Ocre


Book Description




Age of discrepancies


Book Description

"The first exhibition to offer a critical assessment of the artistic experimentation that took place in Mexico during the last three decades of the twentieth century. The exhibition carefully analyzes the origins and emergence of techniques, strategies, andmodes of operation at a particularly significant moment of Mexican history, beginning with the 1968 Student Movement, until the Zapatista upraising in the State of Chiapas. Theshow includes work by a wide range of artists, including Francis Alys, Vicente Rojo, Jimmie Durham, Helen Escobedo, Julio Galán, Felipe Ehrenberg, José Bedia,Guillermo Gómez-Peña, Francisco Toledo, Carlos Amorales, Melanie Smith, and Alejandro Jodorowsky, among many others. The edition is illustrated with 612 full-colorplates of the art produced during these last three decades of the twentieth century reflect the social, political and technical developments in Mexico and ranged from painting andphotography to poster design, installation, performance, experimental theatre, super-8 cinema, video, music, poetry and popular culture like the films and ephemeral actionsof 'Panic' by Alejandro Jodorowsky, Pedro Friedeberg's pop art, the conceptual art, infrarrealists and urban independent photography, artists books, the development ofcontemporary political photography, the participation of Mexican artists in Fluxus in the seventies and the contribution of Ulises Carrión to the international artist book movement and popular rock music, the pictorial battles of the eighties and the emergence of a variant of neo-conceptual art in 1990. The exhibition is curated by Olivier Debroise, Pilar García de Germenos, Cuauhtémoc Medina, Álvaro Vázquez Mantecón"--Provided by vendor.




Taller de Arteterapia - Curso introductorio teórico práctico


Book Description

Curso teórico-práctico que los acercará a algunas nociones de la psicología y del arte plástico. En cuanto a la parte psicológica, el objetivo es que puedan familiarizarse con algunos conceptos y nociones fundamentales, que tanto se escuchan y se repiten en nuestro día a día y quizás no sepan realmente qué significan. Es muy importante contar, aunque sea con un mínimo conocimiento sobre estos temas, ya que abre la posibilidad de poder ponerle nombre a lo que nos está sucediendo o comprender que ciertos síntomas no son culpa nuestra, sino causados por un padecimiento psicológico subyacente. Es un curso que va dirigido a todas aquellas personas que deseen incrementar su bienestar a través del arte, a aquellos interesados en la psicología y sus nociones básicas, a aquellos que quieren entretenerse con ejercicios artísticos y aprender un poco de qué se trata el dibujo y la pintura. No hace falta que tengan conocimientos artísticos previos, este curso es tanto para quienes se inician en el arte como para artistas experimentados. Aprenderán: • Nociones de dibujo a lápiz y realización de bocetos • Uso de los diferentes materiales artísticos • Nociones de color • Diferentes tipos de perspectiva • Nociones de psicología básicas respecto del desarrollo personal, el estrés, la ansiedad y la depresión, desde varios autores, sobre todo desde la Teoría Cognitivo Conductual • Cada apartado incluye una serie de ejercicios a realizar




El Taller de Gráfica Popular


Book Description

This catalogue accompanies the exhibition of the same name, on view at the Georgia Museum of Art June 13-Sept. 13, 2015. It includes full-color images of every work in the exhibition and many supplementary works produced by the Mexican printmaking workshop, as well as essays by Deborah Caplow, Elizabeth Kathleen Mitchell, Helga Prignitz-Poda, collector Michael T. Ricker, Arturo García Bustos and Pablo Méndez, each addressing a different aspect of the workshop. Catalogue entries provide more information on the individual works. It is the most comprehensive and most completely illustrated publication on the workshop and is an essential reference work as well as a handsome publication for the layperson. --! From publisher's description.




Taller de las artes


Book Description




Taller de Pintura Para Ninos


Book Description

Este libro cuenta la historia de dos chicos, Laura y Miguel que toman clases en la escuelita de Arte para Ni�os con Mrs. Marta. Ellos se divierten experimentando con los materiales; manchando, salpicando, estampando y pintando con los dedos. Dibujan y pintan hermosas obras de arte con diversas t�cnicas que le ense�a la maestra.Cuenta con m�s de 50 ilustraciones entre dibujos infantiles de las edades de 3 a 9 a�os, reproducciones de pinturas famosas y gr�ficas que estimular�n a los peque�os artistas en potencia a expresar con toda libertad su creatividad y su personalidad.Incluye dentro de la narrativa instrucciones para que los ni�os puedan realizar 12 proyectos de pintura con t�cnicas diferentes.




Taller de arte infinito - Pintura


Book Description

A world of possibilities! You'll be surprised by our books' bright colors, imaginative activities and the high quality materials included for making amazing projects. Lots of ideas that result in marvelous creations! A collection that promotes artistic skills in children through play. With very simple actions, children will be able to model or stamp from the simplest to the most complex figures. Includes 2 rollers, a sponge brush and 4 color watercolor palette.







REMEX


Book Description

REMEX presents the first comprehensive examination of artistic responses and contributions to an era defined by the North American Free Trade Agreement (1994–2008). Marshaling over a decade’s worth of archival research, interviews, and participant observation in Mexico City and the Mexico–US borderlands, Amy Sara Carroll considers individual and collective art practices, recasting NAFTA as the most fantastical inter-American allegory of the turn of the millennium. Carroll organizes her interpretations of performance, installation, documentary film, built environment, and body, conceptual, and Internet art around three key coordinates—City, Woman, and Border. She links the rise of 1990s Mexico City art in the global market to the period’s consolidation of Mexico–US border art as a genre. She then interrupts this transnational art history with a sustained analysis of chilanga and Chicana artists’ remapping of the figure of Mexico as Woman. A tour de force that depicts a feedback loop of art and public policy—what Carroll terms the “allegorical performative”—REMEX adds context to the long-term effects of the post-1968 intersection of D.F. performance and conceptualism, centralizes women artists’ embodied critiques of national and global master narratives, and tracks post-1984 border art’s “undocumentation” of racialized and sexualized reconfigurations of North American labor pools. The book’s featured artwork becomes the lens through which Carroll rereads a range of events and phenomenon from California’s Proposition 187 to Zapatismo, US immigration policy, 9/11 (1973/2001), femicide in Ciudad Juárez, and Mexico’s war on drugs.