Hesiod-Konkordanz


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Concordance to Hesiod


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Phoenix


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The Myth of Replacement


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Changes in season, rulership, and human fortune are the stuff of which myth is made. Why should these themes pervade the mythologies of so many cultures? Might they even provide an explanation for seemingly unrelated myths and rituals? What these myths have in common, observes Thomas Worthen, is an ancient awareness that the heavens were subject to irregularities. The movement of stars we now attribute to precession was once a cause for concern about the stability of the world. Worthen here proposes the paradigm of "replacement" to account for the recurrence of common elements in the myths of many peoples. First citing the importance of rotation ritual in cultures as diverse as Buddhist and Gaelic, he draws on Georges Dum�zil's work with the Indo-European Ambrosia Cycle to lay the foundation for his paradigm. He then applies it to South American myths previously explored by Claude L�vi-Strauss, to the Greek myth of Phaethon, and to myths of dynastic replacement about Zeus and his forebears. He further shows show how the replacement paradigm explains a number of semantic puzzles in Indo-European studies, such as the relationship of words for "hammer" and "mill." The Myth of Replacement grandly illustrates the common knowledge of nature held by ancient peoples of the world. It offers scholars new perspectives on previously unconnected material as it provides general readers with a better understanding of the universality of myth.




The Colors of the Aeneid


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In composing his masterpiece, the Aeneid, Vergil used colors as none of his predecessors had done. In place of the largely formulaic and functional employment of color, Vergil wove a complex network of chromatic allusions, linking episode to episode, developing a set of color themes or «chords» which strongly influence the reader's response to key passages in the epic. This study further argues that Vergil anticipated a favorite device of modern film makers by «shooting» certain sections of the poem in color and others in black and white. Long appreciated for its intellectual and ethical dimensions, the Aeneid must also be seen as a masterful appeal to the senses.




Hesiod


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Hesiod desribes himself as a Boeotian shepherd who herd the Muses call upon him to sing about the gods. His exact dates are unknown, but he has often been donsidered a younger contemporary of Homer. This volume of the new Loeb Classical Library edition offers a general introduction, a fluid translation facing an improved Greek text of Hesiod's two extant poems, and a generous selection of testimonia from a wide variety of ancient sources regarding Hesiod's life, works, and reception.




Subject Catalog


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Library of Congress Catalogs


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