String quartet 9 C major, opus 59, No. 3
Author : Ludwig van Beethoven
Publisher :
Page : 54 pages
File Size : 44,11 MB
Release : 1986
Category : String quartets
ISBN :
Author : Ludwig van Beethoven
Publisher :
Page : 54 pages
File Size : 44,11 MB
Release : 1986
Category : String quartets
ISBN :
Author : Ludwig van Beethoven
Publisher :
Page : pages
File Size : 23,7 MB
Release : 19??
Category :
ISBN :
Author : Ludwig van Beethoven
Publisher :
Page : 44 pages
File Size : 39,64 MB
Release : 1941
Category :
ISBN :
Author : Ludwig van Beethoven
Publisher : Performer's Edition
Page : 342 pages
File Size : 47,43 MB
Release : 2009-12-30
Category : Music
ISBN : 1450518125
Beethoven followed in the footsteps of Haydn, father of the string quartet, and created what is now regarded as one of the finest collections of masterworks in the string quartet genre. From the early quartets, reminiscent of some of Mozart's quartets, to the soaring and emotional late quartets, these works have become favorites of both performers and audiences around the world. This collections includes the full scores for all 16 string quartets as well as the Grosse Fuge. Early String Quartets: String Quartet No. 1 in F Major (Op. 18, No. 1) String Quartet No. 2 in G Major (Op. 18, No. 2) String Quartet No. 3 in D Major (Op. 18, No. 3) String Quartet No. 4 in C minor (Op. 18, No 4) String Quartet No. 5 in A Major (Op. 18, No. 5) String Quartet No. 6 in Bb Major (Op. 18, No. 6) Middle String Quartets: String Quartet No. 7 in F Major (Op. 59, No. 1) String Quartet No. 8 in E minor (Op. 59, No. 2) String Quartet No. 9 in C Major (Op. 59, No. 3) String Quartet No. 10 in Eb Major "Harp" (Op. 74) String Quartet No. 11 in F minor "Serioso" (Op. 95) Late String Quartets: String Quartet No. 12 in Eb Major (Op. 129) String Quartet No. 13 in Bb Major (Op. 130) String Quartet No. 14 in C# minor (Op. 131) String Quartet No. 15 in A minor (Op. 132) String Quartet No. 16 in F Major (Op. 135) Grosse Fuge (Op. 133)
Author : Ludwig van Beethoven
Publisher :
Page : pages
File Size : 39,57 MB
Release :
Category : String quartets
ISBN :
Author : Anne Hyland
Publisher : Cambridge University Press
Page : 329 pages
File Size : 33,97 MB
Release : 2023-04-20
Category : Music
ISBN : 1009210920
A fresh analytical and musicological exploration of Schubert's incorporation of lyric elements into sonata form by way of his string quartets.
Author : Nancy November
Publisher : Cambridge University Press
Page : 297 pages
File Size : 20,71 MB
Release : 2013
Category : Music
ISBN : 1107035457
The first detailed contextual study of Beethoven's middle-period quartets, encompassing reception history, early performance practices, aesthetic contexts and theatrical impetus.
Author : Robert Winter
Publisher : Univ of California Press
Page : 314 pages
File Size : 45,64 MB
Release : 2023-09-01
Category : Biography & Autobiography
ISBN : 0520917502
While the Beethoven string quartets are to chamber music what the plays of Shakespeare are to drama, even seasoned concertgoers will welcome guidance with these personal and sometimes enigmatic works. This collection offers Beethoven lovers both detailed notes on the listening experience of each quartet and a stimulating range of more general perspectives: Who has the quartets' audience been? How were the quartets performed before the era of sound recordings? What is the relationship between "classical" and "romantic" in the quartets? How was their reception affected by social and economic history? What sorts of interpretive decisions are made by performers today? The Companion brings together a matchless group of Beethoven experts. Joseph Kerman is perhaps the world's most renowned Beethoven scholar. Robert Winter, an authority on sketches for the late quartets, has created interactive programs regarded as milestones in multimedia publishing. Maynard Solomon has written an acclaimed biography of Beethoven. Leon Botstein is the conductor of the American Symphony Orchestra as well as a distinguished social historian and college president. Robert Martin writes from his experience as cellist of the Sequoia Quartet. And the book is anchored by the program notes of Michael Steinberg, who has served as Artistic Advisor of the San Francisco Symphony and the Minnesota Orchestra.
Author : Michael Talbot
Publisher : Oxford Monographs on Music
Page : 272 pages
File Size : 48,15 MB
Release : 2001
Category : Language Arts & Disciplines
ISBN : 9780198166955
The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.
Author : Suzannah Clark
Publisher : Cambridge University Press
Page : 301 pages
File Size : 27,95 MB
Release : 2011-09-15
Category : Music
ISBN : 1139500597
When Schubert's contemporary reviewers first heard his modulations, they famously claimed that they were excessive, odd and unplanned. This book argues that these claims have haunted the analysis of Schubert's harmony ever since, outlining why Schubert's music occupies a curiously marginal position in the history of music theory. Analyzing Schubert traces how critics, analysts and historians from the early nineteenth century to the present day have preserved cherished narratives of wandering, alienation, memory and trance by emphasizing the mystical rather than the logical quality of the composer's harmony. This study proposes a new method for analyzing the harmony of Schubert's works. Rather than pursuing an approach that casts Schubert's famous harmonic moves as digressions from the norms of canonical theoretical paradigms, Suzannah Clark explores how the harmonic fingerprints in Schubert's songs and instrumental sonata forms challenge pedigreed habits of thought about what constitutes a theory of tonal and formal order.