Portraits from the French Renaissance and the Wars of Religion


Book Description

Available for the first time in English, these thirteen selections from André Thevet’s Les vrais pourtraits et vies des hommes illustres offer a glimpse of France during a time of great upheaval. Originally published in 1584, Thevet’s collection contains over two hundred biographical sketches, detailing the lives of important persons from antiquity to the sixteenth century. Edward Benson and Roger Schlesinger have translated and annotated Thevet’s portraits of his contemporaries, and divided them into three categories: monarchs, aristocrats, and scholars. Additionally, an extensive introduction places the work in context and describes the critical attention that Thevet and his writings have received. Together these portraits provide a history of sixteenth-century France as the country underwent tremendous change: from an intellectual renaissance and its first encounter with the New World to the Protestant Reformation and the Wars of Religion that followed. France was irrevocably altered by these events and Thevet’s account of the lives of individuals who struggled with them is indispensable.




Portraits from the Age of Exploration


Book Description

The selections, twelve chapters from Thevet's original work, describe the exploits of six famous European explorers and six Native American chiefs. The explorers are Columbus, Magellan, Cortes, Pizarro, Albuquerque, and Vespucci; the chiefs are Montezuma, Atahualpa, Nacol-absou (King of the Promontory of the Cannibals), Paracoussi Satoriona (King of the Platte), and Quoniambec. The biographies of Native Americans represented a first in European literature. Thevet's information came from written and oral sources, from his own experience as a colonist in Brazil, and from other eyewitness accounts.




Montaigne and the Life of Freedom


Book Description

More than any other early modern text, Montaigne's Essais have come to be associated with the emergence of a distinctively modern subjectivity, defined in opposition to the artifices of language and social performance. Felicity Green challenges this interpretation with a compelling revisionist reading of Montaigne's text, centred on one of his deepest but hitherto most neglected preoccupations: the need to secure for himself a sphere of liberty and independence that he can properly call his own, or himself. Montaigne and the Life of Freedom restores the Essais to its historical context by examining the sources, character and significance of Montaigne's project of self-study. That project, as Green shows, reactivates and reshapes ancient practices of self-awareness and self-regulation, in order to establish the self as a space of inner refuge, tranquillity and dominion, free from the inward compulsion of the passions and from subjection to external objects, forces and persons.




André Thevet's North America


Book Description

André Thevet was one of the most widely travelled Frenchmen of the sixteenth century, visiting almost all the main countries and regions of western Europe, the Near East, and Brazil. He served four consecutive French kings, beginning with Henry II, as Royal Cosmographer and "garde des singularitez." As cosmographer, he wrote three major books dealing with the discovery and subsequent exploration of the New World: Les Singularitez de la France antarctique (1556), La Cosmographie universelle (1575), and the Grand Insulaire (unpublished, 1586). Although the portions of these works devoted to South America have received considerable attention from scholars, Thevet's work on North America has remained inaccessible to students of the Age of Discovery. Professors Schlesinger and Stabler have now added Thevet to the list of enjoyable books by early European explorers of North America.




General Catalogue of Printed Books


Book Description




Performing the Dandy


Book Description

Dandyism's queerness, both in the traditional sense of its strangeness and oddness regarding conventionality and in the contemporary sense of resisting and contesting imprisoning gender and sexual labels, including homosexuality, underscores reading Machado and his poetry differently. Given the poet's fondness for the visual arts, as well as the pictorial quality of his verse, the image of the museum functions as an appropriate phenomenological space where to house, organize, categorize and display Machado's diverse poetry in order to examine and analyze the desires of this dandy period."--Jacket.










The Romantic Movement


Book Description