Starman (1988-) #29


Book Description

"ON THE REBOUND." Will's desire to get a place of his own reunites him with Carol--at least in business--while Prescott and Duncan from the "organization" bring along a new friend to pay Dr. Melrose a visit.




Star Man


Book Description

Life changed for Michael Francis at the age of 21 when Paul McCartney walked into his father's boxing gym to watch his friend John Conteh preparing for a fight. Paul hired Michael as his security guard, beginning a thirty-year music business career in which he worked with such legendary names as Led Zeppelin, Bad Company, The Osmonds, Sheena Easton, Frank Sinatra, Bon Jovi, Cher and Kiss. As tour manager, Michael was responsible for every aspect of their safety and their comfort, from making sure they were not mobbed on stage to making sure they got paid. Whatever they wanted, he got hold of. To some of them he became close. He was best man at Jon Bon Jovi's wedding, and provided personal security for five years for Cher at her Malibu home. He shared their wildest excesses, their highs and their lows; he saw their fears and, all too often, their loneliness and paranoia. Sometimes hilarious, frequently shocking, always perceptive, STAR MAN is the outrageous, uncompromising and brutally honest story of one man's life with the biggest stars of rock.




Starman


Book Description

Has there ever been a more charismatic and intriguing rock star than David Bowie? In Starman, Paul Trynka has painted the definitive portrait of a great artist. From Bowie's early years in post-war, bombed-out Brixton to the decadent glamour of Ziggy Stardust to the controversial but vital Berlin period, this essential biography is a celebration of Bowie's brilliance and a timely reminder of how great music is made - now with an update on the making and release of The Next Day.




The Shade


Book Description

"After a brutal attempt on his life, the Shade leaves Opal City to learn which of the many people he has crossed are responsible. Joining forces with allies such as private detective Will von Hammer and teenaged vampire La Sangre, the Shade begins a centuries-spanning quest that takes him from Australia to Barcelona to London, facing off against lizard gods, celestial pharaohs, and even family members ..."--Page 4 of cover.




Starman Omnibus


Book Description

"Jack Knight is a rabid collector, operating an antiques and collectibles store in the heart of Opal City. Despite being the son of Ted Knight, the Golden Age hero known as Starman, Jack is nothing like him. Rebellious, stubborn and disdainful of Ted's past, Jack is certainly no hero. That is, until a terrible tragedy strikes-- Reluctantly adopting his father's former mantle, Jack forges a path as the latest inheritor of the Starman legacy. But now all of Ted's enemies are determined to snuff out this newest star before Jack has a chance to truly shine. Can Jack overcome incredible odds to prove that he has what it takes to be a hero"--Page [4] of cover, vol. 1.




The Films of John Carpenter


Book Description

The films of John Carpenter cover a tremendous range and yet all bear his clear personal stamp. From the horrifying (Halloween) to the touching (Starman) to the controversial (The Thing) to the comic (Big Trouble in Little China), his films reflect a unique approach to filmmaking and singular views of humanity and American culture. This analysis of Carpenter's films includes a historical overview of his career, and in-depth entries on each of his films, from 1975's Dark Star to 1998's Vampires. Complete cast and production information is provided for each. The book also covers those films written and produced by Carpenter, such as Halloween II and Black Moon Rising, as well as Carpenter's work for television. Appendices are included on films Carpenter was offered but turned down, the slasher films that followed in the wake of the highly-successful Halloween, the actors and characters who make repeated appearances in Carpenter's films, and ratings for Carpenter's work. Notes, bibliography, and index are included.




New York Magazine


Book Description

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.




David Bowie Starman


Book Description

Chameleonic, hypnotising and utterly irreplaceable, David Bowie was more than just a pop star. More underdog than diamond dog, he was an inspiration to millions: a hot tramp from the streets of London, who proved that anything's possible when you follow your dreams. Whether posing as an electrifying alien rock god or a thin white duke, Bowie's career is a veritable kaleidoscope of ever-changing colors, styles and sounds. From Aladdin Sane to Ziggy Stardust, from Goblin King to China boy, from sharp-suited aristocrat to androgynous bohemian Queen, Starman collects black-and-white sketches of his most iconic looks, stardusted visions and stylistic moments. Filled with quotes, facts and memories of Bowie from those who knew him best, David Bowie: Starman offers a uniquely creative way to remember the Starman and his incredible life on Earth - essential reading for fans of every generation.




Original Sin


Book Description

Collects Original Sin #5.1-5.5.




Philosophy in Stan Brakhage's Dog Star Man


Book Description

This book shows how a masterpiece of experimental cinema can be interpreted through hermeneutics of the film world. As an application of Ricœurian methodology to a non-narrative film, the book calls into question the fundamental concept of the film world. Firmly rooted within the context of experimental cinema, Stan Brakhage’s Dog Star Man was not created on the basis of a narrative structure and representation of characters, places and events, but on very different presuppositions. The techniques with which Brakhage worked on celluloid and used frames as canvases, as well as his choice to make the film without dialogue and sound, exhort the interpreter to directly question the philosophical language of moving images.