Specimen of Plain & Ornamental Types from the Foundry of V. & J. Figgins, 17 West Street Smithfield, London
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Page : 324 pages
File Size : 32,51 MB
Release : 1845
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Author :
Publisher :
Page : 324 pages
File Size : 32,51 MB
Release : 1845
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Author : Columbia University. Libraries
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Page : 616 pages
File Size : 33,51 MB
Release : 1980
Category : Printing
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Author : Talbot Baines Reed
Publisher :
Page : 379 pages
File Size : 11,52 MB
Release : 1887
Category : Great Britain
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Author : Daniel Berkeley Updike
Publisher :
Page : 540 pages
File Size : 14,29 MB
Release : 1966
Category : Design
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Author : Sir John Ross
Publisher : London : Orlando Hodgson
Page : 634 pages
File Size : 21,88 MB
Release : 1835
Category : Arctic regions
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Author : Rigby
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Page : 0 pages
File Size : 31,41 MB
Release : 2006
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ISBN : 9781418914219
Author : Bruce Willen
Publisher : Princeton Architectural Press
Page : 150 pages
File Size : 41,84 MB
Release : 2009-09-23
Category : Architecture
ISBN : 9781568987651
A guide to type design and lettering that includes relevant theory, history, explanatory diagrams, exercises, photographs, and illustrations, and features interviews with various designers, artists, and illustrators.
Author : Sampson Ejike Odum
Publisher : iUniverse
Page : 123 pages
File Size : 37,67 MB
Release : 2020-11-03
Category : Fiction
ISBN : 1663205043
‘KUMBA AFRICA’, is a compilation of African Short Stories written as fiction by Sampson Ejike Odum, nostalgically taking our memory back several thousands of years ago in Africa, reminding us about our past heritage. It digs deep into the traditional life style of the Africans of old, their beliefs, their leadership, their courage, their culture, their wars, their defeat and their victories long before the emergence of the white man on the soil of Africa. As a talented writer of rich resource and superior creativity, armed with in-depth knowledge of different cultures and traditions in Africa, the Author throws light on the rich cultural heritage of the people of Africa when civilization was yet unknown to the people. The book reminds the readers that the Africans of old kept their pride and still enjoyed their own lives. They celebrated victories when wars were won, enjoyed their New yam festivals and villages engaged themselves in seasonal wrestling contest etc; Early morning during harmattan season, they gathered firewood and made fire inside their small huts to hit up their bodies from the chilling cold of the harmattan. That was the Africa of old we will always remember. In Africa today, the story have changed. The people now enjoy civilized cultures made possible by the influence of the white man through his scientific and technological process. Yet there are some uncivilized places in Africa whose people haven’t tested or felt the impact of civilization. These people still maintain their ancient traditions and culture. In everything, we believe that days when people paraded barefooted in Africa to the swarmp to tap palm wine and fetch firewood from there farms are almost fading away. The huts are now gradually been replaced with houses built of blocks and beautiful roofs. Thanks to modern civilization. Donkeys and camels are no longer used for carrying heavy loads for merchants. They are now been replaced by heavy trucks and lorries. African traditional methods of healing are now been substituted by hospitals. In all these, I will always love and remember Africa, the home of my birth and must respect her cultures and traditions as an AFRICAN AUTHOR.
Author : Paul Shaw
Publisher : Yale University Press
Page : 257 pages
File Size : 19,44 MB
Release : 2017-04-18
Category : Design
ISBN : 0300219296
An illuminating account of the design inspirations and technical transformations that have shaped the digital typefaces of the 21st century In this fascinating tour through typographic history, Paul Shaw provides a visually rich exploration of digital type revival. Many typefaces from the pre-digital past have been reinvented for use on computers and mobile devices, while other new font designs are revivals of letterforms, drawn from inscriptions, calligraphic manuals, posters, and book jackets. Revival Type deftly introduces these fonts, many of which are widely used, and engagingly tells their stories. Examples include translations of letterforms not previously used as type, direct revivals of metal and wood typefaces, and looser interpretations of older fonts. Among these are variations on classic designs by John Baskerville, Giambattista Bodoni, William Caslon, Firmin Didot, Claude Garamont, Robert Granjon, and Nicolas Jenson, as well as typefaces inspired by less familiar designers, including Richard Austin, Philippe Grandjean, and Eudald Pradell. Updates and revisions of 20th-century classics such as Palatino, Meridien, DIN, Metro, and Neue Haas Grotesk (Helvetica) are also discussed. Handsomely illustrated with annotated examples, archival material depicting classic designs, and full character sets of modern typefaces, Revival Type is an essential introduction for designers and design enthusiasts into the process of reinterpreting historical type.
Author : William Carey
Publisher :
Page : 204 pages
File Size : 22,28 MB
Release : 1805
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