Library Catalog
Author : Metropolitan Museum of Art (New York, N.Y.). Library
Publisher :
Page : 1062 pages
File Size : 37,21 MB
Release : 1960
Category : Art
ISBN :
Author : Metropolitan Museum of Art (New York, N.Y.). Library
Publisher :
Page : 1062 pages
File Size : 37,21 MB
Release : 1960
Category : Art
ISBN :
Author : Metropolitan Museum of Art (New York, N.Y.). Library
Publisher :
Page : 1046 pages
File Size : 49,78 MB
Release : 1960
Category : Art
ISBN :
Author :
Publisher :
Page : 278 pages
File Size : 49,60 MB
Release : 1983
Category : Bibliography of bibliographies
ISBN :
Author : Harvard University. Fine Arts Library
Publisher : Macmillan Reference USA
Page : 700 pages
File Size : 17,64 MB
Release : 1971
Category : Art
ISBN :
Author :
Publisher :
Page : 656 pages
File Size : 29,96 MB
Release : 1965
Category : Art
ISBN :
Author :
Publisher : Macmillan Reference USA
Page : 632 pages
File Size : 13,13 MB
Release : 1987
Category : Antiques & Collectibles
ISBN :
Author : New York Public Library. Art and Architecture Division
Publisher :
Page : 752 pages
File Size : 30,84 MB
Release : 1975
Category : Architecture
ISBN :
Author : Kunsthistorisches Institut in Florenz
Publisher :
Page : 938 pages
File Size : 39,82 MB
Release : 1977
Category : Art
ISBN :
Author :
Publisher :
Page : 712 pages
File Size : 40,33 MB
Release : 1970
Category : Catalogs, Union
ISBN :
Author : Jean Leymarie
Publisher : Rizzoli International Publications
Page : 112 pages
File Size : 27,34 MB
Release : 1989
Category : Architecture
ISBN :
Paul Gauguin (1848-1903) came late to painting, after two previous careers, first as a seaman, then as a stockbrocker. A romantic, a primitive, a symbolist, a born rebel and flamboyant personality, he stands at the crossroads of modern painting, summing up in his life's work the crucial transition from Impressionism to abstraction. He had no art school training. What we did have was an idea and a dream. His genius is usually considered in terms of his painting. This book offers the rare treat of a selection of watercolors, gouaches, pastels, pen-and-ink and charcoal drawings, monotypes, zincograph and woodcuts, together with pages from "Noa Noa", Gauguin's illustrated account of his stay in Tahiti. In many ways these works are more revealing than his paintings, as they allowed the artist a spontaneity and intimacy that painting, by the very nature of his technique, could not. -- From publisher's description.