Stravinsky's Histoire Du Soldat


Book Description

viii + 359 pp.Includes b/w reproductions of all Stravinsky's sketches for "Histoire du soldat"




The Soldier's Tale


Book Description




Being Frank


Book Description

Since his untimely death from prostate cancer in 1993, the legend of iconoclastic musician Frank Zappa has continued to grow. The years following his passing have seen the publication of numerous books, both sacred and profane, which examine his life and work, but the best, and only, up-close-and-personal account of the man and his music remains the original: Nigey Lennon’s Being Frank: My Time with Frank Zappa. Musician/author Lennon maintained a personal and professional relationship with Zappa during the period which is generally agreed to have been the composer’s most creative, and she invests her recollections with considerable musical and emotional insight. The fact that Lennon is an accomplished musician and composer in her own right enables her to perceptively analyze Zappa's complex music, and her previous experience as a biographer of Mark Twain and Alfred Jarry is evident as she examines the complex conditions of Zappa's turbulent life. But above all, Being Frank is simply a great read: filled with wry humor, poignancy, and, of course, a plethora of the juicy road stories that Zappa himself didn't dare to include in his own autobiography. The e-book edition of Being Frank is certain to find a new audience for this classic title, which has been in great demand since its third print run sold out several years ago. “Irreplaceable...is the word to describe Being Frank...[Lennon's] memoir is both spiky and musically literate...Lennon’s previous books were on Mark Twain and Alfred Jarry, which indicates the kind of cultural perspective required to get a grip on Zappa: something brighter than rock-journo pedantry.” –Ben Watson, author of Frank Zappa: The Negative Dialectics of Poodle Play




Multiple Masks


Book Description

In Multiple Masks, Maureen A. Carr studies Igor Stravinsky's creative process for Oedipus Rex, Apollo, Persäphone, and Orpheus through his musical sketches and other documents?scenarios, librettos, correspondence, reviews, and philosophical commentaries, as well as previously uncited sources for Stravinsky's book Poetics of Music. A clear explanation of Stravinsky's compositional techniques within a broad cultural context emerges for each of these four significant works. Carr concludes that Stravinsky used Greek myths as filters for certain poetic ideas and musical techniques that he developed in his earlier works. At the same time the mythological story lines provided him with the objective stance that he was seeking in these neoclassical works.




Stravinsky's Piano


Book Description

An unprecedented exploration of Stravinsky's use of the piano as the genesis of all his music - Russian, neoclassical and serial.




The Apollonian Clockwork


Book Description

The one book about Stravinsky Stravinsky would have liked. Richard Taruskin.




Le Sacre du Printemps (The Rite of Spring)


Book Description

Expertly arranged Full Orchestra Miniature Score by Igor Stravinsky from the Kalmus Edition series. This is from the 20th Century era.




An Autobiography


Book Description




Stravinsky and the Russian Traditions


Book Description

During his career, Stravinsky underplayed his Russian past in favour of a European cosmopolitanism. This study defines Stravinsky's relationship to the musical and artistic traditions of his native land and provides a dramatic new picture of one of the major figures in the history of music.




Stravinsky and the Russian Traditions, Volume One


Book Description

This book undoes 50 years of mythmaking about Stravinsky's life in music. During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music. Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturityÑPetrushka, The Rite of Spring, and Les Noces. Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"Ñthe professional appropriation of motifs and style characteristics from folk artÑand how Stravinsky realized this ideal in his music. Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed. Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.