Doris Lessing


Book Description

Doris Lessing is a writer for all times; she is a historiographer and a transnational translational mediator between the East and the West. This volume provides a collection of articles analysing Doris Lessing’s literature. The first part, entitled “Lessing’s World of Words”, offers a broad vision of the writer’s novels; it introduces her many genres and sheds light on her literary affiliations. This is followed by “Lessing’s Other Spaces”, which dives into the novelist’s imaginary and spiritual universes. The final part, “Intersections: Lessing and Other Writers” establishes an analogy between Lessing’s texts and Ahlem Mustaghanemi’s Memory in the Flesh, Atiq Rahimi’s Earth and Ashes and Salman Rushdie’s Shame.




Archaeopoetics


Book Description

Explores poetry as historical investigation, examining works by five contemporary poets whose creations represent new, materially emphatic methods of engaging with the past and producing new kinds of historical knowledge Archaeopoetics explores “archaeological poetry,” ground-breaking and experimental writing by innovative poets whose work opens up broad new avenues by which contemporary readers may approach the past, illuminating the dense web of interconnections often lost in traditional historiography. Critic Mandy Bloomfield traces the emergence of a significant historicist orientation in recent poetry, exemplified by the work of five writers: American poet Susan Howe, Korean-American artist Theresa Hak Kyung Cha, British poet Maggie O’Sullivan, and diasporic African Caribbean writers Kamau Brathwaite and M. NourbeSe Philip. Bloomfield sets the work of these five authors within a vigorous tradition, including earlier work by Ezra Pound and Walter Benjamin, and then shows how these five poets create poems that engender new encounters with pivotal episodes in history, such as the English regicide or Korea’s traumatized twentieth century. Exploring our shared but imperfectly understood history as well as omissions and blind spots in historiography, Bloomfield outlines the tension between the irretrievability of effaced historical evidence and the hope that poetry may reconstitute such unrecoverable histories. She posits that this tension is fertile, engendering a form of aesthetically enacted epistemological enquiry. Fascinating and seminal, Archaeopoetics pays special attention to the sensuous materiality of texts and most especially to the visual manifestations of poetry. The poems in this volume employ the visual imagery of the word itself or incorporate imagery into the poetry to propose persuasive alternatives to narrative or discursive frameworks of historical knowledge.




Tangible Traces


Book Description

Edited by Linda Vlassenrood.




Patterns of Disengagement


Book Description

While the customary path to achievement in traditional China was through service to the state, from the earliest times certain individuals had been acclaimed for repudiating an official career. This book traces the formulation and portrayal of the practice of reclusion in China from the earliest times through the sixth century, by which time reclusion had taken on its enduring character. Those men who decided to withhold their service to state governance fit the dictum from the Book of Changes of a man who "does not serve a king or lord; he elevates in priority his own affairs." This characterization came to serve as a byword of individual and voluntary withdrawal, the image of the man whose lofty resolve could not be humbled for service to a temporal ruler. Men who eschewed official appointments in favor of pursuing their own personal ideals were known by such appellations as "hidden men" (yinshi), "disengaged persons" (yimin), "high-minded men" (gaoshi), and "scholars-at-home" (chushi). What distinguished these men was a particular strength of character that underlay their conduct: they received approbation for maintaining their resolve, their mettle, their integrity, and their moral and personal values in the face of adversity, threat, or temptation. This book reveals that those who opted for a life of reclusion had a variety of motivations for their decisions and conducted widely divergent ways of life. The lives of these men epitomize the distinctive nature of substantive reclusion, differentiating them from those of the intelligentsia who, on occasion, voiced their desire for disengagement or for retreat, but who nevertheless found or retained their places in government office. Throughout, the author places the recluse and reclusion within the social, political, intellectual, religious, and literary contexts of the times.




Kentish archæology


Book Description




Metacinema


Book Description

When a work of art shows an interest in its own status as a work of art--either by reference to itself or to other works--we have become accustomed to calling this move meta. While scholars and critics have, for decades, acknowledged reflexivity in films, it is only in Metacinema, for the first time, that a group of leading and emerging film theorists join to enthusiastically debate the meanings and implications of the meta for cinema. In new essays on generative films, including Rear Window, 8 1/2, Holy Motors, Funny Games, Fight Club, and Clouds of Sils Maria, contributors chart, explore, and advance the ways in which metacinema is at once a mode of filmmaking and a heuristic for studying cinematic attributes. What results is not just an engagement with certain practices and concepts in widespread use in the movies (from Hollywood to global cinema, from documentary to the experimental and avant-garde), but also the development of a veritable and vital new genre of film studies. With more and more films expressing reflexivity, recursion, reference to other films, mise-en-abîme, seriality, and exhibiting related intertextual and intermedial traits, the time is overdue for the kind of capacious yet nuanced critical study found in Metacinema.




Event Portfolio Planning and Management


Book Description

Cities and regions around the world increasingly capitalize on a series of events aimed at optimizing their reach and outcomes. How then can a series of different events be developed and harnessed? What are the conditions and the means by which synergies and collaboration among different events and their stakeholders can be fostered? This book for the first time explores how managers and host communities can synergize sport, cultural and other planned events in a portfolio in order to attain, magnify and sustain their outcomes. The incorporation of different events into a portfolio requires an integrative way of viewing the different community purposes that they serve in unison. This book elaborates on this holistic approach by developing an integrative theoretical framework for conceptualizing event portfolios, and examining their challenges and prospects as well as potential as tools for sustainable development. It therefore presents the foundations of event portfolio planning, the patterns of inter-organizational relationships within collaborative events networks that foster the conditions for community capacity-building and the requirements for the design and development of event portfolios. Topics are considered from varying perspectives and examples of emerging event portfolios from a range of geographical regions are integrated throughout. Uniquely providing a holistic framework for planning and managing a series of events this is essential reading for all those interested in Events Policy, Planning and Management.




Legends of the End


Book Description

The laws which relate the modern world to earlier ages, and the position of our own era in a universal time-cycle, are explained in this book in a way which reveals the essential nature of time. It is shown that time imposes patterns of its own on the order of events, which reveal themselves by numerical regularities. By means of a Platonic view of creation, which connects temporal with non-temporal realities, it is shown to be possible to see how man's inner life holds the balance between these two kinds of objective reality. Traditional cosmological doctrines form the background to the ideas presented, which include insights into the power of universal time to realize evil, and how this can be overcome by those who understand it. Both non-Christian and Early Christian sources are also quoted in this connection, to illustrate the universality of the cyclic idea of time. Connections are made between metaphysical ideas of time and the scientific idea of entropy and its varied applications. The cyclic idea of time is used to resolve the apparent conflict between the vast tracts of time which have elapsed before Homo Sapiens and the relatively recent appearance of revealed religion. The last two thousand years are analyzed numerically in terms of traditional cosmology, so as to make it possible to calculate our present position in a universal era, together with the time within which this era will end. Finally, there is a review of the possibility that this ending may coincide with the Last Times, and the implications that this would have for current values and religious beliefs. 'How, when, and why did the world begin? And how will it end? Or is there no ending or beginning? What is infinity, and are such questions merely about illusions? What part does mind play in creation? Are we and the universe programed toward a certain end. . . ? All that can honestly be given in response to such questions is an introduction to that constant and recurrent world-view which this book uniquely provides.' -John Michell Christian Platonism has a long and distinguished history, but few orthodox Catholics have tried to make a serious contribution to this tradition in recent times. Robert Bolton's extraordinary book is just such a contribution. Influenced by Ren Gunon's The Reign of Quantity and the Signs of the Times, and respectful of Tradition, this is a work of great creativity as well as metaphysical intelligence. -Stratford Caldecott, Chesterton Review, Centre for Faith & Culture, Oxford Time, like beauty, is one of the foremost mysteries of human experience. Here Dr. Bolton has taken a deliberate and courageous effort to confront the nature of time. It is like a breath of fresh air to see such care taken to present what can authentically be called the traditional view. 'Recurrence' and 'Never Again' are the poles of this mystery so well and ably covered in this book. Any work that presents the views of such as Plato so well is inevitably going to be of cardinal value-but Dr. Bolton also goes into other wisdom traditions. This may not be easy reading, but what a relief from the mechanically tedious choice between 'Big Bang' and 'Steady State', and whatever else the material mechanists have dreamed up as our only diet for consideration. It -Keith Critchlow, Nov. 2000




Night Trix Oxide


Book Description

"Night Trix Oxide’s Midnight Musings and Mischief” is a collaboration of prose, and rambles as seen through the eyes of the persona Night Trix Oxide. Night Trix Oxide’s words are raw, not glossed over to spare the feelings of others. She doesn’t care if she comes across as harsh or if she is sometimes misunderstood. Night Trix Oxide stays up too late and writes what she thinks when it comes to mind. She has a “take it or leave it attitude” but inside the poetry the reader will see that she truly does care.... There may even be a tearstain to be found. Stay up the night with her and listen to the willows whisper, watch the full moon disappear...with the ethereal Night Trix Oxide!




Visualising Place, Memory and the Imagined


Book Description

This book probes into how communities and social groups construct their understanding of the world through real and imagined experiences of place. The book seeks to connect the dots of the factual and the imaginary that form affective networks of identities, which help shape local memory and sense of self and community, as well as a sense of the past. It exploits the concept of make-believe spaces – in the environment, storytelling and mnemonic narratives – as a social framework that aligns and informs the everyday memory worlds of communities. Drawing upon fieldwork in cultural heritage, community archaeology, social history and conflict history and anthropology, this text offers a methodological framework within which social groups may position and enact the multiple senses of place and senses of the past inhabited and performed in different cultural contexts. This book serves to illustrate a useful visualisation methodology which can be used in participatory fieldwork and thus will be of interest to heritage specialists, ethnographers and cultural geographers and oral history practitioners who will particularly find the methodology cheap, easy to replicate and enjoyable for community-based projects.