The Adventure of Criticism


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Chasing the Eastern Star


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Argues for a method of biblical interpretation that allows for multiple legitimate meanings, providing examples from popular literature and movies while considering in length the story of the Magi and the impact of Scripture on human truth. Original.




Adventures in Criticism


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And I seem to see in this edition of Chaucer the beginning of the realization of a dream which I have cherished since first I stood within the quadrangle of the Clarendon PressÑthat fine combination of the factory and the palace. The aspect of the Press itself repeats, as it were, the characteristics of its government, which is conducted by an elected body as an honorable trust. Its delegates are not intent only on money-getting. And yet the Clarendon Press makes money, and the University can depend upon it for handsome subsidies. It may well depend upon it for much more. As the Bank of EnglandÑto which in its system of government it may be likenedÑis the focus of all the other banks, private or joint-stock, in the kingdom, and the treasure-house, not only of the nation's gold, but of its commercial honor, so the Clarendon PressÑtraditionally careful in its selections and munificent in its rewardsÑmight become the academy or central temple of English literature. If it would but follow up Professor Skeat's Chaucer with a resolution to publish, at a pace suitable to so large an undertaking, all the great English classics, edited with all the scholarship its wealth can command, I believe that before long the Clarendon Press would be found to be exercising an influence on English letters which is at present lacking, and the lack of which drives many to call, from time to time, for the institution in this country of something corresponding to the French Academy. I need only cite the examples of the Royal Society and the Marylebone Cricket Club to show that to create an authority in this manner is consonant with our national practice. We should have that centre of correct information, correct judgment, correct tasteÑthat intellectual metropolis, in shortÑwhich is the surest check upon provinciality in literature; we should have a standard of English scholarship and an authoritative dictionary of the English language; and at the same time we should escape all that business of the green coat and palm branches which has at times exposed the French Academy to much vulgar intrigue.




An Introduction to the World of Children's Books


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Offers a brief look at the history of children's literature and discusses important examples.




Harry Potter's Bookshelf


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Harry Potter. The name conjures up J.K. Rowling's wondrous world of magic that has captured the imaginations of millions on both the printed page and the silver screen with bestselling novels and blockbuster films. The true magic found in this children's fantasy series lies not only in its appeal to people of all ages but in its connection to the greater world of classic literature. Harry Potter's Bookshelf: The Great Books Behind the Hogwarts Adventures explores the literary landscape of themes and genres J.K. Rowling artfully wove throughout her novels-and the influential authors and stories that inspired her. From Jane Austen's Emma and Charles Dickens's class struggles, through the gothic romances of Dracula and Frankenstein and the detective mysteries of Dorothy L. Sayers, to the dramatic alchemy of C.S. Lewis, J.R.R. Tolkien, and William Shakespeare, Rowling cast a powerful spell with the great books of English literature that transformed the story of a young wizard into a worldwide pop culture phenomenon.




An Experiment in Criticism


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"Professor Lewis believed that literature exists above all for the joy of the reader and that books should be judged by the kind of reading they invite. He doubted the use of strictly evaluative criticism, especially its condemnations. Literary criticism is traditionally employed in judging books, and 'bad taste' is thought of as a taste for bad books. Professor Lewis's experiment consists in reversing the process, and judging literature itself by the way men read it. He defined a good book as one which can be read in a certain way, a bad book as one which can only be read in another. He was therefore mainly preoccupied with the notion of good reading: and he showed that this, in its surrender to the work on which it is engaged, has something in common with love, with moral action, and with intellectual achievement. In good reading we should be concerned less in altering our own opinions than in entering fully into the opinions of others; 'in reading great literature I become a thousand men and yet remain myself'. As with all that Professor Lewis wrote, the arguments are stimulating and the examples apt"--Publisher description




A History of Russian Literary Theory and Criticism


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This edited volume assembles the work of leading international scholars in a comprehensive history of Russian literary theory and criticism from 1917 to the post-Soviet age. By examining the dynamics of literary criticism and theory in three arenas—political, intellectual, and institutional—the authors capture the progression and structure of Russian literary criticism and its changing function and discourse. The chapters follow early movements such as formalism, the Bakhtin Circle, Proletklut, futurism, the fellow-travelers, and the Russian Association of Proletarian Writers. By the cultural revolution of 1928, literary criticism became a mechanism of Soviet policies, synchronous with official ideology. The chapters follow theory and criticism into the 1930s with examinations of the Union of Soviet Writers, semantic paleontology, and socialist realism under Stalin. A more "humanized" literary criticism appeared during the ravaging years of World War II, only to be supplanted by a return to the party line, Soviet heroism, and anti-Semitism in the late Stalinist period. During Khrushchev's Thaw, there was a remarkable rise in liberal literature and criticism, that was later refuted in the nationalist movement of the "long" 1970s. The same decade saw, on the other hand, the rise to prominence of semiotics and structuralism. Postmodernism and a strong revival of academic literary studies have shared the stage since the start of the post-Soviet era. For the first time anywhere, this collection analyzes all of the important theorists and major critical movements during a tumultuous ideological period in Russian history, including developments in emigre literary theory and criticism.




Great Books


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*NATIONAL BESTSELLER* “A lively adventure of the mind...The tone of the prose...is one of unqualified enthusiasm: energy, vigor, intellectual curiosity, and what might be called an ecstasy of imaginative journalism.” —The New York Times Book Review At the age of forty-eight, writer and film critic David Denby returned to Columbia University and re-enrolled in two core courses in Western civilization to confront the literary and philosophical masterpieces -- the "great books" -- that are now at the heart of the culture wars. In Great Books, he leads us on a glorious tour, a rediscovery and celebration of such authors as Homer and Boccaccio, Locke and Nietzsche. Conrad and Woolf. The resulting personal odyssey is an engaging blend of self-discovery, cultural commentary, reporting, criticism, and autobiography -- an inspiration for anyone in love with the written word.




The Critic


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