Stuckness in the Fiction of Mervyn Peake


Book Description

Mervyn Peake has been acclaimed as an author of fantasy and as an illustrator, but as yet has received little attention from literary critics. This book is the first to analyse all of Peake's works of fiction, including his two picture story books and novella as well as the Gormenghast series and Mr Pye. Alice Mills pinpoints the fictional quirks that render Mervyn Peake such a memorable fantasy writer, examining his literary works from Jungian, Freudian, Kristevan and post-Jungian perspectives. Stuckness in the Fiction of Mervyn Peake will be of interest to fantasy lovers and students of fantasy as a genre, as well as those exploring the psychoanalysis of literary texts.




Boy in Darkness


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The Titus Books


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Titus Groan


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'Gormenghast is, to my mind and to my taste, a perfect creation' Neil Gaiman Welcome to the world of Gormenghast, the classic fantasy series from the imagination of Mervyn Peake As the first novel opens, Titus, heir to Lord Sepulchrave, has just been born: he stands to inherit the miles of rambling stone and mortar that stand for Gormenghast Castle. Inside, all events are predetermined by a complex ritual, lost in history, understood only by Sourdust, Lord of the Library. There are tears and strange laughter; fierce births and deaths beneath umbrageous ceilings; dreams and violence and disenchantment contained within a labyrinth of stone. 'A gorgeous volcanic eruption... A work of extraordinary imagination' New Yorker




Masculinity and Patriarchal Villainy in the British Novel


Book Description

Masculinity and Patriarchal Villainy in the British Novel: From Hitler to Voldemort sits at the intersection of literary studies and masculinity studies, arguing that the villain, in many works of contemporary British fiction, is a patriarchal figure that embodies an excess of patriarchal power that needs to be controlled by the hero. The villains' stories are enactments of empowerment fantasies and cautionary tales against abusing patriarchal power. While providing readers with in-depth studies of some of the most popular contemporary fiction villans, Sara Martín shows how current representations of the villain are not only measured against previous literary characters but also against the real-life figure of the archvillain Adolf Hitler.




Titus Awakes


Book Description

The final novel of the acclaimed fantasy series continues the adventures of Titus, Earl of Groan, completed by the author’s widow based on his fragments. Mervyn Peake’s series of novels featuring the inhabitants of Gormenghast castle are “a work of extraordinary imagination.” After Titus Groan, Gormenghast, and Titus Alone, Peake was working on a fourth chapter in the series before his death. Maeve Gilmore, Mervyn Peake's widow, wrote Titus Awakes based on those pages left behind by Peake (The New Yorker). Titus Awakes picks up the story of Titus, 77th Earl of Groan, as he wanders through the modern world. Fans of the Gormenghast novels will relish this continuation of the world Peake created and of the lives of unforgettable characters from the original novels, including the scheming Steerpike, Titus's sister Fuchsia, and the long-serving Dr. Prunesquallor. Published a century after Peake's birth, this strikingly original novel provides a moving coda to Peake's masterwork.




Titus Alone


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THE FINAL PART OF THE MIGHTY GORMENGHAST TRILOGY 'I would not for anything have missed Gormenghast' C S Lewis In this final part of the trilogy, we follow Titus, now almost twenty, as he escapes from the Castle, flees its oppressive Ritual, and becomes lost in a sandstorm. Helped by the owner of a travelling zoo, Muzzlehatch, and his ex-lover Juno, Titus ends up stranded in a big, bustling city. No one there having heard of Gormenghast, the general consensus is that the boy is deranged, and with no papers, he's soon arrested for vagrancy. But there are a few people who believe in his story, or at least who are intrigued by it, and they try to help him. And now Titus, the deserter, the traitor, longs for his home, and looks for it all the time to prove, if only to himself, that Gormenghast is truly real. '[The Gormenghast Trilogy] is one of the most important works of the imagination to come out of the age that also produced The Four Quartets, The Unquiet Grave, Brideshead Revisited, The Loved One, Animal Farm and 1984.' Anthony Burgess




Letters from a Lost Uncle


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Lost in the frozen polar wastes, an explorer writes a journal of his extraordinary exploits, preparing to send it to the nepheew he has never seen.




The World of Languages and Literatures


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This book offers contemporary perspectives on different registers of instruction, media language, the effectiveness of a multi-literacies program for introducing English as a Foreign Language, promoting religious tolerance through literature and music, teaching drama, intercultural communication, gender studies and literature studies. By using contemporary research methods, the contributors here offer insights into the ways in which the world of languages and literatures changes and evolves to face the constant challenges resulting from new instructional practices and research investigations, allowing educators, researchers and students alike to keep up with, and stay current in, all areas relating to language and literature. These illuminating essays highlight the dynamic global prism through which contemporary scholars view these issues and surpass any strict set of rules, which would otherwise lead them to ignore the ever-shifting changes in language and literature and the accompanying cultural spaces and realities.




The Voice of the Heart


Book Description

The profoundly creative works of Mervyn Peake have fascinated readers for decades. His Gormenghast sequence of novels, recently serialized to great acclaim by the BBC, stands as one of the great imaginative accomplishments of twentieth-century literature. In The Voice of the Heart, G. Peter Winnington, the world’s foremost expert on Peake, explores his subject’s well-known fiction alongside the poetry, plays, and illustrations for which Peake is equally lauded. He traces recurrent motifs through Peake’s works and examines in detail his long-neglected play, The Wit to Woo. Through close readings of all these elements of Peake’s oeuvre, Winnington ultimately offers unparalleled insight into one of British literature’s most vibrant imaginations.