Spomenik Monument Database


Book Description

Spomenik - the Serbo-Croat/Slovenian word for monument - refers to the pioneering abstract memorials built in Josip Tito's Yugoslavia between the 1960s and the 1990s, marking the horror of occupation by Axis forces and the triumph of their defeat during World War II. Through these imaginative creations, a forward-looking socialist society, free of ethnic tensions, was envisaged. This publication brings together more than 80 examples of these stunning brutalist monuments. Each has been extensively photographed and researched by the author to make this book the most comprehensive survey available of this obscure and fascinating architectural phenomenon. A fold-out map on the reverse of the dust jacket shows the exact location of each spomenik using GPS coordinates.







Jan Kempenaers


Book Description

During the 1960s and 70s, thousands of monuments commemorating the Second World War called 'Spomeniks' were built throughout the former Yugoslavia; striking monumental sculptures, with an angular geometry echoing the shapes of flowers, crystals, and macro-views of viruses or DNA. In the 1980s the Spomeniks still attracted millions of visitors from the Eastern bloc; today they are largely neglected and unknown, their symbolism lost and unwanted. Antwerp-based photographer Jan Kempenaers travelled the Balkans photographing these eerie objects, presented in this book as a powerful typological series. The beauty and mystery of the isolated, crumbling Spomeniks informs Kempenaer's enquiry into memory, found beauty, and whether former monuments can function as pure sculpture.




Soviet Asia


Book Description

A fantastic collection of Soviet Asian architecture, many photographed here for the first time Soviet Asia explores the Soviet modernist architecture of Central Asia. Italian photographers Roberto Conte and Stefano Perego crossed the former Soviet republics of Kazakhstan, Kyrgyzstan, Uzbekistan and Tajikistan, documenting buildings constructed from the 1950s until the fall of the USSR. The resulting images showcase the majestic, largely unknown, modernist buildings of the region. Museums, housing complexes, universities, circuses, ritual palaces - all were constructed using a composite aesthetic. Influenced by Persian and Islamic architecture, pattern and mosaic motifs articulated a connection with Central Asia. Grey concrete slabs were juxtaposed with colourful tiling and rectilinear shapes broken by ornate curved forms: the brutal designs normally associated with Soviet-era architecture were reconstructed with Eastern characteristics. Many of the buildings shown in Soviet Asia are recorded here for the first time, making this book an important document, as despite the recent revival of interest in Brutalist and Modernist architecture, a number of them remain under threat of demolition. The publication includes two contextual essays, one by Alessandro De Magistris (architect and History of Architecture professor, University of Milan, contributor to the book Vertical Moscow) and the other by Marco Buttino (Modern and Urban History professor, University of Turin, specializing in the history of social change in the USSR).




Soviet Space Dogs


Book Description

Tells the true stories of Laika, Belka, Strelka, and the other space dogs who were sent on experimental space flight explorations by the Soviet Union between 1951 and 1956.




Soviet Signs and Street Relics


Book Description

Russia's forgotten world of avant-garde public signage--the latest in Fuel's collectible Soviet series For this volume, French photographer Jason Guilbeau has used Google Street View to virtually navigate Russia and the former USSR, searching for examples of a forgotten Soviet empire. The subjects of these unlikely photographs are incidental to the purpose of Google Street View--captured by serendipity, rather than design, they are accorded a common vernacular. Once found, Guilbeau strips the images of their practical use by removing the navigational markers, transforming them according to his own vision. From remote rural roadsides to densely populated cities, the photographs reveal traces of history in plain sight: a brutalist hammer and sickle stands in a remote field; a jet fighter is anchored to the ground by its concrete exhaust plume; a skeletal tractor sits on a cast-iron platform; a village sign resembles a constructivist sculpture. Passersby seem oblivious to these objects. Relinquished by the present they have become part of the composition of everyday life, too distant in time and too ubiquitous in nature to be recorded by anything other than an indiscriminate automaton. This collection of photographs portrays a surreal reality: it is a document of a vanishing era, captured by an omniscient technology that is continually deleting and replenishing itself--an inadvertent definition of Russia today.




Jonathan Jimenez


Book Description

Alien to their surroundings, like spaceships conspicuously parked up in the middle of nowhere, their bizarre beauty derives from both their location and imaginative symbolism. Follow in the footsteps of French photographer Jonathan 'Jonk' Jimenez as he tries to track down these super-sized public structures. Once numbering in their thousands and attracting millions of visitors every year, they were revered by the young pioneers as part of their 'patriotic education'. Pushing architecture to its limits, Spomeniks are what happens when brutalism, symbolism, space age aesthetics and abstraction meet on the top of a hill.




This Brutal World


Book Description

A curated collection of some of the most powerful and awe-inspiring Brutalist architecture ever built This Brutal World is a global survey of this compelling and much-admired style of architecture. It brings to light virtually unknown Brutalist architectural treasures from across the former eastern bloc and other far flung parts of the world. It includes works by some of the best contemporary architects including Zaha Hadid and David Chipperfield as well as by some of the master architects of the 20th century including Le Corbusier, Mies van der Rohe, Frank Lloyd Wright, Louis Kahn, Paul Rudolph and Marcel Breuer.




Holidays in Soviet Sanatoriums


Book Description

A fascinating photographic study of the previously overlooked Soviet Sanatoriums and their treatments - stunning eastern bloc architecture meets crude-oil baths and radon water douches. Visiting a Soviet sanatorium is like stepping back in time. Originally conceived in the 1920s, they afforded workers a place to holiday, courtesy of a state-funded voucher system. At their peak they were visited by millions of citizens across the USSR every year. A combination of medical institution and spa, the era's sanatoriums are among the most innovative buildings of their time. Although aesthetically diverse, Soviet utopian values permeated every aspect: western holidays were perceived as decadent. By contrast, sanatorium breaks were intended to edify and strengthen visitors - health professionals carefully monitored guests throughout their stay, so they could return to work with renewed vigour. Certain sanatoriums became known for their specialist treatments, such as crude oil baths, radon water douches and stints in underground salt caves. While today some sanatoriums are in critical states of decline, many are still fully operational and continue to offer their Soviet-era treatments to visitors. Using specially commissioned photographs by leading photographers of the post-Soviet territories, and texts by sanatorium expert Maryam Omidi, this book documents over forty-five sanatoriums and their unconventional treatments. From Armenia to Uzbekistan, it represents the most comprehensive survey to date of this fascinating and previously overlooked Soviet institution.




Soviet Seasons


Book Description

The post-Soviet republics seen over four different seasons, by acclaimed Russian photographer, Instagram sensation and Soviet Cities author Arseniy Kotov In Soviet Seasons, Arseniy Kotov reveals unfamiliar aspects of the post-Soviet terrain in sublime photographs. From snow-blanketed Siberia in winter to the mountains of the Caucasus in summer, these images show how a once powerful, utopian landscape has been affected by the weight of nature itself. This uniquely broad perspective could only be achieved by a photographer such as Kotov. Singularly dedicated to exploring every corner of his country, Kotov often hitchhikes across vast distances. On these journeys he chronicles not only the architectural achievements of the Soviet empire, but also its overlooked or simply undocumented constructions. He writes: "In this book I want to show how beautiful and diverse the cities and nature of this vast region are at different times of the year. I have traveled widely across Russia and its neighboring countries, where I captured the landscape of post-Soviet cities and witnessed the seasonal changes."