Author : Umberto Eco
Publisher :
Page : 116 pages
File Size : 43,39 MB
Release : 1989
Category : Literary Criticism
ISBN :
In this short discussion of the Irish modernist writer, the author establishes a link between the mind of James Joyce and medieval theology. He shows how Joyce's fiction was suffused by his reading of St. Thomas Aquinas, Giordano Bruno and Nicola da Cusa and the book creates a dialogue between the saint, the novelist and the critic.
Author : Cristina Farronato
Publisher : University of Toronto Press
Page : 268 pages
File Size : 45,88 MB
Release : 2003-01-01
Category : Literary Criticism
ISBN : 9780802085863
While Umberto Eco's intellectual itinerary was marked by his early studies of post-Crocean aesthetics and his spectacular concentration on linguistics, information theory, structuralism, semiotics, cognitive science, and media studies, what constitutes the peculiarity of his critical and fiction writing is the tension between a typically medieval search for a code and the hermeneutic representative of deconstructive tendencies. This tension between cosmos and chaos, order and disorder, is reflected in the word chaosmos. In this brilliant assessment of the philosophical basis of Eco's critical and fictional writing, Cristina Farronato explores the other distinctive aspect of Eco's thought - the struggle for a composition of opposites, the outcome deriving from his ability to elicit similar contrasts from the past and re-play them in modern terms. Focusing principally on how Eco's scholarly background influenced his study of semiotics, Farronato analyzes The Name of the Rose in relation to William of Ockham's epistemology, C.S. Peirce's work on abduction, and Wittgenstein's theory of language. She discusses Foucault's Pendulum as an explicit comment on the modern debate on interpretation through a direct reference to Early Modern hermetic thought, correlates The Island of the Day Before as a postmodern mixture of science and superstition, and reviews Baudolino as an historical/fantastic novel that once again situates the Middle Ages in a postmodern context. Eco's Chaosmos demonstrates how Eco's use of semiotic theory is important for an understanding of the postmodern aspects of today's literature and culture.
Author : Umberto Eco
Publisher : Harvard University Press
Page : 306 pages
File Size : 49,2 MB
Release : 1988
Category : Philosophy
ISBN : 9780674006768
The well-known Italian semiotician and novelist Umberto Eco discloses for the first time to English-speaking readers the unsuspected richness, breadth, complexity, and originality of the aesthetic theories advanced by the influential medieval thinker Thomas Aquinas, heretofore known principally as a scholastic theologian. Inheriting his basic ideas and conceptions of art and beauty from the classical world, Aquinas transformed or modified these ideas in the light of Christian theology and of developments in metaphysics and optics during the thirteenth century. Setting the stage with an account of the vivid aesthetic and artistic sensibility that flourished in medieval times, Eco examines Aquinas's conception of transcendental beauty, his theory of aesthetic perception or visio, and his account of the three conditions of beauty--integrity, proportion, and clarity--that, centuries later, emerged again in the writings of the young James Joyce. He examines the concrete application of these theories in Aquinas's reflections on God, mankind, music, poetry, and scripture. He discusses Aquinas's views on art and compares his poetics with Dante's. In a final chapter added to the second Italian edition, Eco examines how Aquinas's aesthetics came to be absorbed and superseded in late medieval times and draws instructive parallels between Thomistic methodology and contemporary structuralism. As the only book-length treatment of Aquinas's aesthetics available in English, this volume should interest philosophers, medievalists, historians, critics, and anyone involved in poetics, aesthetics, or the history of ideas.
Author : Philip Kuberski
Publisher : SUNY Press
Page : 232 pages
File Size : 21,1 MB
Release : 1994-01-01
Category : Literary Criticism
ISBN : 9780791419137
This book shows how writers like James Joyce, James Merrill, and Doris Lessing; scientists like Gregory Bateson, Ilya Prigogine, and David Bohm; and theorists like Jacques Derrida, Jacques Lacan, and Michel Serres forecasted and initiated a shift away from modernist conceptions of the world as a machine; the self as an isolated, enclosed principle, and representation as a reductive survey of the world and the self. The focus of this book is the "chaosmos" (a Joycean coinage) apparent within the atom and also within analogous "nuclear" sites such as the self, the word, the organism, and the world. By "chaosmos," Kuberski intends a unitary and yet untotalized--a chiasmic--concept of the world as a field of inevitable and intermittent interference and convergence, a multi-leveled complexity from which emerge organisms, languages, and selves. In exploring and mapping chaosmos, Kuberski emphasizes significant convergences of literary and philosophic, deconstructive and organistic, Eastern and Western, and scientific and humanistic points of view.
Author : Umberto Eco
Publisher : Harvard University Press
Page : 324 pages
File Size : 11,71 MB
Release : 1989
Category : Art
ISBN : 9780674639768
This book is significant for its concept of "openness"--the artist's decision to leave arrangements of some constituents of a work to the public or to chance--and for its anticipation of two themes of literary theory: the element of multiplicity and plurality in art, and the insistence on literary response as an interaction between reader and text.
Author : Martin Meisel
Publisher : Columbia University Press
Page : 604 pages
File Size : 28,4 MB
Release : 2016-01-05
Category : Literary Criticism
ISBN : 0231540469
The stories we tell in our attempt to make sense of the world—our myths and religion, literature and philosophy, science and art—are the comforting vehicles we use to transmit ideas of order. But beneath the quest for order lies the uneasy dread of fundamental disorder. True chaos is hard to imagine and even harder to represent. In this book, Martin Meisel considers the long effort to conjure, depict, and rationalize extreme disorder, with all the passion, excitement, and compromises the act provokes. Meisel builds a rough history from major social, psychological, and cosmological turning points in the imagining of chaos. He uses examples from literature, philosophy, painting, graphic art, science, linguistics, music, and film, particularly exploring the remarkable shift in the eighteenth and nineteenth centuries from conceiving of chaos as disruptive to celebrating its liberating and energizing potential. Discussions of Sophocles, Plato, Lucretius, Calderon, Milton, Haydn, Blake, Faraday, Chekhov, Faulkner, Wells, and Beckett, among others, are matched with incisive readings of art by Brueghel, Rubens, Goya, Turner, Dix, Dada, and the futurists. Meisel addresses the revolution in mapping energy and entropy and the manifold effect of thermodynamics. He then uses this chaotic frame to elaborate on purpose, mortality, meaning, and mind.
Author : Douglass Merrell
Publisher : Springer
Page : 295 pages
File Size : 34,98 MB
Release : 2017-06-05
Category : Philosophy
ISBN : 3319547895
This book provides a philosophical overview of Umberto Eco's historical and cultural development as a unique, internationally recognized public intellectual who communicates his ideas to both an academic and a popular audience. It describes Eco’s intellectual development from his childhood during World War II and student involvement as a Catholic youth activist and scholar of the Middle Ages, to his early writings on the "openness" of modern works such as Joyce's Finnegans Wake. Merrell also explores Eco’s pioneering role in semiotics and his later career as a novelist.
Author : Félix Guattari
Publisher : Indiana University Press
Page : 148 pages
File Size : 29,21 MB
Release : 1995
Category : Philosophy
ISBN : 9780253210043
Guattari's final book is a succinct summary of his socio-philosophical outlook. It includes critical reflections on Lacanian psychoanalysis, structuralism, information theory, postmodernism, and the thought of Heidegger, Bakhtin, Barthes, and others.
Author : Irene Rima Makaryk
Publisher : University of Toronto Press
Page : 676 pages
File Size : 47,1 MB
Release : 1993-01-01
Category : Literary Criticism
ISBN : 9780802068606
The last half of the twentieth century has seen the emergence of literary theory as a new discipline. As with any body of scholarship, various schools of thought exist, and sometimes conflict, within it. I.R. Makaryk has compiled a welcome guide to the field. Accessible and jargon-free, the Encyclopedia of Contemporary Literary Theory provides lucid, concise explanations of myriad approaches to literature that have arisen over the past forty years. Some 170 scholars from around the world have contributed their expertise to this volume. Their work is organized into three parts. In Part I, forty evaluative essays examine the historical and cultural context out of which new schools of and approaches to literature arose. The essays also discuss the uses and limitations of the various schools, and the key issues they address. Part II focuses on individual theorists. It provides a more detailed picture of the network of scholars not always easily pigeonholed into the categories of Part I. This second section analyses the individual achievements, as well as the influence, of specific scholars, and places them in a larger critical context. Part III deals with the vocabulary of literary theory. It identifies significant, complex terms, places them in context, and explains their origins and use. Accessibility is a key feature of the work. By avoiding jargon, providing mini-bibliographies, and cross-referencing throughout, Makaryk has provided an indispensable tool for literary theorists and historians and for all scholars and students of contemporary criticism and culture.
Author : Renato Barilli
Publisher : U of Minnesota Press
Page : 196 pages
File Size : 20,21 MB
Release : 1993
Category : Philosophy
ISBN : 9780816621194
"A Course on Aesthetics" offers a broad perspective of current scholarship in aesthetics without favouring any one particular school, discipline, or ideology. Written in an elegant and clear style, Barilli's text explores the basic inherent structures of human thought about the classification and evaluation of the arts. Barilli avoids any binding or dogmatic conclusions about artistic assessment in his consideration of both historical and more current art forms such as video and performance art. In doing so, he presents a contemporary account of a scholarly concern. In "A Course on Aesthetics", Barilli examines the aesthetic experience in general, the passage from aesthetics to art, the "user" of art, and the critic. In his brilliant analyses of the phenomenology of various forms of art - from literature to music, from painting to art, from theatre to television - he discusses the relationship between representation and expression, touching on many of the major questions debated in contemporary criticism. A bibliography provides direction for further study of the history of aesthetics as a discipline. Renato Barilli has published numerous books in Italian on poetics, cultural theory, and contemporary art, including "Culturologia e Fenomenologia Degli Stili", L'Arte Contemporanea", and "Il Ciclo Del Postmoderno". The University of Minnesota Press has also published a translation of his "Rhetoric" (1989). Karen Pinkus is translator of Giorgio Agamben's "Language and Death" (Minnesota, 1991).
