The Connoisseur


Book Description







Sport and Modernity


Book Description

This important new book from one of the world's leading sociologists of sport weaves together social theory, history and political economy to provide a highly original analysis of the complex relationship between sport and modernity. Incorporating a powerful set of theoretical insights from traditions and thinkers ranging from classical Marxism and the Frankfurt School to Foucault and Bourdieu, Gruneau analyzes the emergence of "sport" as a distinctive field of practice in western societies. Examining subjects including the legacy of Greek and Roman antiquity, representations of sport in nineteenth-century England, Nazism, and modern "mega-events" such as the Olympics and the World Cup, he seeks to show how sport developed into an arena which articulated competing understandings of the kinds of people, bodies and practices best suited to the modern western world. This book thereby explores with brio and sophistication how the ever-changing economic, social, and political relations of modernity have been produced and reproduced, and sometimes also opposed and escaped, through sport, from the Enlightenment to the rise of neoliberalism, as well as examining how the study of exercise, athletics, the body, and the spectacle of sport can deepen our understanding of the nature of modernity. It will be essential reading for students and scholars of the sociology and history of sport, sociology of culture, cultural history, and cultural studies.










Science and the Perception of Nature


Book Description

Charlotte Klonk's deeply researched accounts of the complex and often ambiguous interactions that took place between artists and scientists challenge simplistic accounts of developments in art as mere by-products of scientific progress as well as reductive socio-economic interpretations. For Klonk, the common thread running through the changes in both art and science is the emergence of a new phenomenalist conception of experience around the turn of the century. Phenomenalism involved a commitment to the scrupulous observation of particular phenomena, without making prior assumptions about meaning or underlying causes, and this ideal was common to both artists and scientists. In this way, Klonk argues, the period represents a brief moment of balance before the concerns of science and art split apart into objectivity and subjectivity, respectively.







Six Centuries of Foxhunting


Book Description

Hunting literature had its beginnings as early as the fourteenth century, when nobles hunted stag, bear, fox, and other game on horseback. As foxhunting grew in popularity, literary works that covered the sport flourished, as well. In Six Centuries of Foxhunting: An Annotated Bibliography, M. L. Biscotti has compiled all books produced in Great Britain and the United States that pertain to, or mention, foxhunting with hounds. Arranged alphabetically by author, more than 2000 titles are included. Each entry features details such as place and year of publication, publisher, book size, page count, illustrations, and binding. Nearly every title is also annotated with a description of the book’s contents, and biographical sketches are provided for the most notable authors. Narratives, histories, illustrated works, verse, fiction, and even anti-hunting literature all have their place in this volume. Six Centuries of Foxhunting also features more than thirty images of book covers and foxhunting illustrations. With appendixes that contain author, title, and illustrator time lines, and separate author and title indexes, this comprehensive bibliography is a valuable resource for researchers, book dealers and collectors, and foxhunters.




Robert Seymour and Nineteenth-Century Print Culture


Book Description

Robert Seymour and Nineteenth-Century Print Culture is the first book-length study of the original illustrator of Dickens’s Pickwick Papers. Discussion of the range and importance of Seymour’s work as a jobbing illustrator in the 1820s and 1830s is at the centre of the book. A bibliographical study of his prolific output of illustrations in many different print genres is combined with a wide-ranging account of his major publications. Seymour’s extended work for The Comic Magazine, New Readings of Old Authors and Humorous Sketches, all described in detail, are of particular importance in locating the dialogue between image and text at the moment when the Victorian illustrated novel was coming into being.