If These Stones Could Talk


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'A heavenly book, elegant and thoughtful. Get one for yourself and one for the church-crawler in your life!' Lucy Worsley Christianity has been central to the lives of the people of Britain and Ireland for almost 2,000 years. It has given us laws, customs, traditions and our national character. From a persecuted minority in Roman Britannia through the 'golden age' of Anglo-Saxon monasticism, the devastating impact of the Vikings, the alliance of church and state after the Norman Conquest to the turmoil of the Reformation that saw the English monarch replace the Pope and the Puritan Commonwealth that replaced the king, it is a tangled, tumultuous story of faith and achievement, division and bloodshed. In If These Stones Could Talk Peter Stanford journeys through England, Scotland, Wales and Ireland to churches, abbeys, chapels and cathedrals, grand and humble, ruined and thriving, ancient and modern, to chronicle how a religion that began in the Middle East came to define our past and shape our present. In exploring the stories of these buildings that are still so much a part of the landscape, the details of their design, the treasured objects that are housed within them, the people who once stood in their pulpits and those who sat in their pews, he builds century by century the narrative of what Christianity has meant to the nations of the British Isles, how it is reflected in the relationship between rulers and ruled, and the sense it gives about who we are and how we live with each other. 'There is no better navigator through the space in which art, culture and spirituality meet than Peter Stanford' Cole Moreton, Independent on Sunday




Picts and Britons in the Early Medieval Irish Church


Book Description

"A study of the lives and legacy of Picts and Britons in the Irish Church, looking at their impact on early medieval Irish society and how this impact came to be perceived in later centuries. Between the fifth and ninth centuries AD, the peoples of Britain, Ireland, and their surrounding islands were constantly interacting, sharing cultures and ideas that shaped and reshaped their communities and the way they lived. The influence of religious figures from Ireland on the development of the Church in Britain was profound, and the fame of monasteries such as Iona, which they established, remains to this day. Yet with the exception of St Patrick, far less attention has been paid to the role of the Britons and Picts who travelled west into Ireland, despite their equally significant impact. This book aims to redress the balance by offering a detailed exploration of the evidence for British and Pictish men and women in the early medieval Irish Church, and asking what we can piece together of their lives from the often fragmentary sources. It also considers the ways in which writers of later ages viewed these migrants, and examines how the shaping of the migration narrative throughout the centuries had a major effect on the way that the earliest centuries of the church came to be viewed in later years in both Scotland and Ireland. In doing so, this volume offers important new insights into our understanding of the relationships between Britain and Ireland in this period.00Oisín Plumb is originally from Edinburgh. He completed his PhD in Scottish History at the University of Edinburgh in 2016. He now lives in Orkney, where he is a lecturer at the Institute for Northern Studies at the University of the Highlands and Islands."--Page 4 de la couverture




Churches in Early Medieval Ireland


Book Description

This is the first book devoted to churches in Ireland dating from the arrival of Christianity in the fifth century to the early stages of the Romanesque around 1100, including those built to house treasures of the golden age of Irish art, such as the Book of Kells and the Ardagh chalice. � Carrag�in's comprehensive survey of the surviving examples forms the basis for a far-reaching analysis of why these buildings looked as they did, and what they meant in the context of early Irish society. � Carrag�in also identifies a clear political and ideological context for the first Romanesque churches in Ireland and shows that, to a considerable extent, the Irish Romanesque represents the perpetuation of a long-established architectural tradition.




The Ancient British Church


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Cáin Adamnáin


Book Description