George Alexander and the Work of the Actor-Manager


Book Description

In the first book-length study of the work and legacy of West End actor-manager George Alexander since the 1930s, George Alexander and the Work of the Actor Manager examines the key part this figure played in presenting new drama by authors including Oscar Wilde and Henry James. The book sheds new light on the figure of the actor-manager, assessing in detail the influence of Alexander within and beyond his time. At the St. James’s Theatre in London between 1891 and 1918, through a range of strategies including the support of new writers, and adaptation of fiction to the stage, Alexander sustained professional status through practices that continue to be reflected in the cultural industries today. A range of evidence is employed including production reviews, anecdotal accounts, financial records, and personal correspondence, to reveal how he operated as a business entrepreneur as well as an artistic innovator.




Ask an Agent


Book Description

Actors at every stage of their careers have a lot of questions, and Ask an Agent gives a lot of answers. Do I need an agent? How do I get one? What will an agent do for me? When is it time to switch agents? Help is on the way! Author Margaret Emory--a talent agent for more than fourteen years--writes Ask an Agent, the most popular column in America's foremost publication for working actors, Back Stage. In clear, straightforward text, she gives the agent's spin on everything from headshots and resumes to auditions, casting directors, and managers. Ask an Agent offers real help for the real world of acting.




Self-management for Actors


Book Description

"Self-Management for Actors will guide you through the process of taking control of your career from the business side of things. There is no secret method, there is no password entry system to the Working Actor Club. What does exist is a simple, self-management concept that allows you to handle the business of your acting career without losing the ability to be a creative artist."--BOOK JACKET.




The Oxford Handbook of the Georgian Theatre 1737-1832


Book Description

The Oxford Handbook of the Georgian Theatre 1737-1832 provides a comprehensive guide to theatre of the Georgian era across the range of dramatic forms.




The Actor-managers


Book Description




The Penguin Book of Exorcisms


Book Description

Haunting accounts of real-life exorcisms through the centuries and around the world, from ancient Egypt and the biblical Middle East to colonial America and twentieth-century South Africa A Penguin Classic Levitation. Feats of superhuman strength. Speaking in tongues. A hateful, glowing stare. The signs of spirit possession have been documented for thousands of years and across religions and cultures, even into our time: In 2019 the Vatican convened 250 priests from 50 countries for a weeklong seminar on exorcism. The Penguin Book of Exorcisms brings together the most astonishing accounts: Saint Anthony set upon by demons in the form of a lion, a bull, and a panther, who are no match for his devotion and prayer; the Prophet Muhammad casting an enemy of God out of a young boy; fox spirits in medieval China and Japan; a headless bear assaulting a woman in sixteenth-century England; the possession in the French town of Loudun of an entire convent of Ursuline nuns; a Zulu woman who floated to a height of five feet almost daily; a previously unpublished account of an exorcism in Earling, Iowa, in 1928--an important inspiration for the movie The Exorcist; poltergeist activity at a home in Maryland in 1949--the basis for William Peter Blatty's novel The Exorcist; a Filipina girl "bitten by devils"; and a rare example of a priest's letter requesting permission of a bishop to perform an exorcism--after witnessing a boy walk backward up a wall. Fifty-seven percent of Americans profess to believe in demonic possession; after reading this book, you may too.




Ask an Agent


Book Description

This book is no bull, straight from the mouth of a blunt talent agent, currently hustling for over 500 clients and closing deals daily. His words are legit instructions on how to be a working actor in film and TV. Organized into three sections: Getting an Agent, Working with Your Agent, and Thriving with Your Agent, this Q&A format addresses actor questions at all stages of a career. After nearly a decade of sitting on panels and acknowledging that the majority of raised hands are never called upon, Jason Lockhart decided to answer them ALL, right here, right now, in an energetic, honest, and organized place. Getting inside the mind of an agent is crucial, as they are generally the first gatekeeper to an actor's success. Consider this book your secret weapon to breaking in or leveling up.




The Actor Takes a Meeting


Book Description

Actors must take meetings to advance their careers. Seeking representation, management, auditions, or work in specific projects, they meet with agents, managers, producers, and casting directors. However, these important meetings are often unsuccessful because the actors present themselves inadequately. Lacking self-awareness and authenticity, actors frequently conduct themselves as victims or manipulators, which leads to their being seen as undesirable working partners, regardless of their acting abilities and credits. This is the first book to address the actor's self-presentation at an interview or meeting. It shows the actor how to be the host of a meeting and the initiator of an exciting experience that may lead to offers of representation, auditions, and project participation. In this book, actors will learn startling, myth-busting truths: They will learn that they will "blow it" if interviewers look at their resumes during meetings or if they answer questions with prepared riffs about themselves or if they are on their best behaviour! Most importantly, they will learn how applying Stephen Book's practical teachings can bring about remarkable transformations of their meeting skills.




Acting as a Business, Fifth Edition


Book Description

The essential handbook for actors—a modern classic—in a newly updated edition. Since its original publication, Acting as a Business has earned a reputation as an indispensable tool for working and aspiring actors. Avoiding the usual advice about persistence and luck, Brian O’Neil provides clear-cut guidelines that will give actors a solid knowledge of the business behind their art. It’s packed with practical information—on everything from what to say in a cover letter to where to stand when performing in an agent’s office—including: -- Tactics for getting an agent, including preparing for the interview -- How to research who will be casting what—and whether there is a role for you—well in advance -- Examples of correspondence to agents and casting directors for both beginning and advanced professionals -- A detailed analysis of the current trend of paying to meet industry personnel -- How to communicate effectively with an agent or personal manager -- Creative ways to use the internet and social media O’Neil has updated Acting as a Business to keep up with the latest show-business trends, making this fifth edition a reference no actor should be without