Sunkwa Revisited


Book Description




Sunkwa


Book Description




Indigeneity, Globalization, and African Literature


Book Description

Literature remains one of the few disciplines that reflect the experiences, sensibility, worldview, and living realities of its people. Contemporary African literature captures the African experience in history and politics in a multiplicity of ways. Politics itself has come to intersect and impact on most, if not all, aspects of the African reality. This relationship of literature with African people’s lives and condition forms the setting of this study. Tanure Ojaide’s Indigeneity, Globalization, and African Literature: Personally Speaking belongs with a well-established tradition of personal reflections on literature by African creative writer-critics. Ojaide’s contribution brings to the table the perspective of what is now recognized as a “second generation” writer, a poet, and a concerned citizen of Nigeria’s Niger Delta area.




Bending the Bow


Book Description

From the ancient Egyptian inventors of the love lyric to contemporary poets, Bending the Bow: An Anthology of African Love Poetry gathers together both written and sung love poetry from Africa. This anthology is a work of literary archaeology that lays bare a genre of African poetry that has been overshadowed by political poetry. Frank Chipasula has assembled a historically and geographically comprehensive wealth of African love poetry that spans more than three thousand years. By collecting a continent’s celebrations and explorations of the nature of love, he expands African literature into the sublime territory of the heart. Bending the Bow traces the development of African love poetry from antiquity to modernity while establishing a cross-millennial dialogue. The anonymously written love poems fromPharaonic Egypt that open the anthology both predate Biblical love poetry and reveal the longevity of written love poetry in Africa. The middle section is devoted to sung love poetry from all regions of the continent. These great works serve as the foundation for modern poetry and testify to love poetry’s omnipresence in Africa. The final section, showcasing forty-eight modern African poets, celebrates the genre’s continuing vitality. Among those represented are Muyaka bin Hajji and Shaaban Robert,two major Swahili poets; Gabriel Okara, the innovative though underrated Nigerian poet; Léopold Sédar Senghor, the first president of Senegal and a founder of the Negritude Movement in francophone African literature; Rashidah Ismaili from Benin; Flavien Ranaivo from Madagascar; and Gabeba Baderoon from South Africa. Ranging from the subtly suggestive to the openly erotic, this collection highlights love’s endurance in a world too often riven by contention. Bending the Bow bears testimony to poetry’s role as conciliator while opening up a new area of study for scholars and students.




Masculinities in African Literary and Cultural Texts


Book Description

An invaluable contribution to the emerging body of African masculinity studies, drawing on the epic, folk tales, proverbs and song genres. The book explores the pervasive influence of orality on patterns of thought, as well as underlying notions of masculinity in African societies through the work of writers such as Chinua Achebe, Ama Ata Aidoo, Ahmadou Kourouma, Nuruddin Farah and Nawal El Saadawi.







The Devil, the Lovers, & Me


Book Description

The author describes her survival of an abusive relationship, her mother's mid-life sexual proclivities, and the interference of friends and her father during a promising new romance, challenges that prompted her visit to an atypical tarot card reader.







The History of Ghana


Book Description

Gocking provides a historical overview of Ghana from the emergence of precolonial states through increasing contact with Europeans that led to the establishment of formal colonial rule by Great Britian at the end of the 19th century. Colonial rule transformed what was known as the Gold Coast economically, socially, and politically, but it contained the seeds of its own demise. After World War II an increasingly more effective nationalist movement challenged British rule, and in 1957 Ghana became independent. Independence brought its own challenges the most important of which was the inability to maintain political stability. Within the space of 24 years there were four military coups and the collapse of three republics. Ghana's Fourth Republic, established in 1993, has dealt with the legacy of instability inherited from the past as it moves towards a more stable future. A timeline, photographs, maps, and an appendix of biographies of notable figures in the history of Ghana are included. Students and adults alike will find this book to be highly effective in describing the often turbulent and tumultuous history of this country.




Ecclesial Diversity in Chinese Christianity


Book Description

This volume explores Chinese Christianity—or Chinese Christianities—in a variety of forms and expressions, including those from outside the geopolitical boundaries of mainland China. Advancing a multi-disciplinary approach to the study of Chinese churches, the essays collected here engage many historical, sociological, cultural, and theological contingencies. The collection includes historical discussions of the early-20th-century encounters of Protestant and Catholic missionaries in China and the rise of Christianity among Malaysian Chinese and British Chinese communities. Essays examine the thinking of K. H. Ting (or Ding Guangxun), often remembered for his leadership in the Three-Self Patriotic Movement in the 1980s–90s, by revisiting his earlier theology and approach to the Bible in the 1930s–50s. These retrospectives give way to contemporary explorations into how Chinese churches negotiate their urban identities amidst the complexities of globalization in Chengdu and Shanghai, as well as in Vancouver, Canada. Taken as a whole, this collection offers close examinations into various aspects of Chinese Christianity’s complex picture, helping readers to recognize the many shades and colors of the global Chinese Church.