Sport and Film


Book Description

The sports film has become one of commercial cinema's most recognizable genres. From classic boxing films such as Raging Bull (1980) to soccer-themed box-office successes like Bend it Like Beckham (2002), the sports film stands at the interface of two of our most important cultural forms. This book examines the social, historical and ideological significance of representations of sport in film internationally, an essential guide for all students and enthusiasts of sport, film, media and culture. Sport and Film traces the history of the sports film, from the beginnings of cinema in the 1890s, its consolidation as a distinct fiction genre in the mid 1920s in Hollywood films such as Harold Lloyd’s The Freshman (1925), to its contemporary manifestation in Oscar-winning films such as Million Dollar Baby (2004) and The Fighter (2010). Drawing on an extensive range of films as source material, the book explores key issues in the study of sport, film and wider society, including race, social class, gender and the legacy of 9/11. It also offers an invaluable guide to 'reading' a film, to help students fully engage with their source material. Comprehensive, authoritative and accessible, this book is an important addition to the literature in both film and media studies, sport studies and cultural studies more generally.




The Sports Film


Book Description

After covering the genre's early history and theorizing its general characteristics, this volume then focuses on specific instances of sports films, such as the biopic, the sports history film, the documentary, the fan film, the boxing film, and explores issues such as gender, race, spectacle and silent comedy. Four major films are then closely analysed – Chariots of Fire, Field of Dreams, the Indian cricket epic Lagaan, and Oliver Stone's Any Given Sunday. While recording American film's importance to the genre, the book resists the conventional over-concentration on American cinema and sports by its attention to other cinemas, for example the British, Indian, Australian, South Korean, Thai, German, New Zealand, Spanish, and so on, with the many different sports they depict.




Contesting Identities


Book Description

Publisher's description: Since the earliest days of the silent era, American filmmakers have been drawn to the visual spectacles of sports and their compelling narratives of conflict, triumph, and individual achievement. In Contesting Identities Aaron Baker examines how these cinematic representations of sports and athletes have evolved over time--from The Pinch Hitter and Buster Keaton's College to White Men Can't Jump, Jerry Maguire, and Girlfight. He focuses on how identities have been constructed and transcended in American society since the early twentieth century. Whether depicting team or individual sports, these films return to that most American of themes, the master narrative of self-reliance. Baker shows that even as sports films tackle socially constructed identities such as class, race, ethnicity, sexuality, and gender, they ultimately underscore transcendence of these identities through self-reliance. In addition to discussing the genre's recurring dramatic tropes, from the populist prizefighter to the hot-headed rebel to the "manly" female athlete, Baker also looks at the social and cinematic impacts of real-life sports figures from Jackie Robinson and Babe Didrikson Zaharias to Muhammad Ali and Michael Jordan.




Visual Economies Of/in Motion


Book Description

Sport films have been central to American cinema, playing an increasingly important role in the communication of a commonsense understanding of race, gender, class, history, and social relations. Oddly, scholars have neglected sport films and their significance. Offering a comparative, theoretically grounded, and interdisciplinary approach, Visual Economies of/in Motion marks a novel and important point of departure in sport studies and cultural studies. It brings together a dozen essays on feature films and documentaries to probe the articulation of ideologies and identities, play and power, and sporting worlds and social fields. -- Amazon.com.




All-Stars and Movie Stars


Book Description

Sports films are popular forms of entertainment around the world, but beyond simply amusing audiences, they also reveal much about class, race, gender, sexuality, and national identity. In All-Stars and Movie Stars, Ron Briley, Michael K. Schoenecke, and Deborah A. Carmichael explore the interplay between sports films and critical aspects of our culture, examining them as both historical artifacts and building blocks of ideologies, values, and stereotypes. The book covers not only Hollywood hits such as Field of Dreams and Miracle but also documentaries such as The Journey of the African American Athlete and international cinema, such as the German film The Miracle of Bern. The book also explores television coverage of sports, commenting on the relationship of media to golf and offering a new perspective on the culture and politics behind the depictions of the world's most popular pastimes. The first part of the book addresses how sports films represent the cultural events, patterns, and movements of the times in which they were set, as well as the effect of the media and athletic industry on the athletes themselves. Latham Hunter examines how the baseball classic The Natural reflects traditional ideas about gender, heroism, and nation, and Harper Cossar addresses how the production methods used in televised golf affect viewers. The second section deals with issues such as the growth of women's involvement in athletics, sexual preference in the sports world, and the ever-present question of race by looking at sports classics such as Rocky, Hoosiers, and A League of Their Own. Finally, the authors address the historical and present-day role sports play in the international and political arena by examining such films as Visions of Eight and The Loneliness of the Long Distance Runner. This important and unique collection illuminates the prominent role that sports play in society and how that role is reflected in film. Analysis of the depiction of sports in film and television provides a deeper understanding of the appeal that sports hold for people worldwide and of the forces behind the historic and cultural traditions linked to sports.




Sport in Films


Book Description

Sport offers everything a good story should have: heroes and villains, triumph and disaster, achievement and despair, tension and drama. Consequently, sport makes for a compelling film narrative and films, in turn, are a vivid medium for sport. Yet despite its regularity as a central theme in motion pictures, constructions and representations of sport and athletes have been marginalised in terms of serious analysis within the longstanding academic study of films and documentaries. In this collection, it is the critical study of film and its connections to sport that are examined. The collection is one of the first of its kind to examine the ways in which sport has been used in films as a metaphor for other areas of social life. Among the themes and issues explored by the contributors are: Morality tales in which good triumphs over evil The representation and ideological framing of social identities, including class, gender, race and nationality The representation of key issues pertinent to sport, including globalization, politics, commodification, consumerism, and violence The meanings ‘spoken’ by films – and the various ‘readings’ which audiences make of them This is a timely collection that draws together a diverse range of accessible, insightful and ground-breaking new essays. This book was published as a special issue of Sport in Society.




Sport im Film


Book Description

Lange Zeit von den Sozial- und Kulturwissenschaften ignoriert und als bloße Mainstream-Unterhaltung stigmatisiert, erlangt der Sportfilm zunehmend wissenschaftliche Aufmerksamkeit. Der interdisziplinär angelegte Band verdeutlicht das vielfältige und vielschichtige, gleichwohl noch nicht annähernd ausgeschöpfte wissenschaftliche Analyse- und Reflexionspotenzial des Sportfilms. Die Beiträge der national und international renommierten Autorinnen und Autoren fokussieren im Besonderen den Sportspielfilm mit seinen zahlreichen Subgenres wie Football-, Basketball-, Box-, Olympia- und Kampfsportfilm. Das steigende Interesse am Sportfilm resultiert aus der wachsenden Einsicht, dass es sich hierbei um ein Genre handelt, das pointiert gesellschaftliche Zustände, kulturelle Ideologien sowie politisch-ökonomische Strukturen reflektiert und kritisiert. Der Sportfilm thematisiert historische Ereignisse, gesellschaftliche Entwicklungen wie auch individuelle und kollektive (Anti-)Helden. Er gibt Aufschluss über kulturspezifische Besonderheiten des Sports und dessen Verflechtung mit anderen gesellschaftlichen Handlungsfeldern. Darüber hinaus inszeniert er zeitgeisttypische und zugleich allgemeingültige (Körper-)Ideale, Werte, Konflikt- und Handlungsmuster. Der Sportfilm reproduziert damit nicht nur gesellschaftliche und sportliche Wirklichkeit, sondern konstruiert sie im Medium einer emotional wirkmächtigen Bildsprache gleichermaßen mit.




Sporting Blackness


Book Description

Sporting Blackness examines issues of race and representation in sports films, exploring what it means to embody, perform, play out, and contest blackness by representations of Black athletes on screen. By presenting new critical terms, Sheppard analyzes not only “skin in the game,” or how racial representation shapes the genre’s imagery, but also “skin in the genre,” or the formal consequences of blackness on the sport film genre’s modes, codes, and conventions. Through a rich interdisciplinary approach, Sheppard argues that representations of Black sporting bodies contain “critical muscle memories”: embodied, kinesthetic, and cinematic histories that go beyond a film’s plot to index, circulate, and reproduce broader narratives about Black sporting and non-sporting experiences in American society.







Sports, Exercise, and Fitness


Book Description

For reference librarians and researchers seeking information on sports and fitness, this guide is an important first stop. For collection development specialists, it is an invaluable selection guide. Allen describes and evaluates over 1,000 information sources on the complete spectrum of sports: from basketball, football, and hockey to figure skating, table tennis, and weight training. Focusing on English-language works published between 1990 and the present, the guide thoroughly covers traditional reference sources, such as encyclopedias and bibliographies, along with instructional sources in print formats, online databases, and Web sites. To enable users in search of information on specific sports or fitness activities, chapters are organized thematically, according to broad- type aquatic sports, nautical sports, precision and accuracy, racket sports, ice and snow sports, ball sports, cycling, and so on, with subcategories for such individual sports as soccer, golf, and yoga. Within these categories, works are further organized by type: reference, instructional, and Web sites.