Pueblo Indian Pottery


Book Description

Major Reference Book Series for American Indian Art! ca. 1800-Present, with Value/Price Guide Featuring over 20 Years of Auction Records, 1,000 illustrations, family tree charts, illustrated hallmarks, Very Positive Reviews: The volume will for decades remain a primary resource. Dr. Bruce Bernstein, Assistant Director of Cultural Resources, Smithsonian Institution, National Museum of the American Indian This is the first time that a comprehensive survey and databases for Indian artists have been done. It has been a long time in coming, and its impact will be significant for Indian artists and collectors of Indian art for decades to come. Dr. Greg Cajete, University of New Mexico; What a wonderful addition it is to my reference collection . . . There are so many potters whose names I have not seen before. What a great opportunity to meet new potters and appreciate their talents. The Bibles of Native Arts, Dan Gibson, Editor, Native Peoples Magazine.




Southern Pueblo Pottery


Book Description

Hardcover, 304 pages, 2,000 color and historic b & w illustrations; Featuring: Acoma, Cochiti, Isleta, Jemez, Pecos, Laguna, Sandia, San Felipe, Santa Ana, Santo Domingo, Tiqua/Ysleta del Sur, Zia and Zuni. Dimensions (in inches): 11.50 x 1.00 x 8.75 Vol. 4 - "American Indian Art Series." REVIEWS: ***** "The Bible of Native Arts!" Native Peoples Magazine "The volume will for decades remain a primary resource." Dr. Bruce Bernstain, Smithsonian Institutiton, National Museum of the American Indian "We applaud the efforts of Dr. Gregory Schaaf in his American Indian Art Series." Susan Pourian, The Indian Craft Shop, Department of Interior "THE reference books for Indian art." Isa and Dick Diestler




Southern Pueblo Pottery


Book Description




Ceramics and Community Organization Among the Hohokam


Book Description

Among desert farmers of the prehistoric Southwest, irrigation played a crucial role in the development of social complexity. This innovative study examines the changing relationship between irrigation and community organization among the Hohokam and shows through ceramic data how that dynamic relationship influenced sociopolitical development. David Abbott contends that reconstructions of Hohokam social patterns based solely on settlement pattern data provide limited insight into prehistoric social relationships. By analyzing ceramic exchange patterns, he provides complementary information that challenges existing models of sociopolitical organization among the Hohokam of central Arizona. Through ceramic analyses from Classic period sites such as Pueblo Grande, Abbott shows that ceramic production sources and exchange networks can be determined from the composition, surface treatment attributes, and size and shape of clay containers. The distribution networks revealed by these analyses provide evidence for community boundaries and the web of social ties within them. Abbott's meticulous research documents formerly unrecognized horizontal cohesiveness in Hohokam organizational structure and suggests how irrigation was woven into the fabric of their social evolution. By demonstrating the contribution that ceramic research can make toward resolving issues about community organization, this work expands the breadth and depth of pottery studies in the American Southwest.




New Perspectives on Pottery Mound Pueblo


Book Description

Noted archaeologist Polly Schaafsma presents new research by current scholars on this largely neglected ancestral Puebloan site.




Indian Rock Art of the Southwest


Book Description

The comprehensive book on Indian petroglyphs in the Southwest.




Catawba Indian Pottery


Book Description

Traces the craft of pottery making among the Catawba Indians of North Carolina from the late 18th century to the present When Europeans encountered them, the Catawba Indians were living along the river and throughout the valley that carries their name near the present North Carolina-South Carolina border. Archaeologists later collected and identified categories of pottery types belonging to the historic Catawba and extrapolated an association with their protohistoric and prehistoric predecessors. In this volume, Thomas Blumer traces the construction techniques of those documented ceramics to the lineage of their probable present-day master potters or, in other words, he traces the Catawba pottery traditions. By mining data from archives and the oral traditions of contemporary potters, Blumer reconstructs sales circuits regularly traveled by Catawba peddlers and thereby illuminates unresolved questions regarding trade routes in the protohistoric period. In addition, the author details particular techniques of the representative potters—factors such as clay selection, tool use, decoration, and firing techniques—which influence their styles.







Margaret Tafoya


Book Description

Margaret Tafoya's paramount place in the evolution of Tewa Pueblo pottery in Santa Clara, New Mexico, includes a history of the Pueblo people, Margaret Tafoya's life, Santa Clara pottery-making techniques, and the Tafoya family and descendants. She has adhered to the traditions of her pueblo, and demonstrates the very best in Tewa Pueblo pottery.




Po'pay


Book Description

Po'pay: Leader of the First American Revolution is the story of the visionary leader of the Pueblo Revolt of 1680, which drove the Spanish conquerors out of New Mexico for twelve years. This enabled the Pueblos to continue their languages, traditions and religion on their own ancestral lands, thus helping to create the multicultural tradition that continues to this day in the "Land of Enchantment." The book is the first history of these events from a Pueblo perspective. Edited by Joe S. Sando, a historian from Jemez Pueblo, and Herman Agoyo, a tribal leader from San Juan Pueblo, it draws upon the Pueblos' rich oral history as well as early Spanish records. It also provides the most comprehensive account available of Po'pay the man, revered by his people but largely unknown to other historians. Finally, the book describes the successful effort to honor Po'pay by installing a seven-foot-tall likeness of him as one of New Mexico's two statues in the National Statuary Hall in Washington, D.C. This magnificent statue, carved in marble by Pueblo sculptor Cliff Fragua, is a fitting tribute to a most remarkable man.