Tableaux modernes
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Page : 20 pages
File Size : 46,51 MB
Release : 1963
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Author :
Publisher :
Page : 20 pages
File Size : 46,51 MB
Release : 1963
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Author : Jean-Auguste-Dominique Ingres
Publisher : Metropolitan Museum of Art
Page : 610 pages
File Size : 36,62 MB
Release : 1999
Category : Drawing, French
ISBN : 0870998919
Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)
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Page : 0 pages
File Size : 47,83 MB
Release : 1965
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Author : The J. Paul Getty Museum
Publisher : Getty Publications
Page : 262 pages
File Size : 14,22 MB
Release : 1985-01-01
Category : Art
ISBN : 0892360909
The J. Paul Getty Museum Journal 13 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, decorative arts, drawings, paintings, and photographs. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 13 includes articles written by Helayna I. Thickpenny, Michael Pfrommer, Klaus Parlasca, Heidemaire Koch, Jean-Dominique Augarde, Colin Streeter, Gillian Wilson, Charissa Bremer-David, C. Gay Nieda, Adrian Sassoon, Selma Holo, Marcel Roethlisberger, Louise Lippincott, Mark Leonard, Burton B. Fredericksen, Nigel Glendinning, Eleanor Sayre, and William Innes Homer.
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Page : 0 pages
File Size : 30,5 MB
Release : 1963
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Page : 0 pages
File Size : 27,85 MB
Release : 1968
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Author : Fogg Art Museum
Publisher :
Page : 110 pages
File Size : 28,1 MB
Release : 1968
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Author : Joseph Baillio
Publisher : Metropolitan Museum of Art
Page : 292 pages
File Size : 10,76 MB
Release : 2016-02-15
Category : History
ISBN : 1588395812
Elisabeth Louise Vigée Le Brun (1755–1842) was one of the finest eighteenth-century french painters and among the most important women artists of all time. Celebrated for her expressive portraits of French royalty and aristocracy, and especially of her patron Marie Antoinette, Vigée Le Brun exemplified success and resourcefulness in an age when women were rarely allowed either. Because of her close association with the queen Vigée Le Brun was forced to flee France during the French Revolution. For twelve years she traveled throughout Europe, painting noble sitters in the courts of Naples, Russia, Austria, and Prussia. She returned to France in 1802, under the reign of Emperor Napoleon I, where her creativity continued unabated. This handsome volume details Vigée Le Brun's story, portraying a talented artist who nimbly negotiated a shifting political and geographic landscape. Essays by international scholars address the ease with which this self-taught artist worked with monarchs, the nobility, court officials and luminaries of arts and letters, many of whom attended her famous salons. The position of women artists in Europe and at the Salons of the period is also explored, as are the challenges faced by Vigée Le Brun during her exile. The ninety paintings and pastels included in this volume attest to Vigée Le Brun's superb sense of color and expression. They include exquisite depictions of counts and countesses, princes and princesses alongside mothers and children, including the artist herself and her beloved daughter, Julie. A chronology of the life of Vigée Le Brun and a map of her travels accompany the text, elucidating the peregrinations of this remarkable, independent painter.
Author : Frances Fowle
Publisher :
Page : 164 pages
File Size : 37,30 MB
Release : 2008
Category : Art
ISBN :
At the end of the nineteenth century Scotland was one of the most powerful industrial nations in the world. Huge wealth was generated in cities such as Glasgow, Aberdeen and Dundee and this period saw the emergence of a new breed of mercantile art collector, eager to invest in modern European art. This book is the first to explore the Scottish taste for Impressionism and Post-Impressionism c.1865-1930 and the impact of this art on two generations of Scottish artists. The term 'Impressionism' was then applied to artists as diverse as Corot, Whistler and the Glasgow Boys, as well as Monet, Degas and their contemporaries and the essays in this book - by leading scholars in the field - address a number of themes, including the influence of Dutch and French Realism on Scottish art, modern life imagery in the work of the Glasgow Boys, the taste for Whistler and his importance for Scottish art; William Burrell's collection of Impressionist pictures; and the impact of French art on the Scottish Colourists. Published to accompany the major exhibition Impressionism and Scotland (2008). AUTHOR: Dr Frances Fowle holds a joint post as Senior Curator of French Art at the National Gallery of Scotland and Lecturer in Art History at the University of Edinburgh. She has published widely on nineteenth century art, collecting and the art market and her publications include Monet and French Landscape (Edinburgh 2006) and (with Richard Thomson) Soil and Stone: Impressionism, Urbanism, Environment (London 2003). 160 colour & 40 b/w illustrations
Author : Frances Weitzenhoffer
Publisher : ABRAMS
Page : 394 pages
File Size : 12,17 MB
Release : 1986
Category : Architecture
ISBN :
Louisine and H.O. Havemeyer were among the premier art collectors of the late nineteenth and early twentieth centuries.