craft Guild continues today to provide an outlet for the creativity of the mountain people of mostly North Carolina and Tennessee, and but also of Georgia, Kentucky, Virginia, South Carolina, and West Virginia.




Craft Traditions


Book Description

"Craft Traditions ... features over 200 artworks arranged thematically to reveal the collection's strengths in textiles, basketry, ceramics, woodcarving, natural materials, and dolls. This Gallery Guide was created to showcase some of those pieces." -- page [2]




Crafts in the Southern Highlands


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Mountain Homespun


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“Mountain Homespun will be of special interest to those studying southern Appalachian handicrafts, the 1890s handicraft revival, and northern Protestant missionary work in turn-of-the-century Appalachia.” —North Carolina Historical Review “Mountain Homespun is much more than a memoir. It offers unrivaled specific information on the processes of mountain crafts—not only on weaving, spinning, and dyeing, the author’s primary interest, but also on basketry, quilting, and other pursuits. All in all, the book is an important publishing event.” —Berea College Newsletter “This is a wonderful book. It belongs at the bedside of every spinner and weaver everywhere.” —Jude Daurelle, Handwoven




The Test of Time


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Our Southern Highlanders


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Weavers of the Southern Highlands


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Mary Black's Family Quilts


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Mary Black's Family Quilts includes a foreword by Michael Owen Jones, Professor of Culture and Performance, University of California, Los Angeles, and author of Craftsman of the Cumberlands: Tradition and Creativity.