A German-English Dictionary for Chemists


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Tableaux, aquarelles, gouaches, pastels, par : Albert, Blanche, Burger, Chaigneau, Diez, W. Gay, Jettel, Joors, Kleehaas, Kuehl, Lechat, F. Van Leemputten, Le Gout-Gérard, Madeline, Merker, P. P. Muller, Pointelin, E. Rau, Sala, Smith-Hald, Ten Cate, Max Thédy, Weber, Van der Weyden, etc., sept peintures par Paul Guigou, composant la collection de Monsieur W. de B... ; II° Tableaux modernes, aquarelles, pastels, dessins, par : Boudin, Dehodencq, Diaz, Heywood, Mascart, Noël, Petit, Ph. Rousseau, Th. Rousseau, Sem, Troyon, Veyrassat, etc. ; tableaux anciens par ou attribués à : W. Van Aelst, A. J. Van Croos, Gérard, J. D. De Heem, P.-J. Ledoux, J. Marieschi, J. K. Molenaer, D. Ryckaert, etc., etc., et des écoles flamande, française, hollandaise, et rhénane, appartenant à divers amateurs


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Impressionism & Scotland


Book Description

At the end of the nineteenth century Scotland was one of the most powerful industrial nations in the world. Huge wealth was generated in cities such as Glasgow, Aberdeen and Dundee and this period saw the emergence of a new breed of mercantile art collector, eager to invest in modern European art. This book is the first to explore the Scottish taste for Impressionism and Post-Impressionism c.1865-1930 and the impact of this art on two generations of Scottish artists. The term 'Impressionism' was then applied to artists as diverse as Corot, Whistler and the Glasgow Boys, as well as Monet, Degas and their contemporaries and the essays in this book - by leading scholars in the field - address a number of themes, including the influence of Dutch and French Realism on Scottish art, modern life imagery in the work of the Glasgow Boys, the taste for Whistler and his importance for Scottish art; William Burrell's collection of Impressionist pictures; and the impact of French art on the Scottish Colourists. Published to accompany the major exhibition Impressionism and Scotland (2008). AUTHOR: Dr Frances Fowle holds a joint post as Senior Curator of French Art at the National Gallery of Scotland and Lecturer in Art History at the University of Edinburgh. She has published widely on nineteenth century art, collecting and the art market and her publications include Monet and French Landscape (Edinburgh 2006) and (with Richard Thomson) Soil and Stone: Impressionism, Urbanism, Environment (London 2003). 160 colour & 40 b/w illustrations




The Havemeyers


Book Description

Louisine and H.O. Havemeyer were among the premier art collectors of the late nineteenth and early twentieth centuries.




Renoir, Impressionism, and Full-length Painting


Book Description

This catalogue draws upon contemporary criticism, literature and archival documents to explore the motivation behind Renoir's full-length figure paintings as well as their reception.







Manet to Matisse


Book Description

"This illustrated catalogue presents the first survey of the artworks in the Bloch Collection. Richard R. Brettell and Joachim Pissarro - distinguished scholars in the field of Impressionism - explore the history and significance of each work in detail. In accompanying essays, Ian Kennedy examines the evolving history of the collection, and Richard R. Brettell places it with a broader narrative of "domestic" collecting. New documentary information on the provenance and exhibition history of the Bloch works is included."--BOOK JACKET.