The Adventures of Peek-A-Boo and Princess Cheyenne


Book Description

Cheyenne is a pampered show kitty living with a loving family. Peek-A-Boo is a feral cat who was left at the humane society. When Peek-A-Boo is adopted by Cheyenne’s family, Cheyenne’s jealousy causes her to lie to the new cat. She tells Peek-A-Boo that the family doesn’t like her and she’s afraid she’ll be sent back to the animal shelter, so Peek-A-Boo runs away from home. Now out in the big wide world, Peek-A-Boo begins making friends and even meets a new human family. With the help of a pair of chatty squirrels, a flirty raccoon, and a scary owl, will Peek be able to find her way back home again? Or will her new family want to keep her forever?




A Discovery of Mystery and Magic


Book Description

Peek-A-Boo, Princess Cheyenne, and their friends are back for another adventure! Peek-A-Boo, the reluctant runaway, and Princess Cheyenne, the pampered Persian, love to spend their days together relaxing in the garden behind Grandma and Megan’s house. But Peek-A-Boo’s raccoon friend Miranda senses something bad happening in the woods behind Grandma’s house. The friends decide to enter the woods to find out what could be going on. Peek-A-Boo, Miranda, and their squirrel friends Cheeky and Norbert walk into the woods, planning to look for a cabin Miranda heard was haunted. Princess Cheyenne doesn’t think it’s a good idea to go into the woods, so she stays home instead. But soon, she finds herself missing her friends and decides to find them to join their adventure. Instead, she finds the cabin and meets its inhabitants. What are the secrets of the inhabitants of the cabin, and why must the princess keep their secrets? In this next adventure of Peek-A-Boo and Princess Cheyenne, the friends face difficult decisions, learn to be brave, and discover there’s magic all around them.







Idlewild: History and Memories of Pennsylvania's Oldest Amusement Park


Book Description

Idlewild and SoakZone has charmed people across Western Pennsylvania and beyond since the late 1800s. The park was developed by Pittsburgh's Mellon family as a picnic grove to boost traffic on the Ligonier Valley Rail Road. When C.C. Macdonald took the helm in 1931, rides, entertainment and other attractions came to Idlewild over the next half century, along with the adjacent Story Book Forest. After joining the Kennywood family of amusement parks, Idlewild added a Wild West town, Mister Rogers' Neighborhood of Make-Believe and a water slide complex. Author Jennifer Sopko tells the heartwarming history of a Pennsylvania amusement park that continues to delight generations of families.




Haunting Experiences


Book Description

Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.







Trinity's Child


Book Description




Performance Artists Talking in the Eighties


Book Description

Performance artist Linda Montano, curious about the influence childhood experience has on adult work, invited other performance artists to consider how early events associated with sex, food, money/fame, or death/ritual resurfaced in their later work. The result is an original and compelling talking performance that documents the production of art in an important and often misunderstood community. Among the more than 100 artists Montano interviewed from 1979 to 1989 were John Cage, Suzanne Lacy, Faith Ringgold, Dick Higgins, Annie Sprinkle, Allan Kaprow, Meredith Monk, Eric Bogosian, Adrian Piper, Karen Finley, and Kim Jones. Her discussions with them focused on the relationship between art and life, history and memory, the individual and society, and the potential for individual and social change. The interviews highlight complex issues in performance art, including the role of identity in performer-audience relationships and art as an exploration of everyday conventions rather than a demonstration of virtuosity.







Bad Boys


Book Description

The film noir male is an infinitely watchable being, exhibiting a wide range of emotions, behaviors, and motivations. Some of the characters from the film noir era are extremely violent, such as Neville Brand’s Chester in D.O.A. (1950), whose sole pleasure in life seems to come from inflicting pain on others. Other noirs feature flawed authority figures, such as Kirk Douglas’s Jim McLeod in Detective Story (1951), controlled by a rigid moral code that costs him his marriage and ultimately his life. Others present ruthless crime bosses, hapless males whose lives are turned upside down because of their ceaseless longing for a woman, and even courageous men on the right side of the law. The private and public lives of more than ninety actors who starred in the films noirs of the 1940s and 1950s are presented here. Some of the actors, such as Humphrey Bogart, Kirk Douglas, Burt Lancaster, Edward G. Robinson, Robert Mitchum, Raymond Burr, Fred MacMurray, Jack Palance and Mickey Rooney, enjoyed great renown, while others, like Gene Lockhart, Moroni Olsen and Harold Vermilyea, were less familiar, particularly to modern audiences. An appendix focuses on the actors who were least known but frequently seen in minor roles.