Spirited Away - A Novel of the Stolen Irish


Book Description

It's May 1653 when young Frederica and Aileen O'Brennan trust a stranger on an empty beach in western Ireland. They i inadvertently place themselves in the cross hairs of Cromwell's notorious Reign of Terror. She and Aillen find themselves crammed in a hold of a slave ship bound for Barbados. When purchased at a slave auction, Frederica is left alone to face the brutal realities of life as a female Irish slave on a seventeenth century plantation.




Handbook of Transatlantic North American Studies


Book Description

Transatlantic literary studies have provided important new perspectives on North American, British and Irish literature. They have led to a revision of literary history and the idea of a national literature. They have changed the perception of the Anglo-American literary market and its many processes of transatlantic production, distribution, reception and criticism. Rather than dwelling on comparisons or engaging with the notion of ‘influence,’ transatlantic literary studies seek to understand North American, British and Irish literature as linked with each other by virtue of multi-layered historical and cultural ties and pay special attention to the many refractions and mutual interferences that have characterized these traditions since colonial times. This handbook brings together articles that summarize some of the crucial transatlantic concepts, debates and topics. The contributions contained in this volume examine periods in literary and cultural history, literary movements, individual authors as well as genres from a transatlantic perspective, combining theoretical insight with textual analysis.




Archaeology below the Cliff


Book Description

First book-length archaeological study of a nonelite white population on a Caribbean plantation Archaeology below the Cliff: Race, Class, and Redlegs in Barbadian Sugar Society is the first archaeological study of the poor whites of Barbados, the descendants of seventeenth-century European indentured servants and small farmers. “Redlegs” is a pejorative to describe the marginalized group who remained after the island transitioned to a sugar monoculture economy dependent on the labor of enslaved Africans. A sizable portion of the “white” minority, the Redlegs largely existed on the peripheries of the plantation landscape in an area called “Below Cliff,” which was deemed unsuitable for profitable agricultural production. Just as the land on which they resided was cast as marginal, so too have the poor whites historically and contemporarily been derided as peripheral and isolated as well as idle, alcoholic, degenerate, inbred, and irrelevant to a functional island society and economy. Using archaeological, historical, and oral sources, Matthew C. Reilly shows how the precarious existence of the Barbadian Redlegs challenged elite hypercapitalistic notions of economics, race, and class as they were developing in colonial society. Experiencing pronounced economic hardship, similar to that of the enslaved, albeit under very different circumstances, Barbadian Redlegs developed strategies to live in a harsh environment. Reilly’s investigations reveal that what developed in Below Cliff was a moral economy, based on community needs rather than free-market prices. Reilly extensively excavated households from the tenantry area on the boundaries of the Clifton Hall Plantation, which was abandoned in the 1960s, to explore the daily lives of poor white tenants and investigate their relationships with island economic processes and networks. Despite misconceptions of strict racial isolation, evidence also highlights the importance of poor white encounters and relationships with Afro-Barbadians. Historical data are also incorporated to address how an underrepresented demographic experienced the plantation landscape. Ultimately, Reilly’s narrative situates the Redlegs within island history, privileging inclusion and embeddedness over exclusion and isolation.




The Ancient Books of Ireland


Book Description

The Ancient Books of Ireland describes precious manuscripts that have survived for centuries. Slavin reveals not only their fascinating contents but their intriguing histories. Among the most important manuscripts described are :




Spirited Away


Book Description

Cursed to roam his estate for all eternity, medieval knight Tristan de Barre, who was murdered in 1292, must convince beautiful forensic archaeologist Andi Monroe, who is escavating the remains of his keep, to help him break the spell. Original.




The Modern Irish Novel


Book Description

Many contemporary Irish writers are discussed in detail in this book, including Samuel Beckett, Edna O'Brien, and John McGahern. Writers such as, Roddy Doyle, and Patrick McCabe are also placed under Imhof's microscope.




The Pleasures of the Imagination


Book Description

The Pleasures of the Imagination examines the birth and development of English "high culture" in the eighteenth century. It charts the growth of a literary and artistic world fostered by publishers, theatrical and musical impresarios, picture dealers and auctioneers, and presented to th public in coffee-houses, concert halls, libraries, theatres and pleasure gardens. In 1660, there were few professional authors, musicians and painters, no public concert series, galleries, newspaper critics or reviews. By the dawn of the nineteenth century they were all aprt of the cultural life of the nation. John Brewer's enthralling book explains how this happened and recreates the world in which the great works of English eighteenth-century art were made. Its purpose is to show how literature, painting, music and the theatre were communicated to a public increasingly avid for them. It explores the alleys and garrets of Grub Street, rummages the shelves of bookshops and libraries, peers through printsellers' shop windows and into artists' studios, and slips behind the scenes at Drury Lane and Covent Garden. It takes us out of Gay and Boswell's London to visit the debating clubs, poetry circles, ballrooms, concert halls, music festivals, theatres and assemblies that made the culture of English provincial towns, and shows us how the national landscape became one of Britain's greatest cultural treasures. It reveals to us a picture of English artistic and literary life in the eighteenth century less familiar, but more suprising, more various and more convincing than any we have seen before.




The Mike Bowditch Series, Books 1-3


Book Description

Bestselling author and Edgar-Award finalist Paul Doiron knows Maine better than just about anyone, and in this series that follows Maine game warden Mike Bowditch, he proves it. Here together for the first time in one thrill-ride collection are the first three books in the critically acclaimed series: The Poacher's Son Set in the wilds of Maine, this is an explosive tale of an estranged son thrust into the hunt for a murderous fugitive-his own father. Trespasser On a fog shrouded road in Maine, a young woman disappears after hitting a deer with her car. When Bowditch is called to investigate, he uncovers a web of lies and deceit that leads to a killer who may have already gotten away with murder. Bad Little Falls Doiron delivers another "masterpiece of high-octane narrative" (Booklist) in this harrowing thriller about the hunt for a murderer at the height of a major snowstorm.




The Mammoth Book of Folk Horror


Book Description

Welcome to a landscape of ancient evil . . . with stories by masters of horror Arthur Machen, Algernon Blackwood, H. P. Lovecraft, M. R. James​, Ramsey Campbell, Storm Constantine, Christopher Fowler, Alison Littlewood, Kim Newman, Reggie Oliver​, Michael Marshall Smith, Karl Edward Wagner, and more! The darkness that endures beneath the earth . . . the disquiet that lingers in the woodland surrounding a forgotten path . . . those ancient traditions and practices that still cling to standing stone circles, earthworks, and abandoned buildings; elaborate rituals that invoke elder gods or nature deities; the restless spirits and legendary creatures that remain connected to a place or object, or exist in deep wells and lonely pools of water, waiting to ensnare the unwary traveler . . . These concepts have been the archetypes of horror fiction for decades, but in recent years they have been given a name: Folk Horror. This type of storytelling has existed for more than a century. Authors Arthur Machen, Algernon Blackwood, H. P. Lovecraft, and M. R. James all published fiction that had it roots in the notion of the supernatural being linked to objects or places “left behind.” All four writers are represented in this volume with powerful, and hopefully unfamiliar, examples of their work, along with newer exponents of the craft such as Ramsey Campbell, Storm Constantine, Christopher Fowler, Alison Littlewood, Kim Newman, Reggie Oliver, and many others. Illustrated with the atmospheric photography of Michael Marshall Smith, the stories in The Mammoth Book of Folk Horror tap into an aspect of folkloric tradition that has long been dormant, but never quite forgotten, while the depiction of these forces as being in some way “natural” in no way detracts from the sense of nameless dread and escalating horror that they inspire . . .




Sean Bhean Bhocht


Book Description