Completely Staged


Book Description

Starring David Tennant and Michael Sheen, along with A-list guests, the award-winning and critically acclaimed British television comedy series Staged was an instant hit. Launched during the global coronavirus pandemic, the show follows the two thespians playing fictionalised versions of themselves as they try to rehearse a play during lockdown... over Zoom. Completely Staged presents the complete text of the BBC screenplays from Staged’s writer and director Simon Evans and co-creator Phin Glynn, illustrated throughout in full colour with stills from the show, original drawings, sheet music for the theme tune, Georgia Tennant's carrot cake recipe, tips on how to draw a pineapple and much more. This treasure trove is a must-have for every fan of Staged, a show which perfectly combines comedy and poignancy to encapsulate the collective feelings of a reluctantly virtual world.




Staged


Book Description

Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term “show trials” suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by restaging the era’s great trials as shows. The Nuremberg trials, the Eichmann trial, and the Auschwitz trials were all performed multiple times, first in courts and then in theaters. Does justice require both courtrooms and stages? In Staged, Minou Arjomand draws on a rich archive of postwar German and American rehearsals and performances to reveal how theater can become a place for forms of storytelling and judgment that are inadmissible in a court of law but indispensable for public life. She unveils the affinities between dramatists like Bertolt Brecht, Erwin Piscator, and Peter Weiss and philosophers such as Hannah Arendt and Walter Benjamin, showing how they responded to the rise of fascism with a new politics of performance. Linking performance with theories of aesthetics, history, and politics, Arjomand argues that it is not subject matter that makes theater political but rather the act of judging a performance in the company of others. Staged weaves together theater history and political philosophy into a powerful and timely case for the importance of theaters as public institutions.




Staged Otherness


Book Description

The cultural phenomenon of exhibiting non-European people in front of the European audiences in the 19th and 20th century was concentrated in the metropolises in the western part of the continent. Nevertheless, traveling ethnic troupes and temporary exhibitions of non-European humans took place also in territories located to the east of the Oder river and Austria. The contributors to this edited volume present practices of ethnographic shows in Russia, Poland, Czechia, Slovenia, Hungary, Germany, Romania, and Austria and discuss the reactions of local audiences. The essays offer critical arguments to rethink narratives of cultural encounters in the context of ethnic shows. By demonstrating the many ways in which the western models and customs were reshaped, developed, and contested in Central and Eastern European contexts, the authors argue that the dominant way of characterizing these performances as “human zoos” is too narrow. The contributors had to tackle the difficult task of finding traces other than faint copies of official press releases by the tour organizers. The original source material was drawn from local archives, museums, and newspapers of the discussed period. A unique feature of the volume is the rich amount of images that complement every single case study of ethnic shows.




Staged 4 Murder


Book Description

A P.I.’s bookkeeper takes a side gig in sleuthing when an amateur production of The Mousetrap features a real-life murder in this cozy mystery novel. Sophie “Phee” Kimball is trying to get work done at her private investigation company, but it’s hard to focus when her old crush just moved to Arizona to join the staff. The last thing she needs is more distraction—like constant updates from her mom on the local production of Agatha Christie’s “The Mousetrap.” Practically everyone from Mom’s book club and retirement community, with the possible exception of her chiweenie dog, wants to join the cast and crew. But someone’s playing the role of a killer for real. After a much-despised cast member is found dead in the theater, Phee has no choice but to immerse herself in all the backstabbing, backstage gossip. Especially if her drama-queen mother is right about the threatening note left on her windshield—which could spell curtains for another victim




Staging Sex


Book Description

Staging Sex lays out a comprehensive, practical solution for staging intimacy, nudity, and sexual violence. This book takes theatre practitioners step-by-step through the best practices, tools, and techniques for crafting effective theatrical intimacy. After an overview of the challenges directors face when staging theatrical intimacy, Staging Sex offers practical solutions and exercises, provides a system for establishing and discussing boundaries, and suggests efficient and effective language for staging intimacy and sexual violence. It also addresses production and classroom specific concerns and provides guidance for creating a culture of consent in any company or department. Written for directors, choreographers, movement coaches, stage managers, production managers, professional actors, and students of acting courses, Staging Sex is an essential tool for theatre practitioners who encounter theatrical intimacy or instructional touch, whether in rehearsal or in the classroom.




Staging Your Comeback


Book Description

Christopher Hopkins first became known as “The Makeover Guy” during his two appearances in Oprah’s over-50 makeover shows. Since then, he has dedicated his talents and passion for fashion, makeup, and hair care to this booming audience of women. In Staging Your Comeback, Hopkins champions women over 45, teaching them how to command attention by looking and feeling great. With compassion and brutal honesty, Hopkins tackles and rectifies problems that women face as they age. Hopkins’s simple tips and tricks help women create their own self-expression and turnaround common mistakes they make in fashion and hair and skin care. Some topics include: Gray or nay? Your ideal hair color Working with over-40 skin Discover your image profile Second-act ground rules Your ideal silhouette When symmetry goes south Myths and misconceptions Long hair in act two: Does it work? Managing curl What you need to know about undergarments Fads, trends, and classics




Staged Fright #3


Book Description

On a rainy day in Gloomsviille, Ruby and her friends decide to put on a talent show. But the show can’t go on when Skull Boy’s magic trick actually makes Scaredy Bat disappear. Can the gang find a way to bring Scaredy back? Or will he be lost forever?




Home Staging Like A Pro


Book Description

Is your house going up for sale on the real estate market? Are you wondering how you can make your house as appealing as the other houses you see on the market? Chances are, the other properties that you reviewed online have been "staged." Hiring a professional to stage your home will cost you easily several hundreds or even thousands of dollars. The reality is, home staging is simpler and easier than most people think. A common misconception is that you need to have interior design background to do home staging. This is just not true. Another common mistake people make is to confuse home staging with home decorating. In fact, staging your home to sell is something you can do yourself and get similar results as the professionals. Yes you could have a better way to sell any home. It truly is possible, but you just need to know how. Just imagine being able to set up your home for a quick sale in just 7 days (or less) without becoming frustrated or wasting your time. This is what "Home Staging Like A Pro" was written for. Here's some of the things you will learn in "Home Staging Like A Pro": - How to get a great first impression to your home... - 3 little known, yet simple ways to creating focal points within your home... - Understanding the layout of any home and how to make it work for you... - 2 simple keys (that are right in front of your eyes) to targeting potential buyers with home staging... - Home staging tips to sell your home for top dollar - How to arrange a room for the appearance of space... - WARNING: things you should never do when it comes to staging your home for sale... - You'll discover in just a few short minutes how to differentiate between home staging and home decorating... - Time tested and proven strategies to linking colors and emotions... - 9-point checklist to stage your home perfectly... - And much more...




Home Staging by the Book


Book Description

The author shares her knowledge about home staging, a process for preparing a home for resale by decorating it to make it more appealing to home buyers.




Staged Narrative


Book Description

The messenger who reports important action that has occurred offstage is a familiar inhabitant of Greek tragedy. A messenger informs us about the death of Jocasta and the blinding of Oedipus, the madness of Heracles, the slaughter of Aigisthos, and the death of Hippolytus, among other important events. Despite its prevalence, this conventional figure remains only little understood. Combining several critical approaches—narrative theory, genre study, and rhetorical analysis—this lucid study develops a synthetic view of the messenger of Greek tragedy, showing how this role illuminates some of the genre's most persistent concerns, especially those relating to language, knowledge, and the workings of tragic theater itself. James Barrett gives close readings of several plays including Aeschylus's Persians, Sophocles' Electra and Oedipus Tyrannus, and Euripides' Bacchae and Rhesos. He traces the literary ancestry of the tragic messenger, showing that the messenger's narrative constitutes an unexplored site of engagement with Homeric epic, and that the role illuminates fifth-century b.c. experimentation with modes of speech. Breaking new ground in the study of Athenian tragedy, Barrett deepens our understanding of many central texts and of a form of theater that highlights the fragility and limits of human knowledge, a theme explored by its use of the messenger.