Tafsir Ishraq Al-Ma'ani - Vol I - Surah 1-3


Book Description

With the revival of interest in Islam in our times, the Qur'an is also being read increasingly, especially by the intellectuals: Muslims and non-Muslims alike. However, and although its message and central theme have been stated in unambiguous terms, its translation fails to impart the same meaning with the same effect. Additionally, the Qur'an deals with every subject of human concern and gives guidelines for application to life and society. This increases its scope widely, and requires on the part of the reader's knowledge of various disciplines for proper appreciation of its message.It is specially important to know how the Qur'an was understood by those who received it first: Prophet Muhammad (SAW), on whom be Allah's peace, and his immediate followers. Second in order of interest and importance would be to know how the scholars of Islam have understood it in every age. The present work endeavours in the main to provide this information. However, it also presents useful notes, variant notes, variant opinions, anecdotes and legal points - from commentaries old and new.




Muslims Under Non-Muslim Rule


Book Description




Islamic Thought


Book Description

Islamic Thought is a fresh and contemporary introduction to the philosophies and doctrines of Islam. Abdullah Saeed, a distinguished Muslim scholar, traces the development of religious knowledge in Islam, from the pre-modern to the modern period. The book focuses on Muslim thought, as well as the development, production and transmission of religious knowledge, and the trends, schools and movements that have contributed to the production of this knowledge. Key topics in Islamic culture are explored, including the development of the Islamic intellectual tradition, the two foundation texts, the Qur’an and Hadith, legal thought, theological thought, mystical thought, Islamic Art, philosophical thought, political thought, and renewal, reform and rethinking today. Through this rich and varied discussion, Saeed presents a fascinating depiction of how Islam was lived in the past and how its adherents practise it in the present. Islamic Thought is essential reading for students beginning the study of Islam but will also interest anyone seeking to learn more about one of the world’s great religions.




The Trans-Saharan Book Trade


Book Description

Concerned with the history of scholarly production, book markets and trans-Saharan exchanges in Muslim African (primarily western and northern Africa), as well as the creation of manuscript libraries, this book consists of a collection of twelve essays that examine these issues from an interdisciplinary perspective.




The Arabic Manuscript Tradition


Book Description

Covering the entire spectrum of Arabic manuscripts, and especially the handwritten book, this book consists of a glossary of technical terms and a bibliography. The technical terms, collected from a variety of sources, embrace a vast range of topics dealing with the making and reading (studying) of Arabic manuscripts. They include: the Arabic scripts, penmanship, writing materials and implements, the make-up of the codex, copying and correction, decoration and bookbinding. A similar coverage is reflected in the bibliography. In view of the fact that, as yet, there is no concise monograph on Arabic manuscripts in the English language, this book is an important contribution to this field. And, since Arabic manuscripts represent an enormous resource for research, this work is an indispensable reference for all students of Islamic civilization.







A Sufi Commentary on the Qur'an


Book Description

The Sufi commentary on the Qur'an by 'Abd al-Razzaq al-Kashani (Ta'wilat al-Qur'an)--long believed to have been written by Muhyi al-Din Ibn 'Arabi (d. 1240)--is one of the masterpieces of Sufi exegesis. It is a complete commentary on the Qur'an, commenting on every chapter but not on every verse. A Sufi Commentary on the Qur'an is the first translation into English of this seminal work. Though little is known about the life of 'Abd al-Razzaq al-Kashani (d. between 1329-35), it is accepted that he studied under Mu'ayyid al-Din al-Jandi, who himself had studied with Sadr al-Din Qunawi, the stepson of Ibn 'Arabi and leading exponent of Akbarian doctrine. Despite the paucity of information on his life, Kashani is recognised for the significant contribution he made to the school of Ibn 'Arabi; his influence and legacy lie in his systemisation of the ideas and thoughts of Ibn 'Arabi. The central theme of Kashani's commen-tary on the Qur'an is gnosis or direct experiential knowledge of God: the seeker of the Divine is to engage in dedicated spiritual exertion in conformity with the Sacred Law until the heart becomes illu-minated. The Ta'wilat al-Qur'an has been translated in two volumes: Volume I includes the commentary from the first Chapter, The Opening (al-Fatiha), until the eighteenth Chapter, The Cave (al-Kahf); while Volume II includes the commentary from Chapter nineteen, Mary (Maryam), to the end of the Qur'an.




A Two-Colored Brocade


Book Description

Annemarie Schimmel, one of the world's foremost authorities on Persian literature, provides a comprehensive introduction to the complicated and highly sophisticated system of rhetoric and imagery used by the poets of Iran, Ottoman Turkey, and Muslim India. She shows that these images have been used and refined over the centuries and reflect the changing conditions in the Muslim world. According to Schimmel, Persian poetry does not aim to be spontaneous in spirit or highly personal in form. Instead it is rooted in conventions and rules of prosody, rhymes, and verbal instrumentation. Ideally, every verse should be like a precious stone--perfectly formed and multifaceted--and convey the dynamic relationship between everyday reality and the transcendental. Persian poetry, Schimmel explains, is more similar to medieval European verse than Western poetry as it has been written since the Romantic period. The characteristic verse form is the ghazal--a set of rhyming couplets--which serves as a vehicle for shrouding in conventional tropes the poet's real intentions. Because Persian poetry is neither narrative nor dramatic in its overall form, its strength lies in an "architectonic" design; each precisely expressed image is carefully fitted into a pattern of linked figures of speech. Schimmel shows that at its heart Persian poetry transforms the world into a web of symbols embedded in Islamic culture.