The Age of Caricature


Book Description

A study of history and satire in cartoons of the late eighteenth century.




Visualizing the Text


Book Description

This volume presents in-depth and contextualized analyses of a wealth of visual materials. The images included in the book provide readers with a mesmerizing and informative glimpse into how the early modern world was interpreted by image-makers and presented to viewers during a period that spans from manuscript culture to the age of caricature.




Infinite Jest


Book Description

Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 13, 2011-Mar. 4, 2012.




The Politics of Parody


Book Description

This engaging study explores how the works of Shakespeare, Milton, Swift, and others were taken up by caricaturists as a means of helping the eighteenth-century British public make sense of political issues, outrages, and personalities. The first in-depth exploration of the relationship between literature and visual satire in this period, David Taylor’s book explores how great texts, seen through the lens of visual parody, shape how we understand the political world. It offers a fascinating, novel approach to literary history.




Edmund Burke


Book Description

For more than thirty years until his death in 1797, the statesman and writer Edmund Burke was a powerful and passionate voice on the great political issues of late eighteenth-century Britain. The broad range of his interests, as well as his Irish origins and his Catholic connections, made Burke a favorite target of such vitriolic and sometimes scurrilous caricaturists as Gillray, Rowlandson, Dent, and Sayers. This book follows and sheds new light on Burke's political, literary, and personal life by examining a wide selection of the caricatures in which he was featured. Nicholas Robinson puts the caricatures in context by reconstructing the day-to-day episodes of social and parliamentary activity and by reviewing the debates that took place about such issues as the influence of the Crown, relations with America, the governance of India, and the French Revolution. He shows how caricature was forged into a formidable political weapon, unravels the caricaturists' devices in representing the mannerisms and characteristics of Burke and his contemporaries, and investigates how Burke and other political figures, including Charles James Fox, William Pitt, George III, Lord North, and the Prince of Wales, fared as the subjects of the satirical prints. Robinson demonstrates that Catholic entryism, party politics, economic reform, aesthetics, good governance, the constitutional role of the monarch, the role and conduct of his heir, radicalism, and dissent were all treated pungently, facetiously, and often savagely in the prints. And from them emerges a fresh portrait of Burke as a person, statesman, intellectual, and man of honor.




Richard Newton and English Caricature in the 1790s


Book Description

This book marks the rediscovery, in the bicentenary year of his death in 1798, of a master of the burlesque, the caricaturist Richard Newton, who was soon forgotten, in part because of the bawdy nature of many of his prints. From the age of fourteen until his early death at twenty-one, this young Londoner etched a stream of hilarious satires of royalty, politicians, greedy churchmen, actresses and courtesans. Most of his prints were published by William Holland, a man of literary tastes who wrote the clever dialogues on many of the prints; some of Newton's most fascinating prints are those of Holland and fellow prisoners in Newgate where Holland was imprisoned for his radical activities in 1793-4. The book contains a checklist of three hundred single sheet prints by Newton; sixty are illustrated in colour, together with four of his watercolours.




The Art of Satire


Book Description

Catalog of an exhibition, Satirical London, held at the Museum of London, April-September 2006.




Defining John Bull


Book Description

Defining John Bull demonstrates that caricature played a vital role in the redefinition of what it meant to be British. The public's increasing interest in political controversies meant that satirists turned their attention to individuals and the issues involved. This long reign was marked by political crises, both foreign and domestic and caricaturists responded with an outpouring of work that led the era to be called the 'golden age' of caricature. These multitudinous prints, produced in response to public demands and sensitive to public attitudes, indicate the redefinition of existing ideals.







Romanticism and Caricature


Book Description

A lively, richly illustrated study of iconic caricatures, showing the interrelationship between art, satire and politics in the Romantic period.