Stories I Love to Tell


Book Description

America’s beloved storyteller will guide and thrill your imagination with these classic tales. Join Gene Edwards as he recounts his favorite stories from more than 50 years of travel and ministry. Considered the “Paul Harvey” of Christian writers, Gene Edwards is one of America’s most beloved authors. Stories I Love to Tell, his new book, is a compilation of tales that continue to move audiences. From stories about a chance meeting with Helen Keller at the Garden Tomb in the Holy Land to an astounding Jonah experience inside a whale to stories about a child growing up in a one-room shack, Gene knows how to spin an old-fashioned yarn. During the last four decades, Gene has amassed an enthusiastic, dedicated readership. Stories I Love to Tell will delight and entertain devoted fans as he relays story after astonishing story. You will want to grab a hot drink and huddle around the fireplace as America’s seasoned storyteller transports your imagination to another time and place.




Did I Tell You I Love You Today?


Book Description

Apart or together, near or far, day or night, from childhood to adulthood -- the never-ending reach and power of a mother's love touches every moment of every day, even when you least expect it. All you need to do is make sure to notice. Deloris and Roslyn M. Jordan, mother and sister of basketball superstar Michael Jordan, celebrate family in this reassuring book about the many special ways we cherish those we love.




Stories to Tell


Book Description

*National Bestseller* Legendary musician Richard Marx offers an enlightening, entertaining look at his life and career. Richard Marx is one of the most accomplished singer-songwriters in the history of popular music. His self-titled 1987 album went triple platinum and made him the first male solo artist (and second solo artist overall after Whitney Houston) to have four singles from their debut crack the top three on the Billboard Hot 100. His follow-up, 1989’s Repeat Offender, was an even bigger smash, going quadruple platinum and landing two singles at number one. He has written fourteen number one songs in total, shared a Song of the Year Grammy with Luther Vandross, and collaborated with a variety of artists including NSYNC, Josh Groban, Natalie Cole, and Keith Urban. Lately, he’s also become a Twitter celebrity thanks to his outspokenness on social issues and his ability to out-troll his trolls. In Stories to Tell, Marx uses this same engaging, straight-talking style to look back on his life and career. He writes of how Kenny Rogers changed a single line of a song he’d written for him then asked for a 50% cut—which inspired Marx to write one of his biggest hits. He tells the uncanny story of how he wound up curled up on the couch of Olivia Newton-John, his childhood crush, watching Xanadu. He shares the tribulations of working with the all-female hair metal band Vixen and appearing in their video. Yet amid these entertaining celebrity encounters, Marx offers a more sobering assessment of the music business as he’s experienced it over four decades—the challenges of navigating greedy executives and grueling tour schedules, and the rewards of connecting with thousands of fans at sold-out shows that make all the drama worthwhile. He also provides an illuminating look at his songwriting process and talks honestly about how his personal life has inspired his work, including finding love with wife Daisy Fuentes and the mystery illness that recently struck him—and that doctors haven’t been able to solve. Stories to Tell is a remarkably candid, wildly entertaining memoir about the art and business of music.




The Stories We Tell


Book Description

The average American watches 5 hours of TV every day. Collectively, we spend roughly $30 billion on movies each year. Simply put, we're entertainment junkies. But can we learn something from our insatiable addiction to stories? Mike Cosper thinks so. From horror flicks to rom-coms, the tales we tell and the myths we weave inevitably echo the narrative underlying all of history: the story of humanity's tragic sin and God's triumphant salvation. This entertaining book connects the dots between the stories we tell and the one, great Story—helping us better understand the longings of the human heart and thoughtfully engage with the movies and TV shows that capture our imaginations.




What We Talk About When We Talk About Love


Book Description

The most celebrated story collection from “one of the true American masters” (The New York Review of Books)—a haunting meditation on love, loss, and companionship, and finding one’s way through the dark that includes the iconic and much-referenced title story featured in the Academy Award-winning film Birdman. "Raymond Carver's America is ... clouded by pain and the loss of dreams, but it is not as fragile as it looks. It is a place of survivors and a place of stories.... [Carver] has done what many of the most gifted writers fail to do: He has invented a country of his own, like no other except that very world, as Wordsworth said, which is the world to all of us." —The New York Times Book Review




Love Stories


Book Description

WINNER, INDIE BOOK AWARDS 2022 BOOK OF THE YEAR Trent Dalton, Australia's best-loved writer, goes out into the world and asks a simple, direct question: 'Can you please tell me a love story?' A blind man yearns to see the face of his wife of thirty years. A divorced mother has a secret love affair with a priest. A geologist discovers a three-minute video recorded by his wife before she died. A tree lopper's heart falls in a forest. A working mum contemplates taking photographs of her late husband down from her fridge. A girl writes a last letter to the man she loves most, then sets it on fire. A palliative care nurse helps a dying woman converse with the angel at the end of her bed. A renowned 100-year-old scientist ponders the one great earthly puzzle he was never able to solve: 'What is love?' Endless stories. Human stories. Love stories. Inspired by a personal moment of profound love and generosity, Trent Dalton, bestselling author and one of Australia's finest journalists, spent two months in 2021 speaking to people from all walks of life, asking them one simple and direct question: 'Can you please tell me a love story?' The result is an immensely warm, poignant, funny and moving book about love in all its guises, including observations, reflections and stories of people falling into love, falling out of love, and never letting go of the loved ones in their hearts. A heartfelt, deep, wise and tingly tribute to the greatest thing we will never understand and the only thing we will ever really need: love. 'It's the kind of book that has some impact on the reader ... a Chaucerian endeavour, a rich caravanserai of real, living people with something important to tell.' Sydney Morning Herald




Kiss and Tell


Book Description

Abby is happy with Will at camp until she starts missing Greg and then she gets jealous about Greg and Joanna together.




Stories We Never Tell


Book Description

There are stories we never talk about. Stories we are afraid to share. Simply because they hurt too much or no one wants to listen to them. Such was the story of Jhanvi, who is a budding social media influencer. She appears to have it all together, living her ideal life, but something is missing: Jhanvi has this impossible need that drives her to be more perfect than any person could possibly be. And the story of Ashray, who had a rocky start in life. With hard work and determination, he translates his dreams into reality, but his deep-seated insecurities come to the fore when life throws him a curveball. As their stories intersect, their lives change in ways they never expected. In a world of loss, darkness and destruction, will Jhanvi and Ashray be able to tell a story of hope, light and recovery?




The Stories We Tell


Book Description

“A lyrical exploration of love and longing, secrets and suspicion, family and friendship”from the bestselling author of The Secret Book of Flora Lea (Mary Kay Andrews, New York Times–bestselling author). Eve and Cooper Morrison are Savannah’s power couple. They’re on every artistic board and deeply involved in the community. The perfect juxtaposition of the old and the new, they are the beautiful people. The lucky ones. And they have the wealth and name that comes from being part of an old Georgia family. But things may not be as good as they seem. After twenty-one years together, Eve and Cooper know each other. They count on each other. They know what to expect. But when Cooper and Eve’s sister are involved in a car accident, the questions surrounding the event bring the family close to the breaking point. Sifting between the stories—of Cooper, of her sister, of the evidence—Eve has to find out what really happened. And what she’s going to do about it. A riveting story about the power of truth, The Stories We Tell will open your eyes and rearrange your heart. “From the intriguing beginning to the touching ending, The Stories We Tell is filled with the warmth, heart, and compassion that have become the trademark of her novels.” —Diane Chamberlain, New York Times–bestselling author “Full of twists and turns, this book will be one that you just can’t put down.” —Southern Living “Everything you expect from Patti Callahan Henry—lyrical writing, characters worth rooting for, a sure-footed belief in the power of goodness—plus a twisty plot that will keep the pages turning long into the night.” —Joshilyn Jackson, New York Times–bestselling author




Stories I Tell Myself


Book Description

Hunter S. Thompson, “smart hillbilly,” boy of the South, born and bred in Louisville, Kentucky, son of an insurance salesman and a stay-at-home mom, public school-educated, jailed at seventeen on a bogus petty robbery charge, member of the U.S. Air Force (Airmen Second Class), copy boy for Time, writer for The National Observer, et cetera. From the outset he was the Wild Man of American journalism with a journalistic appetite that touched on subjects that drove his sense of justice and intrigue, from biker gangs and 1960s counterculture to presidential campaigns and psychedelic drugs. He lived larger than life and pulled it up around him in a mad effort to make it as electric, anger-ridden, and drug-fueled as possible. Now Juan Thompson tells the story of his father and of their getting to know each other during their forty-one fraught years together. He writes of the many dark times, of how far they ricocheted away from each other, and of how they found their way back before it was too late. He writes of growing up in an old farmhouse in a narrow mountain valley outside of Aspen—Woody Creek, Colorado, a ranching community with Hereford cattle and clover fields . . . of the presence of guns in the house, the boxes of ammo on the kitchen shelves behind the glass doors of the country cabinets, where others might have placed china and knickknacks . . . of climbing on the back of Hunter’s Bultaco Matador trail motorcycle as a young boy, and father and son roaring up the dirt road, trailing a cloud of dust . . . of being taken to bars in town as a small boy, Hunter holding court while Juan crawled around under the bar stools, picking up change and taking his found loot to Carl’s Pharmacy to buy Archie comic books . . . of going with his parents as a baby to a Ken Kesey/Hells Angels party with dozens of people wandering around the forest in various stages of undress, stoned on pot, tripping on LSD . . . He writes of his growing fear of his father; of the arguments between his parents reaching frightening levels; and of his finally fighting back, trying to protect his mother as the state troopers are called in to separate father and son. And of the inevitable—of mother and son driving west in their Datsun to make a new home, a new life, away from Hunter; of Juan’s first taste of what “normal” could feel like . . . We see Juan going to Concord Academy, a stranger in a strange land, coming from a school that was a log cabin in the middle of hay fields, Juan without manners or socialization . . . going on to college at Tufts; spending a crucial week with his father; Hunter asking for Juan’s opinion of his writing; and he writes of their dirt biking on a hilltop overlooking Woody Creek Valley, acting as if all the horrible things that had happened between them had never taken place, and of being there, together, side by side . . . And finally, movingly, he writes of their long, slow pull toward reconciliation . . . of Juan’s marriage and the birth of his own son; of watching Hunter love his grandson and Juan’s coming to understand how Hunter loved him; of Hunter’s growing illness, and Juan’s becoming both son and father to his father . . .