Gandharan Art and the Classical World: A Short Introduction


Book Description

This book offers an introduction to Gandharan art and the mystery of its relationship with the Graeco-Roman world of the Mediterranean. It presents an accessible explanation of the ancient and modern contexts of Gandharan art, the state of scholarship on the subject, and guidance for further, in-depth study.




Greco-Buddhist Relations in the Hellenistic Far East


Book Description

This book provides the first comprehensive and interdisciplinary view of the relationship between the Greeks and Buddhist communities in ancient Bactria and Northwest India, from the conquests of Alexander the Great to the fall of the Indo-Greek kingdom circa 10 AD. The main thesis of this book is the assumption that, despite the presence of mutual relationships and interactions between the Greeks and Buddhist inhabitants of the Hellenistic Far East, the phenomenon known conventionally as "Greco-Buddhism" never truly occurred. The individual chapters of this book provide an analysis of the main sources for Greco-Buddhist relations, mainly textual, but also archaeological and numismatic. The methods of philological and historical research are used in combination with postcolonial approaches to the study of the Greeks in India drawing from sociological research on ethnicity and intercultural relations. It is a rich source of information for anyone interested in Greco-Buddhist relations and is a great starting point for further research in this area. This volume is a valuable resource for students and scholars working on the Greco-Bactrian and Indo-Greek kingdoms, both classicists and those working on early Indian history, as well as those working on cultural exchange in the Hellenistic world.




The View from Malakand: Harold Deane’s ‘Note on Udyana and Gandhara’


Book Description

This volume presents a seminal and pioneering account of the antiquities of Swat and Peshawar (Pakistan) by Harold Deane, discovered in the fort at Malakand, Swat; it presents and transcribes the manuscript and provides extended notes identifying and describing the places that Deane discusses in his article.




The Geography of Gandhāran Art


Book Description

Gandhāran art is usually regarded as a single phenomenon – a unified regional artistic tradition or 'school'. Indeed it has distinctive visual characteristics, materials, and functions, and is characterized by its extensive borrowings from the Graeco-Roman world. Yet this tradition is also highly varied. Even the superficial homogeneity of Gandhāran sculpture, which constitutes the bulk of documented artistic material from this region in the early centuries AD, belies a considerable range of styles, technical approaches, iconographic choices, and levels of artistic skill. The geographical variations in Gandhāran art have received less attention than they deserve. Many surviving Gandhāran artefacts are unprovenanced and the difficulty of tracing substantial assemblages of sculpture to particular sites has obscured the fine-grained picture of its artistic geography. Well documented modern excavations at particular sites and areas, such as the projects of the Italian Archaeological Mission in the Swat Valley, have demonstrated the value of looking at sculptures in context and considering distinctive aspects of their production, use, and reuse within a specific locality. However, insights of this kind have been harder to gain for other areas, including the Gandhāran heartland of the Peshawar basin. Even where large collections of artworks can be related to individual sites, the exercise of comparing material within and between these places is still at an early stage. The relationship between the Gandhāran artists or 'workshops', particular stone sources, and specific sites is still unclear. Addressing these and other questions, this second volume of the Gandhara Connections project at Oxford University’s Classical Art Research Centre presents the proceedings of a workshop held in March 2018. Its aim is to pick apart the regional geography of Gandhāran art, presenting new discoveries at particular sites, textual evidence, and the challenges and opportunities of exploring Gandhāra’s artistic geography.







South Asian Archaeology


Book Description




Greek Buddha


Book Description

Presents a history of early Buddhism based solely on dateable artefacts and archaeology rather than received tradition, much of which data is provided by studying Pyrrho's history




Problems of Chronology in Gandhāran Art


Book Description

Since the beginning of Gandhāran studies in the nineteenth century, chronology has been one of the most significant challenges to the understanding of Gandhāran art. Many other ancient societies, including those of Greece and Rome, have left a wealth of textual sources which have put their fundamental chronological frameworks beyond doubt. In the absence of such sources on a similar scale, even the historical eras cited on inscribed Gandhāran works of art have been hard to place. Few sculptures have such inscriptions and the majority lack any record of find-spot or even general provenance. Those known to have been found at particular sites were sometimes moved and reused in antiquity. Consequently, the provisional dates assigned to extant Gandhāran sculptures have sometimes differed by centuries, while the narrative of artistic development remains doubtful and inconsistent. Building upon the most recent, cross-disciplinary research, debate and excavation, this volume reinforces a new consensus about the chronology of Gandhāra, bringing the history of Gandhāran art into sharper focus than ever. By considering this tradition in its wider context, alongside contemporary Indian art and subsequent developments in Central Asia, the authors also open up fresh questions and problems which a new phase of research will need to address. Problems of Chronology in Gandhāran Art is the first publication of the Gandhāra Connections project at the University of Oxford’s Classical Art Research Centre, which has been supported by the Bagri Foundation and the Neil Kreitman Foundation. It presents the proceedings of the first of three international workshops on fundamental questions in the study of Gandhāran art, held at Oxford in March 2017.




The Vijayanagara Metropolitan Survey, Vol. 1


Book Description

Vijayanagara, the “City of Victory,” was the capital of South India’s largest and most successful pre-colonial empire from c. AD 1330-1565. This richly illustrated volume reports on the results of a ten-year systematic regional archaeological survey in the hinterland or “metropolitan region” of this vast and well-preserved urban site.