SPACE BODY HABIT


Book Description

A collaboration between dancer/somatic practitioner Ira Ferris and artist/scenographer Elia Bosshard, SPACE BODY HABIT is a transcription of conversations and experiences that unfolded during a two-week research residency at Frontyard, a multipurpose creative space in Marrickville, Sydney. Set to explore the many ways we perceive, or fail to perceive spaces, the book comprises a series of spatio-somatic and phenomenologically-driven exercises, followed by in-depth discussions on themes as varied as: first impressions and knowing space by heart, body as a space and supremacy of vision, care for spaces and observing spaces from the more-than-human perspective, posture and perception, repetition and choices, comfort and entrapment, sharing spaces with others and dissolving boundaries between spaces, creativity and mental space, language and the agency of spaces, memory and habitual pathways, structures and flexibility, physical and psychological spaces, voids and empty spaces, belonging to a place and knowing others through their spaces, designated spaces and liminal spaces, contracts and trust, boredom and perseverance... With the starting premise that interaction with space is often habitual and perception of space often unconscious, the book explores ways to deepen and enhance our awareness of space and its impact on our day-to-day life. What else might we open ourselves to if we challenge the ingrained relationship to space and inhabit familiar spaces in new ways? The ​​exercises and conversations were inspired and informed by reading texts on space/place and the body, including: Rhythm Analysis by Henri Lefebvre, The Spell of the Sensuous by David Abram, The Poetics of Space by Gaston Bachelard, The Memory of Place by Dylan Trigg, Bodies of Water by Astrida Neimanis, Escapism by Yi-Fu Tuan, and Bertolt Brecht by Meg Mumford. The authors wish to acknowledge that this research residency and the writing of the book took place on the unceded land of the Gadigal and Wangal people of the Eora nation. Their care of the land, their respect for the lineage, their reciprocity with the place, are to be our inspiration as we find ever better ways to be in spaces and pass them on to others.




Time, Space and the Human Body: An Interdisciplinary Look


Book Description

This book considers various ways in which the body is, and has been, addressed and depicted overtime while also working to redefine the body and its relation to historical time and social space.




The Motion of the Body Through Space


Book Description

In Lionel Shriver’s entertaining send-up of today’s cult of exercise—which not only encourages better health, but now like all religions also seems to promise meaning, social superiority, and eternal life—an aging husband’s sudden obsession with extreme sport makes him unbearable. After an ignominious early retirement, Remington announces to his wife Serenata that he’s decided to run a marathon. This from a sedentary man in his sixties who’s never done a lick of exercise in his life. His wife can’t help but observe that his ambition is “hopelessly trite.” A loner, Serenata disdains mass group activities of any sort. Besides, his timing is cruel. Serenata has long been the couple’s exercise freak, but by age sixty, her private fitness regimes have destroyed her knees, and she’ll soon face debilitating surgery. Yes, becoming more active would be good for Remington’s heart, but then why not just go for a walk? Without several thousand of your closest friends? As Remington joins the cult of fitness that increasingly consumes the Western world, her once-modest husband burgeons into an unbearable narcissist. Ignoring all his other obligations, he engages a saucy, sexy personal trainer named Bambi, who treats Serenata with contempt. When Remington sets his sights on the legendarily grueling triathlon, MettleMan, Serenata is sure he’ll end up injured or dead. And even if he does survive, their marriage may not. The Motion of the Body Through Space is vintage Lionel Shriver written with psychological insight, a rich cast of characters, lots of verve and petulance, an astute reading of contemporary culture, and an emotionally resonant ending.




A History of Habit


Book Description

From bookshelves overflowing with self-help books to scholarly treatises on neurobiology to late-night infomercials that promise to make you happier, healthier, and smarter with the acquisition of just a few simple practices, the discourse of habit is a staple of contemporary culture high and low. Discussion of habit, however, tends to neglect the most fundamental questions: What is habit? Habits, we say, are hard to break. But what does it mean to break a habit? Where and how do habits take root in us? Do only humans acquire habits? What accounts for the strength or weakness of a habit? Are habits something possessed or something that possesses? We spend a lot of time thinking about our habits, but rarely do we think deeply about the nature of habit itself. Aristotle and the ancient Greeks recognized the importance of habit for the constitution of character, while readers of David Hume or American pragmatists like C.S. Peirce, William James, and John Dewey know that habit is a central component in the conceptual framework of many key figures in the history of philosophy. Less familiar are the disparate discussions of habit found in the Roman Stoics, Thomas Aquinas, Michel de Montaigne, René Descartes, Gilles Deleuze, French phenomenology, and contemporary Anglo-American philosophies of embodiment, race, and gender, among many others. The essays gathered in this book demonstrate that the philosophy of habit is not confined to the work of just a handful of thinkers, but traverses the entire history of Western philosophy and continues to thrive in contemporary theory. A History of Habit: From Aristotle to Bourdieu is the first of its kind to document the richness and diversity of this history. It demonstrates the breadth, flexibility, and explanatory power of the concept of habit as well as its enduring significance. It makes the case for habit’s perennial attraction for philosophers, psychologists, and sociologists.




Embodied Selves


Book Description

This interdisciplinary collection explores the role the body plays in constituting our sense of self, signalling the interplay between material embodiment, social meaning, and material and social conditions.




Merleau-Ponty and Contemporary Philosophy


Book Description

Assesses the importance of Merleau-Ponty to current and ongoing concerns in contemporary philosophy. Maurice Merleau-Ponty is widely recognized as one of the major figures of twentieth-century philosophy. The recent publication of his lecture courses and posthumous working notes has opened new avenues for both the interpretation of his thought and philosophy in general. These works confirm that, with a surprising premonition, Merleau-Ponty addressed many of the issues that concern philosophy today. With the benefit of this fuller picture of his thought, Merleau-Ponty and Contemporary Philosophy undertakes an assessment of the philosopher’s relevance for contemporary thinking. Covering a diverse range of topics, including ontology, epistemology, anthropology, embodiment, animality, politics, language, aesthetics, and art, the editors gather representative voices from North America and Europe, including both Merleau-Ponty specialists and thinkers who have come to the philosopher’s work through their own thematic interest. “Merleau-Ponty and Contemporary Philosophy offers a rich set of writings by central and rising scholars, spanning various languages and traditions, who together show Merleau-Ponty’s continuing relevance for contemporary thinking on phenomenology, mind and nature, politics and power, and art and creation. This book will advance scholarship and also open new doors for those seeking to find their way into Merleau-Ponty’s ways of thinking.” — David Morris, author of The Sense of Space




The Habit of Happiness


Book Description

You can have a happier life. The habit of happiness is a comprehensive and practical guide designed to change your life. Containing a holistic approach that includes the most potent tools that work with the mental, emotional, physical and spiritual aspects of a person that is actually capable of raising your happiness set point. Through exercises, examples, and practices the reader is empowered to create a life of their choosing. Just imagine what your life would be like if you were truly happy and satisfied and if you were the very best version of yourself. Imagine how you would feel if you were in charge of fear, stress, anger, anxiety, and negativity and you were easily able to manage your moods naturally. Imagine what you would be doing, where you would be living, what your relationships would be like and how all of that would feel to you. The reality is all this is possible to achieve because happiness is an inside job, a skill that when consistently practiced can be established as a habit. It is a skill well worth investing your attention, time and energy into learning, as this happiness mindset is essential for you to create your happiest life. This book really can change your life for the better. I invite you to start this journey through these pages, and I smile knowing that your journey to greater happiness has indeed begun.




Body Voice Imagination


Book Description

First published in 2008. Routledge is an imprint of Taylor & Francis, an informa company.




Creating Selves


Book Description

The concept of creativity, together with concerns over access to creativity and knowledge, are currently the subject of international debate and unprecedented public attention, particularly in the context of international developments in intellectual property laws. Not only are there significant developments at the legal level, with increasing moves towards stronger and harmonized protection for intellectual property, but also there is intense public interest in the concepts of creativity, authorship, personality, and knowledge. In Creating Selves, Johanna Gibson addresses strategic responses to intellectual property, and suggests alternative models for encouraging, rewarding, and disseminating creative and innovative output, which are built upon a critical analysis of and approach to the debate and to the concept of creativity itself. Drawing upon critical theories in authorship, literature, music, the sciences and the arts, Gibson suggests a radical re-consideration of the notion of creativity in the intellectual property debate and the means by which to encourage and sustain creativity in contemporary society.