The Faerie Queene


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Being and Oil


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In the first ever book-length manifesto of Peak Oil Philosophy, Chad Haag argues that the transition to Fossil Fuel Modernity replaced the herds of megafauna of the Hunter Gatherer Worldview and the cyclically-harvested grain of the Agrarian Worldview with a single immensely powerful but quickly vanishing substance: oil. Everything we do is a euphemism for burning vast amounts of fossil fuels. Haag provides an original hierarchy of transcendental standards of meaning to reveal the extent to which our mythologies, systems, counter sense objects, and deep memes are just so many incomplete revelations of our Phenomenological awareness of petroleum. But as the globe already hit Peak Oil in 2005 and has been on the downward slope of depletion ever since, these higher order meanings have begun to collapse into falsity. Oil's peculiar role in sustaining systems of meaning precisely through imposing a hard physical limit to existence therefore requires a novel Ontology of Limitation. Haag reawakens the Heideggerian quest for Being by suggesting that even the subject itself must be understood as a limitation sustained through the limitation of, in our era, fossil fuels. Haag introduces a new table of 15 modes of truth to explicate how Peak Oil defies a simple binary of truth and falsity, given that even truth under Fossil Fuels is just a euphemism for oil's presence. Combining the Peak Oil insights of John Michael Greer and the anti-technological theories of Ted Kaczynski with the philosophical rigor of Heidegger, Aristotle, Zizek, Plato, Husserl, Descartes, and Jordan Peterson, Haag crafts a truly unique response to the challenge of joining Peak Oil and Philosophy.




Spenser's Britomart


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Spenser: The Faerie Queene


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The Faerie Queene is a scholarly masterpiece that has influenced, inspired, and challenged generations of writers, readers and scholars since its completion in 1596. Hamilton's edition is itself, a masterpiece of scholarship and close reading. It is now the standard edition for all readers of Spenser. The entire work is revised, and the text of The Faerie Queene itself has been freshly edited, the first such edition since the 1930s. This volume also contains additional original material, including a letter to Raleigh, commendatory verses and dedicatory sonnets, chronology of Spenser's life and works and provides a compilation of list of characters and their appearances in The Faerie Queene.




The Warden


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In the quiet countryside of Barsetshire, controversy stirs within the tranquil walls of Hiram's Hospital, a charitable institution for elderly men. The source of contention lies in the generous income the warden Mr. Harding receives from the hospital's endowment, which some argue is excessive for his duties. As public opinion mounts against him, led by the zealous reformer John Bold, Mr. Harding finds himself torn between his sense of duty to the hospital's residents and the moral scrutiny of the broader community. Anthony Trollope's insightful portrayal of characters and moral dilemmas unfolds against a backdrop of pastoral beauty and societal scrutiny. The Warden is a timeless exploration of justice, compassion, and the clash between tradition and reform in a small English town, showcasing Trollope's mastery of psychological depth and social commentary. ANTHONY TROLLOPE [1815-1882] was an English novelist and civil servant. Among his most famous works is the series known as The Chronicles of Barsetshire, in which he delves into the intricacies of rural and ecclesiastical life.







The Mutabilitie Cantos


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These cantos, published posthumously, are general agreed to contain some of the finest poetry in "The Faerie Queene", and are of central importance in the study of philosophic and religious beliefs in the late sixteenth century.







The Faerie Queene


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The Faerie Queene is Edmund Spenser’s magnum opus, composed for Queen Elizabeth I. The epic poem is incomplete, as only six of the intended twelve books were published before his death. Despite that, it stands as one of the longest poems in the English language. During its composition, Spenser invented a new type of verse form: the Spenserian stanza. The form consists of eight lines in iambic pentameter followed by a line in iambic hexameter, with the rhyme scheme ababbcbcc. He purposely included archaic language and spelling to make the work feel comparable to the Arthurian myths written during the Middle Ages. Spenser used Aristotle’s list of virtues as the foundation for his work. Each of the six books follows a different knight who symbolize a unique virtue: the Knight of the Redcross for Holiness, Guyon for Temperance, Britomartis for Chastity, Cambell and Telamond for Friendship, Artegall for Justice, and Calidore for Courtesy. Fragments of an unfinished seventh book—the “Cantos of Mutability”—would have centered on the virtue of Constancy. In a letter to Sir Walter Raleigh, Spenser reveals that King Arthur represents the virtue of Magnificence, “the perfection of all the rest.” The first book opens with the Redcross Knight on a quest ordered by Queen Gloriana to defeat a horrible dragon. Traveling with him is Lady Una and her dwarf servant, who are leading the knight to the land where the dragon dwells. A terrible storm forces the travelers to shelter in the nearest cave—and a monster’s den. This book is part of the Standard Ebooks project, which produces free public domain ebooks.




Spenser's Anatomy of Heroism


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This book is a study of Spenser's conception of the nature of heroism and the way it is embodied in the separate books of The Faerie Queene. Professor Evans stresses the coherence of Spenser's scheme of virtues and examines the fusion of Christian symbol and classic myth through which the underlying Christian theme is expressed. He emphasises the didactic purpose of the poem, and the rhetorical method by which the allegory works upon the reader. It is his contention that Spenser completed his poem, and that The Faerie Queene as it stands presents an organic unity so firmly controlled that it is unprofitable to consider any book, canto or even single verse isolation from the poem as a whole. The complexity of the poetry which this study reveals suggests that Spenser has much in common with the metaphysicals, while the subtle dissection of human motive and behaviour within the poem would place him in closer relationship to the drama than is normally recognised.