Soviet Intellectuals and Political Power


Book Description

In this unprecedented work on the status and role of intellectuals in Soviet political life, a former Soviet sociologist maps out the delicate, often paradoxical, ties between the political regime and the creative thinkers who play a major part in the movement toward modernization. Beginning with Stalin, Vladimir Shlapentokh explores the mutual need and antagonism that have existed between political leaders and intellectuals. What emerges is a fascinating portrayal of the Soviet intellectual network since the 1950s, which touches on such topics as the role of literature and film in political opposition, levels of opposition (open, legal, and private), and the spread of paranoia as fueled by the KGB. Throughout he shows how the intellectual communityusually a cohesive, liberal grouphas fared under Khrushchev's cautious tolerance, Brezhnev's repressions, and now Gorbachev's Glasnost. Shlapentokh maintains, however, that under Glasnost freer speech has revealed a more pronounced divergence between liberal and conservative thinkers, and has allowed for open conservative opposition to the reformatory measures of Gorbachev and the liberals. He argues that one of the strongest checks on reform is the growing presence of Russophilism--a movement supporting Russian nationalism and Stalin's concept of socialism--among the political elite and the masses. Although the role of the liberal intellectuals in the late 1980s was less prominent than it was in the 1960s, Shlapentokh asserts that they remain the major agent of modernization in the Soviet Union, as well as in other socialist countries. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.




Russia and the Idea of the West


Book Description

In most analyses of the Cold War's end the ideological aspects of Gorbachev's "new thinking" are treated largely as incidental to the broader considerations of power. English demonstrates that Gorbachev's foreign policy was the result of an intellectual revolution. He analyzes the rise of a liberal policy-academic elite and its impact on the Cold War's end.




The Private World of Soviet Scientists from Stalin to Gorbachev


Book Description

A major new contribution to understanding the transition of Soviet society from Stalinism to a more humane model of socialism.




Ideological Seduction and Intellectuals in Putin's Russia


Book Description

This book examines the interplay between key rulers and intellectuals in creating and sustaining popular discourses that often help keep rulers in power. By focusing in particular on the relationship between Putin and Dugin during the early Putin regime, the author zooms in on the questionable honesty in Putin's interest in Dugin's philosophy, and the instrumentality of that philosophy for strategic regime building. Arguing that ideology is largely supported by political philosophies that gain popular traction, the book questions the extent to which rulers are likely to stay faithful to their stated ideologies. Providing on-the-ground insight into Putin's rule, this book appeals to researchers and policymakers studying Post-Soviet Politics.




Soviet Culture and Power


Book Description

Leaders of the Soviet Union, Stalin chief among them, well understood the power of art, and their response was to attempt to control and direct it in every way possible. This book examines Soviet cultural politics from the Revolution to Stalin’s death in 1953. Drawing on a wealth of newly released documents from the archives of the former Soviet Union, the book provides remarkable insight on relations between Gorky, Pasternak, Babel, Meyerhold, Shostakovich, Eisenstein, and many other intellectuals, and the Soviet leadership. Stalin’s role in directing these relations, and his literary judgments and personal biases, will astonish many. The documents presented in this volume reflect the progression of Party control in the arts. They include decisions of the Politburo, Stalin’s correspondence with individual intellectuals, his responses to particular plays, novels, and movie scripts, petitions to leaders from intellectuals, and secret police reports on intellectuals under surveillance. Introductions, explanatory materials, and a biographical index accompany the documents.







Politics, Intellectuals, and Faith


Book Description

This wide-ranging collection of essays examines modern intellectuals and ideologues. Matthew Feldman calls attention to the substantial role played in post-Great War Europe and the United States by religions--both familiar monotheisms like Christianity and secular 'political faiths'--over the last century of upheaval.







In Marx's Shadow


Book Description

Despite its key role in the intellectual shaping of state socialism, Communist ideas are often dismissed as mere propaganda or as a rhetorical exercise aimed at advancing socialist intellectuals on their way to power. By drawing attention to unknown and unexplored areas, trends and ways of thinking under socialism, the volume examines Eastern Europe and Russian histories of intellectual movements inspired - negatively as well as positively - by Communist arguments and dogmas. Through an interdisciplinary dialogue, the collection demonstrates how various bodies of theoretical knowledge (philosophical, social, political, aesthetic, even theological) were used not only to justify dominant political views, but also to frame oppositional and nonofficial discourses and practices. The examination of the underlying structures of Communism as an intellectual project provides convincing evidence for questioning a dominant approach that routinely frames the post-Communist intellectual development as a 'revival' or, at least, as a 'return' of the repressed intellectual traditions. As the book shows, the logic of a radical break, suggested by this approach, is in contradiction with historical evidence: a significant number of philosophical, theoretical and ideological debates in post-Communist world are in fact the logical continuation of intellectual conversations and confrontations initiated long before 1989.




Music for the Revolution


Book Description

Mention twentieth-century Russian music, and the names of three &"giants&"&—Igor Stravinsky, Sergei Prokofiev, and Dmitrii Shostakovich&—immediately come to mind. Yet during the turbulent decade following the Bolshevik Revolution, Stravinsky and Prokofiev lived abroad and Shostakovich was just finishing his conservatory training. While the fame of these great musicians is widely recognized, little is known about the creative challenges and political struggles that engrossed musicians in Soviet Russia during the crucial years after 1917. Music for the Revolution examines musicians&’ responses to Soviet power and reveals the conditions under which a distinctively Soviet musical culture emerged in the early thirties. Given the dramatic repression of intellectual freedom and creativity in Stalinist Russia, the twenties often seem to be merely a prelude to Totalitarianism in artistic life. Yet this was the decade in which the creative intelligentsia defined its relationship with the Soviet regime and the aesthetic foundations for socialist realism were laid down. In their efforts to deal with the political challenges of the Revolution, musicians grappled with an array of issues affecting musical education, professional identity, and the administration of musical life, as well as the embrace of certain creative platforms and the rejection of others. Nelson shows how debates about these issues unfolded in the context of broader concerns about artistic modernism and elitism, as well as the more expansive goals and censorial authority of Soviet authorities. Music for the Revolution shows how the musical community helped shape the musical culture of Stalinism and extends the interpretive frameworks of Soviet culture presented in recent scholarship to an area of artistic creativity often overlooked by historians. It should be broadly important to those interested in Soviet history, the cultural roots of Stalinism, Russian and Soviet music, and the place of music and the arts in revolutionary change.