The Ancient Music of Ireland


Book Description

This invaluable collection of Irish song is enriched by a 100-page preface and followed by 151 Irish airs arranged for piano, with songs' Irish names, authors, and dates of composition.




The Ancient Music of Ireland Arranged for Piano


Book Description

Edward Bunting (1773–1843), the first systematic collector of Irish folksongs, was educated as an organ and piano player in Belfast. His life's work fell upon him at nineteen years old, when he was commissioned as a scribe to notate performances at a gathering of traditional harp players in Belfast in July 1792. He was so inspired by the music that, aided by some of the harpers, he embarked immediately upon travels around northwest Ireland to collect some of the old songs already close to disappearing. He published his first collection of Irish music four years later. In that volume and two later ones, he published almost 300 airs—some of them, according to tradition, dating as far back as the tenth century—and practically single-handedly rescued his country's ancient music from oblivion. The present collection, the last of Bunting's three such gatherings, contains 151 Irish airs arranged for piano, with the Irish names of the airs, their authors, and (where known) their dates of composition. Hard to find elsewhere, this is an indispensable book not only for students or lovers of Irish music, but also for students of general music history.




Ancient Irish airs and dances


Book Description

From the hopeful anticipation of Mary, do you fancy me? to the bitterness of Hag, you've killed me, this extraordinary compilation of Irish melodies runs the emotional gamut, with melancholy airs and sprightly reels aplenty. Its source material, The Petrie Collection of the Ancient Music of Ireland, ranks among the most important 19th-century collections of traditional Irish music, with its song texts in both Irish and English, plus George Petrie's detailed notes about the music's origins. Out of print for many years, the Petrie Collection became an extremely rare and much sought-after collector's item; this new edition will bring the cherished old songs into the repertoire of any student or performer of traditional Irish music.




Ancient Irish Music


Book Description




O’Carolan King of the Blind


Book Description

O'Carolan: King of the Blind � Cearbhall�in: R� na nDall The Songs and Music of Turlough O'Carolan, by Chad McAnally. A collection of new settings of 33 pieces and 5 songs of Ireland's legendary blind harper (1670-1738). The music was edited from early sources and arranged in the style of his age for the Irish harp, for other melody instruments and three pieces scored for small ensemble. Includes five songs with his original lyrics in the Irish language with English translations of the song texts. Also includes an introduction to the composer's life and work, a discussion of the basis of the harp arrangements, a useful guide to notation, to the old Irish playing techniques and notes on the historical background of the pieces.




Journal of the Folk-Song Society


Book Description

Contains music.







The Dublin Magazine


Book Description




The Musical Traditions of Northern Ireland and Its Diaspora


Book Description

Northern Ireland remains a divided community in which traditional culture is widely understood as a marker of religious affiliation and ethnic identity. David Cooper provides an analysis of the characteristics of traditional music performed in Northern Ireland, as well as an ethnographic and ethnomusicological study of a group of traditional musicians from County Antrim. In particular, he offers a consideration of the cultural dynamics of Northern Ireland with respect to traditional music.




A History of Irish Women's Poetry


Book Description

A History of Irish Women's Poetry is a ground-breaking and comprehensive account of Irish women's poetry from earliest times to the present day. It reads Irish women's poetry through many prisms – mythology, gender, history, the nation – and most importantly, close readings of the poetry itself. It covers major figures, such as Máire Mhac an tSaoi, Eavan Boland, Eiléan Ní Chuilleanáin, as well as neglected figures from the past. Writing in both English and Irish is considered, and close attention paid to the many different contexts in which Irish women's poetry has been produced and received, from the anonymous work of the early medieval period, through the bardic age, the coterie poets of Anglo-Ireland, the nationalist balladeers of Young Ireland, the Irish Literary Revival, and the advent of modernity. As capacious as it is diverse, this book is an essential contribution to scholarship in the field.