Sword Blades and Poppy Seed


Book Description

Excerpt from Sword Blades and Poppy Seed N 0 one expects a man to make a chair Without first learning how, but there is a popular impres sion that the poet is born, not made, and that his verses burst from his overflowing heart of them selves. As a matter of fact, the poet must learn his trade in the same manner, and With the same painstaking care, as the cabinet-maker. His heart may overflow with high thoughts and sparkling fancies, but if he cannot convey them to his reader by means of the written word he has no claim to be considered a poet. A workman may be par doned, therefore, for spending a few moments to explain and describe the techhique of his trade. A work of beauty Which cannot stand an inti mate examination is a poor and jerry-built thing. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Sword Blades and Poppy Seed


Book Description

Amy Lowell's 'Sword Blades and Poppy Seed' is a collection of poetry that showcases her mastery of the imagist style, characterized by vivid and concise language that focuses on creating clear images in the reader's mind. Published in 1914, the book reflects the literary context of the early 20th century, a time when imagism was a prominent movement in poetry, emphasizing the importance of precise language and visual imagery. Lowell's poems in this collection are rich in sensory detail, evoking emotions and experiences through carefully crafted verses. Her unique use of symbolism and themes of love, nature, and beauty make 'Sword Blades and Poppy Seed' a captivating read for poetry enthusiasts. Amy Lowell, a prominent figure in the imagist movement, was known for her keen intellect and passion for poetry. As a wealthy and well-educated woman, Lowell used her privilege to support and promote emerging poets and artists. Her own literary talents are evident in 'Sword Blades and Poppy Seed', where she demonstrates her poetic skill and innovative use of imagist techniques. I highly recommend 'Sword Blades and Poppy Seed' to readers who appreciate evocative and visually striking poetry. Amy Lowell's collection is a timeless work that continues to inspire and engage readers with its powerful imagery and lyrical beauty.




Sword Blades and Poppy Seed


Book Description

Excerpt from Sword Blades and Poppy Seed N 0 one expects a man to make a chair Without first learning how, but there is a popular impres sion that the poet is born, not made, and that his verses burst from his overflowing heart of them selves. As a matter of fact, the poet must learn his trade in the same manner, and With the same painstaking care, as the cabinet-maker. His heart may overflow with high thoughts and sparkling fancies, but if he cannot convey them to his reader by means of the written word he has no claim to be considered a poet. A workman may be par doned, therefore, for spending a few moments to explain and describe the techhique of his trade. A work of beauty Which cannot stand an inti mate examination is a poor and jerry-built thing. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.













Cohesion and Dissent in America


Book Description

This book addresses one of the most important theories to arise in recent American literary scholarship. Developed over the past two decades, Sacvan Bercovitch's ideas about the relationship of American cultural institutions to voices of dissent have repeatedly posed challenges to pervasive assumptions about American culture and the methods used by cultural critics and literary historians. The contributors to this book respond to different aspects of Bercovitch's ideas by exploring a wide range of scholarly disciplines, including American, Chicano, Amerindian, African-American, Asian-American, feminist, comparatist, philosophical, legal, and critical studies. In addition to essays that focus on the theoretical backgrounds and implications of Bercovitch's concepts, this book interrogates the uses of those concepts in the study of American literatures. Works by a variety of American writers are analyzed: the Colonial poet Phillis Wheatly; nineteenth-century writers Hawthorne and Melville; modernists Pound and Eliot; contemporary authors John Barth, Norman Mailer, Arturo Islas, and John Yau; and philosophers William James and Stanley Cavell. This book offers new directions to students of American culture, while it participates in the ongoing reassessment of American cultural and literary scholarship.




I Am a Black Woman


Book Description




The Imagist Poets


Book Description

A clear and incisive account of the Imagists, the first significant group of modernist poets writing in English.




The Oxford Critical and Cultural History of Modernist Magazines


Book Description

This volume contains 44 original essays on the role of periodicals in the United States and Canada. Over 120 magazines are discussed by expert contributors, completely reshaping our understanding of the construction and emergence of modernism.