The Actor, Image, and Action


Book Description

Rhonda Blair examines the physiological relationship between bodily action and emotional experience, in the first full-length study of actor training using the insights of cognitive neuroscience and their crucial importance to an actor’s engagement with a role.




The Actor's Brain


Book Description

Is free will just an illusion? What is it in the brain that allows us to pursue our own actions and objectives? What is it about this organ that permits seemingly purposeful behaviour, giving us the impression we are free? This book takes a journey into the brain to examine what is about known voluntary behaviour, and why it can go wrong.




Acting with Both Sides of Your Brain


Book Description

"Research on right and left hemisphere brain functions provides a metaphor and possibly even a physical explanation for the dual nature of the performing experience. Investigations by psychologists and neurologists suggest that the creative, non-verbal functions of the right hemisphere of the brain are equally important to our balance as whole personalities as is the dominant left hemisphere of the brain, long believed to direct logical and verbal functions. If the dominant left hemisphere can be temporarily overridden, we gain access to the creative right functions and a healthy balance occurs. It is this balance between the two hemispheres which creates the double awareness that the audience has of the performer as both actor and character. It is the balance which permits actors the simultaneous experience of emotional release and emotional control. Further study convinced the author the right-brain/left-brain approach was indeed a useful way of organizing the development of the creative processes."--Publisher description.




Your Brain at Work


Book Description

In Your Brain at Work, David Rock takes readers inside the heads—literally—of a modern two-career couple as they mentally process their workday to reveal how we can better organize, prioritize, remember, and process our daily lives. Rock, the author of Quiet Leadership and Personal Best, shows how it’s possible for this couple, and thus the reader, not only to survive in today’s overwhelming work environment but succeed in it—and still feel energized and accomplished at the end of the day.




At Left Brain Turn Right


Book Description

."..shows you how to silence the noise of your left brain, ignite your creative side, and live the life you've always imagined"--P. [4] of cover.




Brain and Being


Book Description

This book results from a group meeting held at the Institute for Scientific Exchange in Torino, Italy. The central aim was for scientists to “think together” in new ways with those in the humanities inspired by quantum theory and especially quantum brain theory. These fields of inquiry have suffered conceptual estrangement but now are ripe for rapprochement, if academic parochialism is put aside. A prevalent theme of the book is a moving away from individual elements and individual actors acting upon each other, toward a coordinate hermeneutic dynamics that manifests as a coherent totality. Among the topics covered are image in photography and in neuroscience; language; time; brain and mathematics; quantum brain dynamics and quantum communication.




A New Brain


Book Description

"an energetic, sardonic, often comical musical about a composer during a medical emergency. Gordon collapses into his lunch and awakes in the hospital, surrounded by his maritime-enthusiast lover, his mother, a co-worker, the doctor, and the nurses. Reluctantly, he had been composing a song for a children’s television show that features a frog – Mr. Bungee – and the specter of this large green character and the unfinished work haunts him throughout his medical ordeal. What was thought to be a tumor turns out to be something more operable, and Gordon recovers, grateful for a chance to compose the songs he yearns to produce."--Publisher.




Memorization for Actors


Book Description

Imagine if you could learn your lines in half the time yet feel confident they will roll off your tongue when needed. Memorization for Actors provides you with a range of practical psychology tools and a bullet-proof memorization process that will put you miles ahead of the competition. Inside you will discover: · How to become a master at learning your lines · Simple tricks to learn more lines in less time · Advanced tools to turbo-charge your memorization process · Proven strategies to remember your lines in high stress situations · When to schedule your memorization sessions for maximum effect Short enough to read in an afternoon, yet jam-packed with practical advice, Memorization for Actors will transform your acting career. This is recommended reading for any actor, from acting students to experienced professionals. Alexa Ispas holds a PhD in psychology from the University of Edinburgh. The books in her Psychology for Actors Series provide actors with proven psychology techniques to thrive and build a successful career.







My Character Wouldn't Do that


Book Description

"Starting from the idea that the main hindrance to a great acting performance is self-consciousness on the part of the performer, My Character Wouldn't do That examines the ways in which some of our traditional and contemporary approaches to acting put us into a 'mind space' that can encourage self-consciousness. Examining evidence from a range of contemporary cognitive sciences, the book approaches acting and actor training in an entirely different way. Based on the latest research into brain activity and human behaviour, the book covers areas that standard acting texts do (character, emotion, memory, imagination, making active choices) but reconceives each of these elements through the lens of that contemporary research. The book is the first to look closely at what contemporary research tells us about: personality/character and how environment shapes us; how memory works and how actors can work with (rather than against) their memory in preparing for performance; why actors must use different kinds of brain states and imagination in the various stages of preparation, rehearsal, and performance; how actors can frame active choices in a way that refocuses the source of thought and action; why actors should distinguish the stages of preparation and the kinds of thinking / imagination that works at each stage."--