Studies in Archaic Corinthian Vase Painting


Book Description

Two important contributions to Greek pottery studies. Aftermath, by D. A. Amyx, is a catalogue of material supplementing his work in Corinth VII.2 but found after the cutoff of 1969 or omitted for some other reason. This article and Corinth VII.2 together stand as a full compilation of painters at present represented in the collection of the Corinth Excavations. The Chimaera Group at Corinth and Dodwellians in the Potters' Quarter are both by Patricia Lawrence. The first is a thoughtful analysis of this group of painters, based on a close examination of material found in the excavations at Corinth but including attributed pieces from other sites. The second studies 15 new fragments and reexamines material previously published in Corinth XV.3, demonstrating that the Geladakis Painter, as well as several Dodwellians, are represented there.




Archaic Corinthian Pottery and the Anaploga Well


Book Description

In the first section of this book, Amyx catalogues and discusses more than 200 fragments of Archaic Corinthian pottery with figure decoration, selected from those previously unpublished or inadequately published. The authors have also given attention to vase-painters of the Protocorinthian and Corinthian periods who were previously known chiefly from works exported in antiquity, and have succeeded in establishing the importance of the Corinth Museum as a center for the study of the Corinthian Style. In the second section, Lawrence presents the contents of a well dug and filled in the Archaic period. The material ranges from Early Protocorinthian to Late Corinthian and includes an important body of material from a potters' dump, here treated separately. Shape development and chronology have been established, especially for oinochoai and kotylai, based on the long series of stratified examples. Other material in the fill includes coarse ware and fragmentary fine ware. The authors attribute a number of pieces to known and newly identified vase-painters.




Epigraphy of Art


Book Description

Ancient Greek vase-paintings offer broad-ranging and unprecedented early perspectives on the often intricate interplay of images and texts. This book investigates both epigraphic technicalities of Attic and non-Attic inscriptions, and their broader, iconographic and sociocultural, significance.




Komast Dancers in Archaic Greek Art


Book Description

A fully illustrated study of the iconography of komast dancers ('revellers') in Archaic Greece. These figures appear in black-figure vase-painting and in other artistic media, and have long been associated with the worship of Dionysos, god of wine and drama, and the origins of Greek theatre.




Forming Identities


Book Description

This book focuses on the manufacturingtechniques of Corinthian potters during the Archaic Period, as well as therelationships established with their natural environment. The results of thisresearch show that the advent of the Black Figure pottery style wasintrinsically related to the adoption by Corinthian potters of newmanufacturing techniques and recipes for their paints and slips. This change ofthe paint and gloss recipes required the use of new raw materials, which takesthe discussion on pottery production at the site from purely technical issuesto social and economic ones, such as access and control of these scarceresources or the relationships between potters and their local community. Thesignificance of this discovery also sheds new light upon the diversity of localstyles in Greece.




Consumerism in the Ancient World


Book Description

Greek pottery was exported around the ancient world in vast quantities over a period of several centuries. This book focuses on the Greek pottery consumed by people in the western Mediterranean and trans-Alpine Europe from 800-300 BCE, attempting to understand the distribution of vases, and particularly the reasons why people who were not Greek decided to acquire them. This new approach includes discussion of the ways in which objects take on different meanings in new contexts, the linkages between the consumption of goods and identity construction, and the utility of objects for signaling positive information about their owners to their community. The study includes a database of almost 24,000 artifacts from more than 230 sites in Portugal, Spain, France, Switzerland, and Germany. This data was mapped and analyzed using geostatistical techniques to reveal different patterns of consumption in different places and at different times. The development of the new approaches explored in this book has resulted in a shift away from reliance on the preserved fragments of ancient Greek authors’ descriptions of western Europe, remains of monumental buildings, and major artworks, and toward investigation of social life and more prosaic forms of material culture. ADDITIONAL E-RESOURCES FOR THIS BOOK ARE AVAILABLE: https://digitalcommons.chapman.edu/art_data/1/




Athenian Potters and Painters


Book Description

This volume presents the proceedings of the second Athenian Potters and Painters conference, which was held at the American School of Classical Studies, Athens 2007. Together with the 1994 conference (Volume I, Oxbow 1997), these are the first of their kind - focusing purely on Athenian pottery and addressing key aspects of its study. The thirty-two papers contained here are the result not only of a large amount of new material but also the dynamic appearance of a younger generation of scholars dealing with the subject. Subject areas range from the study of the potters and painters themselves, to shape, subject matter, chronology, export, excavation pottery, context, and the influence of Athenian vases on pottery from other regions of the Mediterranean and vice versa. Three papers in Greek.




The Greek Tile Works at Corinth


Book Description

A series of kilns at ancient Corinth known as the Tile Works are given final publication in this long-awaited book, based on excavations conducted in 1939 and 1940 (as war was closing in) by Carl Roebuck and Arthur Parsons, and renewed briefly in 1950 by Gladys Weinberg. The artisans at the Tile Works produced not only roof tiles but a whole range of terracotta articles from the 6th to 4th centuries B.C., with one break in production in the late 5th to early 4th century. These products included, at different periods, architectural sculpture and decorated revetments; heavy household pottery such as mortars and lekanai; loomweights; votive furniture such as altars and plaques; and even some fine and semi-fine pottery. The standard of craftsmanship was very high and the artifacts produced found enthusiastic markets in other parts of Greece; as the revetments of roofs at Delphi, for example, and as mortars in the markets of Athens. The Tile Works, therefore, along with the Potters' Quarter, was one of the major and most prolific industrial establishments in ancient Corinth. In this study, the principal features and deposits are first discussed, in order to establish the chronology of the three successive kilns on the site, and to try to relate them to known events in Corinth. The manufactures are then considered, beginning with a discussion of fabrics and techniques of manufacture, then moving on to typology and dating. The study concludes with a presentation of the Corinthian pottery and other artifacts found at the Tile Works but not made there, and a catalogue of terracottas by Charles K. Williams II.




Bridge of the Untiring Sea


Book Description

Pindar's metaphor of the Isthmus as a bridge spanning two seas encapsulates the essence of the place and gives a fitting title for this volume of 17 essays on the history and archaeology of the area. The Isthmus, best known for the panhellenic Sanctuary of Poseidon, attracted travelers both before and after Pausanias's visit in the 2nd century A.D., but only toward the end of the 19th century were the ruins investigated and, a half century later, finally systematically excavated. More recently, archaeologists have surveyed the territory beyond the sanctuary, compiling evidence for a varied picture of activity on the wider Isthmus and the eastern Corinthia. The essays in this book celebrate 55 years of research on the Isthmus and provide a comprehensive overview of the state of our knowledge. Topics include an Early Mycenaean habitation site at Kyras Vrysi; the settlement at Kalamianos; the Archaic Temple of Poseidon; domestic architecture of the Rachi settlement; dining vessels from the Sanctuary of Poseidon; the Temple Deposit at Isthmia and the dating of Archaic and Early Classical Greek coins; terracotta figurines from the Sanctuary of Poseidon; the Chigi Painter; arms from the age of Philip and Alexander at Broneer's West Foundation on the road to Corinth; new sculptures from the Isthmian Palaimonion; an inscribed herm from the Gymnasium Area of Corinth; Roman baths at Isthmia and sanctuary baths in Greece; Roman buildings east of the Temple of Poseidon; patterns of settlement and land use on the Roman Isthmus; epigraphy, liturgy, and Imperial policy on the Justinianic Isthmus; and circular lamps in the Late Antique Peloponnese.




Chalkis Aitolias II


Book Description

Homeric Chalkis is situated on the coast of Aetolia at the very ‘gateway’ of the Gulf of Patras. The foundation occurred during an important period in early Greek history when trade and movement of peoples along the Gulf intensified with a resulting strong pull to the coast. Well-preserved stratigraphies date the foundation to the early seventh century BC and testify to a flourishing settlement in the sixth century lasting till the early fifth century BC when the site was temporarily given up. Walls and roads follow a rectilinear layout. A broad spectre of pottery shapes and wares attest to innovative local and regional workshops already from the onset of the settlement. Alongside the pottery, tools for complex textile manufacture were found in all houses, among which were many small, pyramidal loom weights and spools. These findings indicated a high degree of experimental weaving techniques and demonstrated how the courtyard house, as a new house model, was particularly well suited to accommodate this manufacture, probably mantels. The results therefore offer important new evidence on relations between gender behaviour and Greek houses. The catalogue is richly illustrated with profile drawings, plans, black-and- white and colour photos and accompanied by discussions of the material.