Sermons on the Canticle of Canticles: Volumes 1 & 2


Book Description

So far as I am aware, this is the first attempt on the part of a Catholic to render St. Bernard’s famous Discourses on the Canticle of Canticles available for English readers. It is passing strange that it should be so; passing strange that the most important work, perhaps, of him who has been called by excellence the Doctor of Love and the Prince of Mystics, should be so neglected. But the Sermons on the Canticle are not singular in this respect. The same neglect has been extended to practically all the writings of the Melliduous Doctor, with great loss to spirituality. Aeterna Press




A History of Preaching Volume 1


Book Description

A History of Preaching brings together narrative history and primary sources to provide the most comprehensive guide available to the story of the church's ministry of proclamation. Bringing together an impressive array of familiar and lesser-known figures, Edwards paints a detailed, compelling picture of what it has meant to preach the gospel. Pastors, scholars, and students of homiletics will find here many opportunities to enrich their understanding and practice of preaching. Volume 1 contains Edwards's magisterial retelling of the story of Christian preaching's development from its Hellenistic and Jewish roots in the New Testament, through the late-twentieth century's discontent with outdated forms and emphasis on new modes of preaching such as narrative. Along the way the author introduces us to the complexities and contributions of preachers, both with whom we are already acquainted, and to whom we will be introduced here for the first time. Origen, Chrysostom, Augustine, Bernard, Aquinas, Luther, Calvin, Wesley, Edwards, Rauschenbusch, Barth; all of their distinctive contributions receive careful attention. Yet lesser-known figures and developments also appear, from the ninth-century reform of preaching championed by Hrabanus Maurus, to the reference books developed in the thirteenth and fourteenth centuries by the mendicant orders to assist their members' preaching, to Howell Harris and Daniel Rowlands, preachers of the eighteenth-century Welsh revival, to Helen Kenyon, speaking as a layperson at the 1950 Yale Beecher lectures about the view of preaching from the pew. Volume 2, available separately as 9781501833786, contains primary source material on preaching drawn from the entire scope of the church's twenty centuries. The author has written an introduction to each selection, placing it in its historical context and pointing to its particular contribution. Each chapter in Volume 2 is geared to its companion chapter in Volume 1's narrative history. Ecumenical in scope, fair-minded in presentation, appreciative of the contributions that all the branches of the church have made to the story of what it means to develop, deliver, and listen to a sermon, A History of Preaching will be the definitive resource for anyone who wishes to preach or to understand preaching's role in living out the gospel. "...'This work is expected to be the standard text on preaching for the next 30 years,' says Ann K. Riggs, who staffs the NCC's Faith and Order Commission. Author Edwards, former professor of preaching at Seabury-Western Theological Seminary, is co-moderator of the commission, which studies church-uniting and church-dividing issues. 'A History of Preaching is ecumenical in scope and will be relevant in all our churches; we all participate in this field,' says Riggs...." from EcuLink, Number 65, Winter 2004-2005 published by the National Council of Churches




On the Song of Songs


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Commentary on the Song of Songs


Book Description

Bernard of Clairvaux (1090 – August 20, 1153) was a French abbot and the primary builder of the reforming Cistercian order. The Song of Songs is a book of the Hebrew Bible—one of the megillot (scrolls)—found in the last section of the Tanakh, known as the Ketuvim (or "Writings"). It is also known as Canticle of Canticles or simply Canticles from the Vulgate title Canticum Canticorum (Latin, "Song of Songs"). The protagonists of Song of Songs are a woman (identified in one verse as "the Shulamite") and a man, and the poem suggests movement from courtship to consummation. For instance, the man proclaims: "As the lily among thorns, so is my love among the daughters." The woman answers: "As the apple tree among the trees of the wood, so is my beloved among the sons. I sat down under his shadow with great delight, and his fruit was sweet to my taste."Additionally, the Song includes a chorus, the "daughters of Jerusalem." (from wikipedia.com) This book contains 43 beautiful sermons that St. Bernard wrote on this book. He interprets the song of songs in reference to the love between God and the soul. God is deeply in love with us, and wills our love in return. This love between the soul and God, which is the most intimate love possible, is expressed in the analogy of bride and bridegroom, where the intimacy of love is especially expressed.




The Cistercian Fathers and Their Monastic Theology


Book Description

These conferences, presented by Thomas Merton to the novices at the Abbey of Gethsemani in 1963–1964, focus mainly on the life and writings of his great Cistercian predecessor, St. Bernard of Clairvaux (1090–1153). Guiding his students through Bernard’s Marian sermons, his treatise On the Love of God, his controversy with Peter Abelard, and above all his great series of sermons on the Song of Songs, Merton reveals why Bernard was the major religious and cultural figure in Europe during the first half of the twelfth century and why he has remained one of the most influential spiritual theologians of Western Christianity from his own day until the present. As James Finley writes in his preface to this volume, “Merton is teaching us in these notes how to be grateful and amazed that the ancient wisdom that shimmers and shines in the eloquent and beautiful things that mystics say is now flowing in our sincere desire to learn from God how to find our way to God.”




The Best Books


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Saint Bernard of Clairvaux Collection [8 Books]


Book Description

SAINT BERNARD OF CLAIRVAUX COLLECTION [8 BOOKS] — Quality Formatting and Value — Active Index, Multiple Table of Contents for all Books — Multiple Illustrations Bernard of Clairvaux, was a French abbot and the primary reformer for the Cistercian order. After the death of his mother, Bernard sought admission into the Cistercian order. "Three years later, he was sent to found a new abbey at an isolated clearing in a glen known as the Val d'Absinthe, about 15 kilometres (9.3 mi) southeast of Bar-sur-Aube. According to tradition, Bernard founded the monastery on 25 June 1115, naming it Claire Vallée, which evolved into Clairvaux. There Bernard would preach an immediate faith, in which the intercessor was the Virgin Mary." In the year 1128, Bernard attended the Council of Troyes, at which he traced the outlines of the Rule of the Knights Templar, which soon became the ideal of Christian nobility. On the death of Pope Honorius II on 13 February 1130, a schism broke out in the Church. King Louis VI of France convened a national council of the French bishops at Étampes in 1130, and Bernard was chosen to judge between the rivals for pope. After the council of Étampes, Bernard spoke with King Henry I of England, also known as Henry Beauclerc, about Henry I's reservations regarding Pope Innocent II. Henry I was sceptical because most of the bishops of England supported Antipope Anacletus II; Bernard persuaded him to support Innocent. Germany had decided to support Innocent through Norbert of Xanten, who was a friend of Bernard's. However, Innocent insisted on Bernard's company when he met with Lothair II, Holy Roman Emperor. —BOOKS— CONCERNING GRACE AND FREE WILL LIFE AND WORKS OF SAINT BERNARD LIFE OF SAINT MALACHY OF ARMAGH ON CONSIDERATION ON THE LOVE OF GOD SERMONS OF SAINT BERNARD ON ADVENT & CHRISTMAS: INCLUDING THE FAMOUS TREATISE ON THE INCARNATION CALLED "MISSUS EST" SERMONS ON THE CANTICLE OF CANTICLES SOME LETTERS OF SAINT BERNARD PUBLISHER: AETERNA PRESS




The Absent Image


Book Description

Winner of the 2022 Charles Rufus Morey Award from the College Art Association Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures. Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death. Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.