Tantra in Bengal


Book Description




Sir John Woodroffe, Tantra and Bengal


Book Description

Working with Bengali mentors, especially his close friend A. B. Ghose, Sir John Woodroffe became the pseudonymous orientalist Arthur Avalon, famous for his tantric studies at the beginning of the twentieth century. Best known for The Serpent Power, the book which introduced 'Kundalini Yoga' to the western world, Avalon turned the image of Tantra around, from that of a despised magical and orgiastic cult into a refined philosophy which greatly enhanced the prestige of Hindu thought to later generations of westerners. This biographical study is in two parts. The first focuses on Woodroffe's social identity in Calcutta against the background of colonialism and nationalism - the context in which he 'was' Arthur Avalon. To a very unusual degree for someone with a high position under the empire, Woodroffe the British High Court Judge absorbed the world of the Bengali intellectuals of his time, among whom his popularity was widely attested. His admirers were attracted by his Indian nationalism, to which his tantric studies and supposed learning formed an important adjunct. Woodroffe's friend Ghose, however, was the chief source of the textual knowledge in which the 'orientalist' scholar appeared to be deeply versed. The second part of this study assesses Woodroffe's own relationship to Sanskrit and to the texts, and highlights his very extensive but gifted use of secondary sources and the knowledge of Ghose and other Indian people. It examines the apologetic themes by which he and his collaborators made Tantra first acceptable, then fashionable. Partly because of his mysterious pseudonym, Woodroffe acquired a near legendary status for a time, and remains a fascinating figure. This book is written in a style that should appeal to the general reader as well as to students of Indian religions and early twentieth century Indian history, while being relevant to the ongoing debate about 'orientalism'.




Songs of Ecstasy


Book Description

This book offers the first English translation of a body of highly esoteric, mystical poetry and songs associated with the Khartabhajas, a Bengali sect devoted to Tantrism. The period from the late 18th to the early 19th century, during which these lyrics were written, was an era of change, experimentation, and transition from the older medieval styles to the new literary forms of "modern" Bengal. The highly original songs presented here are an important part of this transitional period, reflecting the search for new literary forms and experimentation in new poetic styles.




Tantra in Practice


Book Description

As David White explains in the Introduction to Tantra in Practice, Tantra is an Asian body of beliefs and practices that seeks to channel the divine energy that grounds the universe, in creative and liberating ways. The subsequent chapters reflect the wide geographical and temporal scope of Tantra by examining thirty-six texts from China, India, Japan, Nepal, and Tibet, ranging from the seventh century to the present day, and representing the full range of Tantric experience--Buddhist, Hindu, Jain, and even Islamic. Each text has been chosen and translated, often for the first time, by an international expert in the field who also provides detailed background material. Students of Asian religions and general readers alike will find the book rich and informative. The book includes plays, transcribed interviews, poetry, parodies, inscriptions, instructional texts, scriptures, philosophical conjectures, dreams, and astronomical speculations, each text illustrating one of the diverse traditions and practices of Tantra. Thus, the nineteenth-century Indian Buddhist Garland of Gems, a series of songs, warns against the illusion of appearance by referring to bees, yogurt, and the fire of Malaya Mountain; while fourteenth-century Chinese Buddhist manuscripts detail how to prosper through the Seven Stars of the Northern Dipper by burning incense, making offerings to scriptures, and chanting incantations. In a transcribed conversation, a modern Hindu priest in Bengal candidly explains how he serves the black Goddess Kali and feeds temple skulls lentils, wine, or rice; a seventeenth-century Nepalese Hindu praise-poem hammered into the golden doors to the temple of the Goddess Taleju lists a king's faults and begs her forgiveness and grace. An introduction accompanies each text, identifying its period and genre, discussing the history and influence of the work, and identifying points of particular interest or difficulty. The first book to bring together texts from the entire range of Tantric phenomena, Tantra in Practice continues the Princeton Readings in Religions series. The breadth of work included, geographic areas spanned, and expert scholarship highlighting each piece serve to expand our understanding of what it means to practice Tantra.




Global Tantra


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"Beyond introducing the subject matter and critically surveying the state of scholarship, this introduction offers a substantial theoretical and methodological elucidation of the book's approach that is also relevant for readers not strictly interested in the specialized subject. Combining perspectives from religious studies, global history, South Asian studies, and the study of esotericism, the foundations of global religious history are discussed both in abstraction and in light of the source material. This especially considers historiographical challenges such as (post)colonialism, Eurocentrism, or Orientalism, as well as issues such as the blurry meaning of "global connections" and differentiations between the global, regional, and local. Leading themes such as the contested meaning of tradition, revival, reform, and modernity are scrutinized, as are the relationship and meanings of religion, science, esotericism, and nationalism that remain the subject of scholarly debate. Global religious history makes proposals for resolving such debates by eliding disciplinary boundaries"--




The Rādhā Tantra


Book Description

The Rādhā Tantra is an anonymous 17th century tantric text from Bengal. The text offers a lively picture of the meeting of different religious traditions in 17th century Bengal, since it presents a Śākta version of the famous Vaiṣṇava story of Rādhā and Kṛṣṇa. This book presents a critically edited text of the Rādhā Tantra, based on manuscripts in India, Nepal and Bangladesh, as well as an annotated translation It is prefaced by an introduction that situates the text in its social and historical context and discusses its significance. The introduction also looks at the composition and metrics, vocabulary and grammar, and contents and doctrine of the text. It also includes a discussion of the extensive intertextualities of the Rādhā Tantra, as well as the sources used for this edition. The Sanskrit text in Roman transliteration, following the standard IAST system, is then presented, followed by an English translation of the text. This book will be of interest to scholars of South Asian Religion, Tantric Studies and Religious History.




Tantra


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Bhadriraju Krishnamurti (1928) is Professor and Head of the department of Linguistics at Osmania University, Hyderabad. He received a B.A. (Hons.) Degree (1948) in Telugu language and literature at Andhra University Waltair and an M.A. (1955) and Ph.D. (1957) in linguistics from the university of Pennsylvania U.S.A.




Studies on Tantra in Bengal and Eastern India


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This book explores the tantric concept of Shakti, or the principal female cosmic entity and her pilgrimage sites. It offers a first-hand view of the multidimensional ways in which Shakti asserted its supremacy over existing Vaishnava and orthodox Brahmanical traditions in post mediaeval Bengal and India. The interdisciplinary chapters pave the way to understanding the intra-textual relationships between philosophical and conceptual ideas in literary texts and their oral transmission. Divided into three thematic sections: Cult Inclusiveness, Śakti Pithas, and the Śākta Philosophy, the book invites readers to explore a contested area of scholarship from unique perspectives, offering rich insights into the nature of negotiations between diverse religious streams. It also urges readers to examine the many innovative approaches and theoretical models on the goddess culture of East India. The book is of interest to students and scholars of religious textual studies, anthropology, pilgrimage studies, comparative religion, Sanskrit and Bengali languages, regional studies, South Asian cultures, goddess traditions and cultural history of mediaeval Bengal.




Tantra in Bengal


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Tantra


Book Description

A captivating study of the ancient Indian movement that has influenced and intrigued the world for more than a millennium. The Tantras, a set of sacred manuscripts that emerged in India from around the sixth century CE, detail rituals for attracting spiritual, worldly, and supernatural power. These rituals, which focus on the power of fierce gods and goddesses and center around yoga, self-deification, sexual rites, and the consumption of intoxicants, became an integral part of the meditations and philosophical practices of Tantric Hinduism and Buddhism. This book examines the philosophies, core beliefs, and artistic expressions of Tantra, and its impact on religious, cultural, and political landscapes across the globe. In tracing the history of the movement, author Imma Ramos reveals Tantra’s origins and continued relevance in India, as well as its redefinition as it was adopted by Western popular culture during the 1960s. Tantra: enlightenment to revolution accompanies a major exhibition at the British Museum, and is illustrated extensively with masterpieces of sculpture, painting, print, and ritual objects from India, Nepal, Tibet, China, Japan, the United Kingdom, and the United States, dating as far back as the eighth century CE.